Last month I asked my friends to write about books they loved (you can read all the essays here). This month, I invited them to write about their favorite graphic novels, and they selected some excellent titles. I hope you enjoy them! (Read all the Great Graphic Novel essays here.) -- Mark
My first experience of what I would call a graphic novel was this strange hardcover book I found when I was a kid on a sleepover. I couldn't sleep because I was allergic to the cats that kept climbing on top of me in the bed, so I went into the living room and started looking at their books. And I found a volume like nothing I had ever seen: an old, hardcover book with no words. It was the 1929 edition of a "novel in woodcuts" called Gods' Man, by Lynd Ward.
At first I thought it was a collection of pictures, until I began at the beginning and realized it was meant to be a story. I don't remember the plot so very well -- something about an artist fighting against internal, external, and metaphysical obstacles. But it impacted me in the epic way some other visual work of the early 1900's hit me, such as Metropolis or the big Napoleon movie. Or even some sort of Kurt Weill opera. Or Ibsen's Peer Gynt.
It's a hundred or so prints in thick black and white, and I didn't consider it a comic at the time -- just some strange artifact of an art form that no one else pursued. And only now does the graphic novel world seem developed enough to experiment with wordless, operatic narratives like this.
God's Man, by Lynd Ward
It’s been seven years since we previewed Theft: A History of Music, a comic book that explains the complicated history of music, borrowing, control and copyright, created by a dynamic duo of witty copyright law professors from Duke University as a followup to the greatest law-comic ever published: the book was due out years ago, but the untimely and tragic death of illustrator Keith Aoki delayed it — until today.
The fabulous Shelly Bond, former DC Vertigo editor and head honcho, just launched a kickstarter for an anthology called Femme Magnifique that she’s doing in conjunction with Kristy and Brian Miller at HiFi Color.
The Science Fiction Writers of America has released the ballot for this year’s Nebula awards, nominated for and voted upon by the organization’s members; the ballot lists novellas, short stories, novelettes, YA novels (the Andre Norton award), dramatic presentations (the Bradbury award), and novels — including two debut novels I reviewed in 2016: Nisi Shawl’s […]
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