Last month I asked my friends to write about books they loved (you can read all the essays here). This month, I invited them to write about their favorite graphic novels, and they selected some excellent titles. I hope you enjoy them! (Read all the Great Graphic Novel essays here.) -- Mark
My first experience of what I would call a graphic novel was this strange hardcover book I found when I was a kid on a sleepover. I couldn't sleep because I was allergic to the cats that kept climbing on top of me in the bed, so I went into the living room and started looking at their books. And I found a volume like nothing I had ever seen: an old, hardcover book with no words. It was the 1929 edition of a "novel in woodcuts" called Gods' Man, by Lynd Ward.
At first I thought it was a collection of pictures, until I began at the beginning and realized it was meant to be a story. I don't remember the plot so very well -- something about an artist fighting against internal, external, and metaphysical obstacles. But it impacted me in the epic way some other visual work of the early 1900's hit me, such as Metropolis or the big Napoleon movie. Or even some sort of Kurt Weill opera. Or Ibsen's Peer Gynt.
It's a hundred or so prints in thick black and white, and I didn't consider it a comic at the time -- just some strange artifact of an art form that no one else pursued. And only now does the graphic novel world seem developed enough to experiment with wordless, operatic narratives like this.
God's Man, by Lynd Ward
For the past couple of years, I’ve been making the case, at HILOBROW and in the UNBORED books I’ve co-authored, that the Sixties (1964–1973, according to my non-calendrical schema) were a golden age for YA and YYA adventures. In no particular order, here’s my list of the Best YA and YYA Lit of 1967. Happy […]
Fletcher Hanks comics are incredibly violent, incredibly stupid, and incredibly beautiful. His first published work appeared in 1939, only months after the first Superman story ran, and his last work appeared in 1941. Then he disappeared.
All 53 of his batshit crazy tales have been reprinted in “Turn Loose Our Death Rays And Kill Them All!: The Complete Works Of Fletcher Hanks.” They are likely to pop your eyes, blow your mind, and leave you speechless. Shortly before his death, Kurt Vonnegut wrote that, “The recovery of these treasures is in itself a major work of art.”
Rules for Revolutionaries: How Big Organizing Can Change Everything is a book by Bernie Sanders advisor Becky Bond and netroots pioneer Zack Exley.
Looking to upgrade your weekend? Here are three randomly awesome products on my mind this week.#3 FRESHeBUDS Pro Magnetic Bluetooth EarbudsAs more and more phones and gadgets switch to Bluetooth-only compatibility, you’ll need to get Bluetooth headphones like the rest of us. I’ve been super impressed with these affordable magnetic headphones. Pull the magnetic earbuds apart to auto-connect […]
Traditional folding wallets are designed for paper bills—but these days, carrying cash is rarely a necessity. More often than not, I don’t carry cash at all. This Bogui Clik Wallet is the best answer I’ve found for avoiding the hassle of those tight-fitting credit card pockets.This attractive, minimalist wallet features a protective lip, so my cards don’t […]
Using my iPhone while it’s charging is always a hassle. With tucked-away outlets and the meager length of included lightning cables, comfortable scrolling while plugged in is annoying. These 10-Ft MFi-Certified Lightning Cables are super convenient and probably the best iPhone accessory purchase I’ve made.At over three times the length of normal cables, these reach anywhere you […]