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	<title>Comments on: The music of the&#160;primes</title>
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	<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html</link>
	<description>Brain candy for Happy Mutants</description>
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	<item>
		<title>By: Boundegar</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551733</link>
		<dc:creator>Boundegar</dc:creator>
		<pubDate>Tue, 09 Oct 2012 01:09:00 +0000</pubDate>
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		<description>It&#039;s not torture, it&#039;s enhanced interrogation, citizen.</description>
		<content:encoded><![CDATA[<p>It&#8217;s not torture, it&#8217;s enhanced interrogation, citizen.</p>
]]></content:encoded>
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	<item>
		<title>By: batchild</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551647</link>
		<dc:creator>batchild</dc:creator>
		<pubDate>Mon, 08 Oct 2012 23:39:00 +0000</pubDate>
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		<description>My son was so very disappointed this wasn&#039;t Chocolate Rain.</description>
		<content:encoded><![CDATA[<p>My son was so very disappointed this wasn&#8217;t Chocolate Rain.</p>
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	<item>
		<title>By: spacecoastweb</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551235</link>
		<dc:creator>spacecoastweb</dc:creator>
		<pubDate>Mon, 08 Oct 2012 15:53:00 +0000</pubDate>
		<guid isPermaLink="false">http://boingboing.net/?p=185773#comment-1551235</guid>
		<description>I&#039;ve long been interested in mathematically generated music.About 12 or 13 years ago I found a cool little freeware program that creates midi files based on a mathematical sequence related to the Prouhet-Thue-Morse sequence. 

The human ear finds self-similarity pleasing, so the Prouhet-Thue-Morse sequence and related sequences seem to be good candidates for music generation. The complexity of this generated music, (when several sequences are mapped to different instruments and played alongside one another), is astounding.

MusiNum - The Music in the Numbers http://reglos.de/musinum/</description>
		<content:encoded><![CDATA[<p>I&#8217;ve long been interested in mathematically generated music.About 12 or 13 years ago I found a cool little freeware program that creates midi files based on a mathematical sequence related to the Prouhet-Thue-Morse sequence. </p>
<p>The human ear finds self-similarity pleasing, so the Prouhet-Thue-Morse sequence and related sequences seem to be good candidates for music generation. The complexity of this generated music, (when several sequences are mapped to different instruments and played alongside one another), is astounding.</p>
<p>MusiNum &#8211; The Music in the Numbers <a href="http://reglos.de/musinum/" rel="nofollow">http://reglos.de/musinum/</a></p>
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	<item>
		<title>By: Robert Holmén</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551228</link>
		<dc:creator>Robert Holmén</dc:creator>
		<pubDate>Mon, 08 Oct 2012 15:44:00 +0000</pubDate>
		<guid isPermaLink="false">http://boingboing.net/?p=185773#comment-1551228</guid>
		<description> Interesting... but not for long.

The one time I got an &quot;A&quot; as a music composition student at the U of North Texas was for my procedural music program for a Commodore-64:

http://youtu.be/Qa1EyMyNbgo

My professor was gobsmacked that I was doing something with my C-64 that he couldn&#039;t do with his $10,000 &quot;Synclavier&quot;.  That&#039;s when i decided to stop &quot;studying&quot; composition.

</description>
		<content:encoded><![CDATA[<p> Interesting&#8230; but not for long.</p>
<p>The one time I got an &#8220;A&#8221; as a music composition student at the U of North Texas was for my procedural music program for a Commodore-64:</p>
<p><a href="http://youtu.be/Qa1EyMyNbgo" rel="nofollow">http://youtu.be/Qa1EyMyNbgo</a></p>
<p>My professor was gobsmacked that I was doing something with my C-64 that he couldn&#8217;t do with his $10,000 &#8220;Synclavier&#8221;.  That&#8217;s when i decided to stop &#8220;studying&#8221; composition.</p>
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	<item>
		<title>By: Jay Converse</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551207</link>
		<dc:creator>Jay Converse</dc:creator>
		<pubDate>Mon, 08 Oct 2012 15:15:00 +0000</pubDate>
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		<description>So the high G# is the only variable note?  I don&#039;t get it</description>
		<content:encoded><![CDATA[<p>So the high G# is the only variable note?  I don&#8217;t get it</p>
]]></content:encoded>
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	<item>
		<title>By: gluther</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551192</link>
		<dc:creator>gluther</dc:creator>
		<pubDate>Mon, 08 Oct 2012 14:58:00 +0000</pubDate>
		<guid isPermaLink="false">http://boingboing.net/?p=185773#comment-1551192</guid>
		<description>sounds a bit like Hauschka. http://hauschka-net.de/. </description>
		<content:encoded><![CDATA[<p>sounds a bit like Hauschka. http://hauschka-net.de/. </p>
]]></content:encoded>
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	<item>
		<title>By: s2redux</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551188</link>
		<dc:creator>s2redux</dc:creator>
		<pubDate>Mon, 08 Oct 2012 14:54:00 +0000</pubDate>
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		<description>Keith Jarrett &#8212; &lt;i&gt;The M.I.T. Concert&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>Keith Jarrett &mdash; <i>The M.I.T. Concert</i></p>
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		<title>By: Paul Renault</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551187</link>
		<dc:creator>Paul Renault</dc:creator>
		<pubDate>Mon, 08 Oct 2012 14:52:00 +0000</pubDate>
		<guid isPermaLink="false">http://boingboing.net/?p=185773#comment-1551187</guid>
		<description>I find this more pleasing than almost all of Webern&#039;s Variations.  I could listen to it for quite a while.  Twenty-six hours, you say?

Mind you, I&#039;d rather listen to Tenney&#039;s Ergodos II than Vebern.  Maybe if I&#039;d been born in continental Europe, my tastes would be, er, educated?, conforming to expectations?  I find Vebern to be the auditory equivalent of Stieglitz&#039;s Equivalents.  More on that later...

Here&#039;s one I wish would go on for half an hour, Euler&#039;s Samba:
https://www.youtube.com/watch?v=q75IbP6wvP0</description>
		<content:encoded><![CDATA[<p>I find this more pleasing than almost all of Webern&#8217;s Variations.  I could listen to it for quite a while.  Twenty-six hours, you say?</p>
<p>Mind you, I&#8217;d rather listen to Tenney&#8217;s Ergodos II than Vebern.  Maybe if I&#8217;d been born in continental Europe, my tastes would be, er, educated?, conforming to expectations?  I find Vebern to be the auditory equivalent of Stieglitz&#8217;s Equivalents.  More on that later&#8230;</p>
<p>Here&#8217;s one I wish would go on for half an hour, Euler&#8217;s Samba:<br />
<a href="https://www.youtube.com/watch?v=q75IbP6wvP0" rel="nofollow">https://www.youtube.com/watch?v=q75IbP6wvP0</a></p>
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	<item>
		<title>By: 10xor01</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551181</link>
		<dc:creator>10xor01</dc:creator>
		<pubDate>Mon, 08 Oct 2012 14:44:00 +0000</pubDate>
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		<description>&lt;i&gt;26 hours long&lt;/i&gt;

Don&#039;t let the CIA find out about this.</description>
		<content:encoded><![CDATA[<p><i>26 hours long</i></p>
<p>Don&#8217;t let the CIA find out about this.</p>
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	<item>
		<title>By: awjt</title>
		<link>http://boingboing.net/2012/10/08/the-music-of-the-primes.html#comment-1551179</link>
		<dc:creator>awjt</dc:creator>
		<pubDate>Mon, 08 Oct 2012 14:41:00 +0000</pubDate>
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		<description>Dangit, I was hoping for an explainer, to see what they did. </description>
		<content:encoded><![CDATA[<p>Dangit, I was hoping for an explainer, to see what they did. </p>
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