Don't be fooled by the promotional DJ sticker, "Zombie Rave" is in fact a proper full length from weirdo witch house / ghost drag outfit First Flesh, the dead eyed seventies zombie hottie on the cover your first clue as to what lurks inside Zombie Rave, and actually, the jams here sound less Zombie Rave, and more warped new wave chopped and screwed eighties house pop, which is not a bad thing at all. Imagine some Rick Astley style cheesy eighties pop vox slowed way down, to a ghostly, almost Antony (And The Johnsons) sounding dramatic baritone, then lay those vocals over some woozy slo-mo house music, some HI-NRG grooves, sapped of most of their energy, and recast as a sort of symphonic gloom house.
The second track takes those same vocals and wraps them around pulsing synths and ominous tolling bells, the whole thing rife with a 'wrong speed' vibe, a dark drowsy drag, a ghostly house music pop ballad that sounds like it could be the music from some cheesy montage in a seventies zombie arthouse flick.
The flipside starts out with another slab of ghostly draggy gloom pop, the vocals sounding auto-tuned, but instead of tuned up, tuned WAY down. The final track is more pounding and industrial, but mixes in a crazy poppy chorus, a sped up Kesha style radio pop chorus, which sounds so weird with the otherwise gloomy pound, but somehow sounds so cool at the same time! Fans of weirdo witch house will dig for sure, and folks who like the warped pop of Ariel Pink, John Maus and the like, might also find themselves getting into FF quite a bit...
First Flesh "Zombie Rave" LP
UPDATE: Boing Boing's Rob points out that the source of the Moonlight Shadow track on this album is this track by DDR Music!
Vintage interview with Jonathan Wolff, composer of the iconic Seinfeld theme (and music for Caroline in the City, Full House, Saved by the Bell, and many other shows). “I started with (Seinfeld’s) voice… and took a meter from his delivery, and made that the tempo of the Seinfeld Theme,” Wolff says.
Samuraigutarist recorded his cover of The Beatles’ “Here Comes The Sun” at a very slow tempo that lengthened the song to around 30 minutes. Then he sped up the video and audio 20x. The result sounds like a lovely violin version of the song.
In 1979, Roger Mainwood, just out of the Royal College of Art, created this wonderfully trippy animation for Kraftwerk’s “Autobahn.” It was a commission from the band’s record company but Kraftwerk had no input on the film, and Mainwood says he’s unsure if they even saw it. The fan site KraftwerkOnline tracked down Mainwood and […]
Every company wants to harness the power of social media, but few understand how to make that happen. Be one of those select few with this Social Media Marketing Course & Certification package, now just $29 in the Boing Boing Store.Over 12 modules of course material, you’ll learn what it takes to increase a brand’s […]
If you’ve got a killer app idea, but don’t have the technical expertise to pull it off, get a crash course in all things app development with the Comprehensive Android Development Bundle, now over 90% off in the Boing Boing Store. Across 83 hours of training, you’ll learn to develop for the world’s most popular mobile OS, mastering […]
Jared Sinclair developed the RSS reader app Unread, which made $10,000 in its first 24 hours on the iOS market. And we’ve all heard the story of Flappy Bird developer Dong Nguyen, whose creation was reportedly earning $50,000 a day at the height of its 2013 explosion. While those are rare examples, they’re also testament to the […]