There are many reasons to be grateful to be alive, and owning this brand new facsimile edition of artist Jim Woodring's Moleskine sketchbooks is as good as any.
Jim Woodring is rarely without a pocket-sized Moleskine sketchbook, in which he captures character studies, sight gags, emblems, dream motifs, and other fugitive impressions. He has filled at least one a month for the past 8 years. Problematic collects random images from these sketchbooks from 2004 – 2012. The resulting book is, in Woodring’s words, "an idea battery loaded with shorthand references to long game insights." The exhibition includes drawings, notes, and related ephemera from the collection, resulting in revealing insight into the artist’s creative process.
A longtime Seattle resident, Jim Woodring's idiosyncratic approach to art and storytelling has made him an influential figure in the fields of fine art and alternative comix. His work has been exhibited worldwide and published in several popular volumes by Fantagraphics Books, including The Frank Book, Seeing Things, Weathercraft, and Congress of the Animals.
Jim Woodring’s Problematic art show and book signing Opening reception Saturday, January 12, 6:00 to 9:00 PM
Exhibition continues through February 6, 2013
Fantagraphics Bookstore & Gallery
1201 S. Vale Street, Seattle 206.659.0110
For the past couple of years, I’ve been making the case, at HILOBROW and in the UNBORED books I’ve co-authored, that the Sixties (1964–1973, according to my non-calendrical schema) were a golden age for YA and YYA adventures. In no particular order, here’s my list of the Best YA and YYA Lit of 1967. Happy […]
Fletcher Hanks comics are incredibly violent, incredibly stupid, and incredibly beautiful. His first published work appeared in 1939, only months after the first Superman story ran, and his last work appeared in 1941. Then he disappeared.
All 53 of his batshit crazy tales have been reprinted in “Turn Loose Our Death Rays And Kill Them All!: The Complete Works Of Fletcher Hanks.” They are likely to pop your eyes, blow your mind, and leave you speechless. Shortly before his death, Kurt Vonnegut wrote that, “The recovery of these treasures is in itself a major work of art.”
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