The New York Times's Brooks Barnes has some tantalizing details on "Escape From Tomorrow," the art-house movie I blogged about yesterday, which was shot in part at Walt Disney World and Disneyland:
His cast and crew spent about 10 days filming at Walt Disney World in Orlando, Fla., and two weeks at Disneyland in Anaheim, Calif., he said. The end credits cite the involvement of over 200 cast and crew members, although only small groups entered the Disney parks at one time to avoid drawing attention.
Still, there were moments during filming that Disney clearly knew something was up, Mr. Moore said. “I think they probably just thought we were crazy fans making a YouTube video, which is something that happens a fair amount,” he said. He added, “Look, I have amazing memories as a kid from going to the parks. I think Walt Disney was a genius. I just wish his vision hadn’t grown into something quite so corporate.”
Barnes (and the headline writer) focus on whether this infringes Disney's copyright. Judging from what I've read about the film, this sounds like fair use to me. Film insurers routinely require that filmmakers go far beyond what copyright demands and act as though fair use doesn't exist, but the Stanford Fair Use Center has an insurer that will extend coverage to any film that complies with its broad, sensible fair use guidelines.
Disney World Horror Fantasy Raises Knotty Copyright Issues
Redditor Vadermeer was in a local Goodwill Outlet and happened on a trove of files from Apple engineer Jack MacDonald from 1979-80, when he was manager of system software for the Apple II and ///.
Charles Duan from Public Knowledge sends us “a video we put together for Fair Use Week about copyright and fair use, to the tune of ‘Let It Go’ from Frozen, and full of clips of other fair use videos.”
An excellent excerpt from Aaron Perzanowski and Jason Schultz’s The End of Ownership: Personal Property in the Digital Economy on Motherboard explains how Section 1201 of the 1998 Digital Millennium Copyright Act — which bans tampering with or bypassing DRM, even for legal reasons — has allowed corporations to design their products so that using […]
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