The idea for my final project, an architectural defense against drone warfare, came from the realization that law had no response to drone warfare. My own understanding of the ongoing [War on Terror pseudonym] as a civil rights issue is irrelevant, we only learn civil rights as a historical happening, not a current struggle. But architecture has a proud anti-legal tradition. Architecture is a way to protect people when law chooses not to.
Drones work by detecting patterns, identifying individuals, and extracting data. I dreamed up Shura City (named in honor of Farah Jan’s photoessay on Quetta) to fight against drones with humanity and community. The city is a “black box” impenetrable to data miners and military-trained individuals but it is not a prison. It is instead a gated community, providing its society with sunshine and safety from the scary world outside.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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