The entire editorial board of the Journal of Library Administration resigned en masse. Board member Chris Bourg wrote publicly about the decision, and an open letter elaborates on it, stating that their difference of opinion with publisher Taylor & Francis Group about open access, galvanized by Aaron Swartz's suicide, moved them to quit.
“The Board believes that the licensing terms in the Taylor & Francis author agreement are too restrictive and out-of-step with the expectations of authors in the LIS community.”
“A large and growing number of current and potential authors to JLA have pushed back on the licensing terms included in the Taylor & Francis author agreement. Several authors have refused to publish with the journal under the current licensing terms.”
“Authors find the author agreement unclear and too restrictive and have repeatedly requested some form of Creative Commons license in its place.”
“After much discussion, the only alternative presented by Taylor & Francis tied a less restrictive license to a $2995 per article fee to be paid by the author. As you know, this is not a viable licensing option for authors from the LIS community who are generally not conducting research under large grants.”
Pretty amazing that Taylor & Francis thought that they could convince authors -- who weren't paid in the first place -- to cough up $3000 for the right to use their own work in other contexts. Talk about being out of step with business realities of publishing!
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a “weird-oh,” a “derelict,” a ghoul, a mummy, Frankenstein’s monster, Quasimodo, Mr Hyde, “split face,” and more.
These Japanese robots’ performance of “Robot’s Delight” — an extended, braggadocios riff on the state of AI learning-through-imitation research, with break-dancing — won Best Video at the 2017 ACM/IEEE International Conference on Human Robot Interaction. (via 4 Short Links)
Jonathan Coulton is known for a myriad of distinct accomplishments. The tech professional-turned-musician once conducted a Thing a Week experiment, in which he recorded and published a new song every Friday for a year, produced a cover of Sir Mix-a-Lot’s “Baby Got Back” infamously adopted by the Fox series Glee, regularly contributes to the NPR quiz show “Ask Me Another” as its very own one-man band, and runs his own fan cruise aptly called the JoCo Cruise.
Maybe it’s entirely because of podcast ads, but drag-and-drop tools like Squarespace have gotten immensely popular in recent years. While it’s definitely a great tool for any non-coders who want to get a small website up and running quickly, managing content with a primarily visual interface can become a pain once you have more than […]
When you can’t wait for the world’s longest meeting to end, the mindless leg bouncing makes your boredom obvious and just annoys everybody else. Everyone knows the TPS reports need the damn cover sheet, but some sadistic colleague keeps forgetting, probably on purpose just to eat into your lunch hour. Enough is enough!While serving a […]
What could be more fun than a slingshot that shoots tiny airplanes? A slingshot that shoots tiny glowing airplanes of course! These toy planes are outfitted with ultra-bright LEDs, so you can fly all night without losing them in the trees.Whether you are a regular-sized child, or an overgrown adult one, these light-up flyers offer […]