Russell Brand's obituary for Margaret Thatcher is a beautiful and incisive piece of writing, and a good example of why he's not just another actor:
When I was a kid, Thatcher was the headmistress of our country. Her voice, a bellicose yawn, somehow both boring and boring – I could ignore the content but the intent drilled its way in. She became leader of the Conservatives the year I was born and prime minister when I was four. She remained in power till I was 15. I am, it's safe to say, one of Thatcher's children. How then do I feel on the day of this matriarchal mourning?
I grew up in Essex with a single mum and a go-getter Dagenham dad. I don't know if they ever voted for her, I don't know if they liked her. My dad, I suspect, did. He had enough Del Boy about him to admire her coiffured virility – but in a way Thatcher was so omnipotent; so omnipresent, so omni-everything that all opinion was redundant.
As I scan the statements of my memory bank for early deposits (it'd be a kid's memory bank account at a neurological NatWest where you're encouraged to become a greedy little capitalist with an escalating family of porcelain pigs), I see her in her hairy helmet, condescending on Nationwide, eviscerating eunuch MPs and baffled BBC fuddy duddies with her General Zodd stare and coldly condemning the IRA. And the miners. And the single mums. The dockers. The poll-tax rioters. The Brixton rioters, the Argentinians, teachers; everyone actually.
Thinking about it now, when I was a child she was just a strict woman telling everyone off and selling everything off. I didn't know what to think of this fearsome woman.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.