Damen Corrado from Imperium Pictures let me know about this nice video tribute to MAD creator Harvey Kurtzman. He says "it features a lot of his work from the current exhibition at the Society of Illustrators in NYC, and interviews with Al Jaffee and Bob Grossman, with a jazz soundtrack by Nik Turner of Hawkwind."
Cartoonist Harvey Kurtzman (1924-1993) founded the satirical MAD magazine in 1952 and forever altered the way young readers experienced the media and consumer culture around them. As the late film critic Roger Ebert explained, “I learned to be a movie critic by reading MAD magazine. I learned a lot of other things from the magazine too, including a whole new slant on society. MAD’s parodies made me aware of the machine inside the skin–of the way a movie might look original on the outside, while inside it was just recycling the same dumb old formulas. I did not read the magazine, I plundered it for clues to the universe.”
After MAD, Kurtzman worked with a team of artists including Al Jaffee, Jack Davis and Will Elder on a series of short-lived but influential publications, including Trump, Humbug and Help! At Help!, a fortuitous nexus of nascent sketch comedy and underground “comix,” Kurtzman worked with then unknowns Woody Allen, Gloria Steinem and R. Crumb, among many others. Terry Gilliam, who met John Cleese while working there, considered Kurtzman “one of the godparents of Monty Python.”
Part of Fantagraphics’ fabulous EC Library series, collecting and beautifully-presenting the best of Max and William Gaines’ EC Comics, Bomb Run collects the 50s-era war comics of Kurtzman and Severin.
My friend Jon Lebkowsky (an editor at bOING bOING and the co-founder of Fringe Ware) says, “Your Popeye post sent me to Amazon, where I discovered you can acquire old original issues of Mad Magazine (and various other comics, including Batman #1 and Superman #1) for the Kindle. Best of all, Mad #1 is free!” […]
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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