Austrian avant-garde filmmaker Peter Tscherkassky makes compelling cut-up movies from "found" 16mm and 35mm footage and samples from other movies. All of the frames and clips are treated in the darkroom, without digital tools. For Outer Space (1999), seen above,
Tscherkassky chopped up and decolorized bits from The Entity, a 1982 horror film starring Barbara Hershey.
The National Endowment For the Arts granted the money for the first Sundance Institute lab in 1982. The program’s grown to help some of the biggest filmmakers working today: Quentin Tarantino, Paul Thomas Anderson, Kimberly Peirce, and Darren Aronofsky, among countless independent voices. Esquire profiles just seven.
You know the drill. You go to the dentist and they ask you how often you floss. You lie through your teeth and say, “every day!” (Bonus points if you have some cilantro or chives stuck in your gums from lunch). You don’t want to keep up the charade any longer, but rubbing that tiny strand […]
The Raspberry Pi Foundation has done outstanding work packing a fully capable desktop computer into a package the size of a deck cards—especially one that only costs $35. But if you already have a working laptop, why should you care? Oh, how much you have to learn. Besides operating well as a compact digital media hub, […]
Custom coffee vessels are the perfect piece of office flair, but it’s just a matter of time before your VOTE FOR PEDRO mug will start to lose its relevant wit. Why not have a new one every day, with whatever silly nonsense you want sticking off the sides? You can save big on your novelty […]