At The Atlantic, Joe Fassler votes for an infamous passage from Cormac McCarthy's The Road:
He started down the rough wooden steps. He ducked his head and then flicked the lighter and swung the flame out over the darkness like an offering. Coldness and damp. An ungodly stench. He could see part of a stone wall. Clay floor. An old mattress darkly stained. He crouched and stepped down again and held out the light. Huddled against the back wall were naked people, male and female, all trying to hide, shielding their faces with their hands. On the mattress lay a man with his legs gone to the hip and the stumps of them blackened and burnt. The smell was hideous.
Jesus, he whispered.
Then one by one they turned and blinked in the pitiful light. Help us, they whispered. Please help us.
The key, he adds: "What is revealed is even more terrifying that what I could have imagined."
The Apprehension Engine is a custom-made musical instrument designed to produce the scary, tension-building noises associated with horror movies, but without the all-too-obvious digital chopping and synthesizing invariably involved. The result is something organic and seamlessly natural—something that goes beyond fear and fright to nail you to some deep Jungian place so completely you become […]
Emil Ferris’s graphic novel debut My Favorite Thing is Monsters may just be the best graphic novel of 2017, and is certainly the best debut I’ve read in the genre, and it virtually defies summarizing: Karen is a young girl in a rough Chicago neighborhood is obsessed with monsters and synthesia, is outcast among her friends, is queer, is torn apart by the assassination of Martin Luther King, by her mother’s terminal illness, by the murder of the upstairs neighbor, a beautiful and broken Holocaust survivor, by her love for her Vietnam-draft-eligible brother and her love of fine art.
There are plenty of extremely talented young women who make good money running social media feeds of their fantastic makeup artistry, but they don’t have a patch on the artistry of the women and girls who specialize in horror makeup effects, perfecting and sharing techniques for the grossest, greatest prosthetic-and-paint monster and gore effects.
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