I wish I did have the time to reply to everybody individually but I don’t. I think I’ll only comment on any of the posts if there’s something factually wrong mentioned in them, and so far the only point I can remember is one where an ex-neighbour of ours recalled (in an otherwise entirely kind and welcome comment) me telling him, years ago, that my SF novels effectively subsidised the mainstream works. I think he’s just misremembered, as this has never been the case. Until the last few years or so, when the SF novels started to achieve something approaching parity in sales, the mainstream always out-sold the SF – on average, if my memory isn’t letting me down, by a ratio of about three or four to one. I think a lot of people have assumed that the SF was the trashy but high-selling stuff I had to churn out in order to keep a roof over my head while I wrote the important, serious, non-genre literary novels. Never been the case, and I can’t imagine that I’d have lied about this sort of thing, least of all as some sort of joke. The SF novels have always mattered deeply to me – the Culture series in particular – and while it might not be what people want to hear (academics especially), the mainstream subsidised the SF, not the other way round. And… rant over.
Banks is dying of cancer, and it's an awful shame.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.