Regular readers will know that there's a hard press to put DRM in the next version of HTML, which is being standardized at the World Wide Web Consortium (WC3), and that this has really grave potential consequences for the open Web that the WC3 has historically fought to build.
EFF is not the only group concerned here. When EME was finally ultimately declared in-scope for the HTML working group, the decision was made by W3C’s executive team, despite discontent among key standards developers and the subsequent protest of more than twenty thousand technologists and groups, including EFF. While disappointment at that decision outside the W3C has been widespread, the debate on the problems of DRM for that the web platform within the consortium has been muted. Its strategic advisory committee of W3C members has until now not spoken on the decision, despite many of that community having privately expressed concern.
EFF has a lot of experience working within these kinds of standards processes in an attempt to combat the effects of DRM. In 2002, we joined the activities of Broadcast Protection Discussion Group to highlight the dangers of its proposed digital TV DRM standard, which briefly became the government-mandated Broadcast Flag before being struck down in the courts. Subsequently we participated in Europe’s Digital Video Broadcasting (DVB) project, as they considered implementing imposing similar controls on European consumers. This new W3C standard comes from exactly same roots: Hollywood's desire to supress innovation and quash othe wishes of individual computer owners.
The entertainment industry's threats to impose control remain the same: if you don’t do as we say, you won’t get our premium content, and your technology will be rendered irrelevant. As we’ve seen with both music, and digital TV, the threat is empty. Commercial content goes where the users are. And users go where their rights and desires are best respected. We think that the guardian of those rights on the Web should be the W3C, and we’re happy to be help it ensure that remains the case.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.