Shardcore writes, "The Tate recently released a 'big data' set of the 70k artworks in their collection. I've been playing with it and finding all sorts of fun to be had. The latest experiment uses the Tate data as a springboard to algorithmically imagine new artworks - 88,577,208,667,721,179,117,706,090,119,168 to be precise."
(that's eighty-eight nonillion, five hundred seventy-seven octillion, two hundred eight septillion, six hundred sixty-seven sextillion, seven hundred twenty-one quintillion, one hundred seventy-nine quadrillion, one hundred seventeen trillion, seven hundred six billion, ninety million, one hundred nineteen thousand, one hundred sixty-eight possible artworks...)
We can imagine machines which spot the items within a representational work (look at Google Goggles, for example) but algorithms which spot the ‘emotions and human qualities’ of an artwork are more difficult to comprehend. These categories capture complex, uniquely human judgements which occupy a space which we hold outside of simple visual perception. In fact I think I’d find a machine which could accurately classify an artwork in this way a little sinister…
The relationships between these categories and the works are metaphorical in nature, allusions to whole classes of human experience that cannot be derived from simply ‘looking at’ the artwork. The exciting part of the Tate data is really the ‘humanity’ it contains, something absolutely essential when we’re talking about art – after all, culture cannot exist without culturally informed entities experiencing it.
It struck me that these are not only representations of existing artworks, but actually the vocabulary and structure required to describe new, as yet un-made, artworks.
Machine Imagined Artworks (2013)
Studio North was commissioned to refit an old elevator shaft in a converted warehouse loft in Calgary; they built a tall, narrow library with climbable shelves whose hand- and foot-holds retract into the shelving.
Libretaxi is an open source project that lets anyone become a rideshare driver in less than a minute; it has more than 20,000 users worldwide, and is maintained by Roman Pushkin, who started the project in December 2016 and is now planning to quit his job and work on it full time.
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You know the drill. You go to the dentist and they ask you how often you floss. You lie through your teeth and say, “every day!” (Bonus points if you have some cilantro or chives stuck in your gums from lunch). You don’t want to keep up the charade any longer, but rubbing that tiny strand […]
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