Glenn sez, "R&B music was pretty bawdy before its entered the era of white appropriation and radio play. Leah Reich, an ethnographer by training and a music lover and singer by love, takes a stroll through some of the filthiest, wonderful era before all this stuff was cleaned up. Tons of links to Youtube videos and other sources."
Best of all, the filth didn’t come just from men. There was wonderful Julia Lee, with “My Man Stands Out,” “I Didn’t Like It the First Time,” and “Don’t Come Too Soon.” The inimitable Helen Humes has a live version of “I’m Gonna Let Him Ride” that’s as glorious for her singing as it is for the way the crowd roars her train on. The fascinating and captivating Nellie Lutcher sang “Hurry On Down.” And of course, there’s the magnificent Dinah Washington singing some of my favorites from the era, “Long John Blues” and “Big Long Slidin’ Thing.”
In fact, one of the most notoriously salacious songs — so raunchy I’ve had otherwise unflappable male friends tell me to turn it off when I played it for them in the car — was an early blues song recorded by Bessie Jackson, also known as Lucille Bogan. She sang many dirty blues songs, long before R&B and jump blues came on the scene, but none so raw as “Shave ’Em Dry II.” I won’t ruin the surprise for anyone who hasn’t heard it.
Dirty R&B [Leah Reich/The Magazine]
As Oracle desperately tries to reanimate its wretched, failed attempt to destroy everything Sun Microsystems stood for and end computer science as we know it, there’s never been a better time to rock one of these “You Wouldn’t Reimplement an API” tees, which were an underground hit during the earlier trial.
Kyohazard’s Lament Configuration is a terrific piece of fan-art for those of us who loved the Hellraiser movies (the good ones, at least).
All Are One by Sophe Lux & The Mystic In these times where the sanity of the human race is called into question on a daily basis, I still believe in our intrinsic goodness and humanity.
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