Carl Plantinga's talk, "Spectator Judge: Affect and Ethics in Narrative Film and Television," delivered to the Society for Cognitive Studies of the Moving Image, argues that movies powerfully instill moral values in the people who watch them, by cueing us to "judge, believe, and feel emotions in various ways." This is the thesis of the novel I'm working on, so I read the summary of the talk with great interest:
Fiction films and television dramas, in other words, are persuasive devices. One might say that although analysis of film has largely been thought of as a branch of poetics, according to Plantinga’s argument it should better be seen as a branch of rhetoric. The spectator is typically invited by a film into the position of making judgements about characters and their actions, and this immediately makes film a moral activity. Film therefore offers a sentimental education, teaching people about emotional scripts and structures of feeling. It invites us into a state of transportation and engagement, and we are pleasurably rewarded by the moral and evaluative emotions we experience, carefully specified for us by writers and directors. For instance, we feel empathy and sympathy for a protagonist, and this will lead to relief and satisfaction in the promise of justice. In response to cruel or contemptuous behaviour of a character, we feel anger and disgust, and we are pleased to see wrong-doers punished. We recognize sacrificial acts, which induce states of admiration.
Morality at the Movies [Onfiction]
A decade ago, I published the first Madeline Ashby story to see print, “In Which Joe and Laurie Save Rock n’ Roll,” in Tesseracts 11; four years ago, I reviewed her outstanding debut novel, vN, and then revelled in its sequel a year later: but now, a decade later, Ashby is an overnight success, with a breakout novel about love, labor, shame, sex and Singularity cultists: Company Town.
Next April, Tor Books will publish Walkaway, the first novel I’ve written specifically for adults since 2009; it’s scheduled to be their lead title for the season and they’ve hired the brilliant designer Will Staehle (Yiddish Policeman’s Union, Darker Shade of Magic) for the cover, which Tor has just revealed.
In 1989, Canadian activist, engineer and thinker Ursula Franklin gave a series of extraordinary lectures on the politics of technology design and deployment called “The Real World of Technology.”
We’d all love a 75-inch TV screen on which to view our favorite shows. But not all of us can drop the cash needed to get one of those broadcasting beauties (or even have the space needed to house them).Thankfully, there’s an alternative. With the SainSonic Mini LED Portable Projector (only $59.99 in the Boing Boing Store), you can project a picture […]
If you want to add some real firepower to your programming repertoire, learn Java–one of the most adaptable, widely-used programming platforms around. You can easily do that with this Ultimate Java bundle, now just $69 in the Boing Boing Store.Across 14 lectures and 117 hours of content, the educators at online academy eduCBA will walk you through […]
Every company wants to harness the power of social media, but few understand how to make that happen. Be one of those select few with this Social Media Marketing Course & Certification package, now just $29 in the Boing Boing Store.Over 12 modules of course material, you’ll learn what it takes to increase a brand’s […]