Four more books have been added to the final week of the third Humble Ebook Bundle: John Scalzi's Hugo- and Nebula-nominated novella The God Engines; Dia Reeves's Bleeding Violet; Mercedes Lackey and Rosemary Edghill's Arcanum 101; and Ryan "Dinosaur Comics" North's To Be or Not To Be, a bestselling, choose-your-own adventure version of Hamlet.
These are added to seven other books, from authors including Holly Black, Justine Larbalestier, Steve Gould, Scott Westerfeld, Wil Wheaton, Yahtzee Chroshaw -- and me!
Six of the books are available on a name-your-price basis; if you give $15, you get the whole whack, including the DRM-free audio adaptation of Homeland, which I paid for out-of-pocket, read aloud by Wil Wheaton! Read the rest
For the past two months, I've been working on a secret project to produce an independent audiobook adaptation of my bestselling novel Homeland, read by Wil Wheaton, one of my favorite audiobook voice-actors (and a hell of a great guy, besides!). The audiobook is out as of today, and I'm proud to say that for the next two weeks, it is exclusively available through the new Humble Ebook Bundle, which kicks off today, featuring an amazing collection of name-your-price DRM-free ebooks by authors like Holly Black and Scott Westerfeld, as well as Wil Wheaton. As always, there are some surprise bonus titles that will be added in week two, and so long as you pay more than the average at the time of purchase, you'll get these automatically. Read the rest
In the tradition of August's book-review roundup, I've pulled together a collection of my favorite young adult reviews from the past decade. Hope you -- and the young adults in your life -- enjoy these as much as I did!
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Planesrunner: Ian McDonald's YA debut is full of action-packed multidimensional cool, airships, electropunk and quantum physics: Planesrunner is the story of Everett Singh, a moderately unhappy schoolboy in London whose divorced, quantum physicist dad is kidnapped before his eyes one night. Everett embarks on an epic quest to find out what happened to his dad, a quest that is complicated by his mother's hostility to her ex-husband, a police cover-up, sinister visits from the head of the Imperial College physics department, and mysterious, threatening strangers who tail him through the streets of London.
Justine Larbalestier provides some context for Republican MO senate nominee Todd Akin statement that, "from what I understand from doctors [pregnancy from rape] is really rare. If it’s a legitimate rape, the female body has ways to try to shut that whole thing down."
It turns out that this belief in magic sperm-rejecting vaginas was the kind of thing that was believed in 1785, when Samuel Farr argued in his groundbreaking treatise on law and medicine that:
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Samuel Farr, in the first legal-medicine text to be written in English (1785), argued that “without an excitation of lust, or enjoyment in the venereal act, no conception can probably take place.” Whatever a woman might claim to have felt or whatever resistance she might have put up, conception in itself betrayed desire or at least a sufficient measure of acquiescence for her to enjoy the venereal act. This is a very old argument. Soranus had said in second-century Rome that “if some women who were forced to have intercourse conceived . . . the emotion of sexual appetite existed in them too, but was obscured by mental resolve,” and no one before the second half of the eighteenth century or early nineteenth century question the physiological basis of this judgement. The 1756 edition of Burn’s Justice of the Peace, the standard guide for English magistrates, cites authorities back to the Institutes of Justinian to the effect that “a woman can not conceive unless she doth consent.” It does, however, go on to point out that as matter of law, if not of biology, this doctrine is dubious.
Team Human is a new young adult novel from Justine Larbalastier and Sarah Rees Brennan, about an ancient vampire who enrolls at a small town high school, where a beautiful young girl falls in love with him.
No, it's not that novel. Far from it, in fact. Team Human is an incredibly fresh and original -- and absolutely charming -- take on vampire fiction. Larbalestier and Brennan have a wickedly sarcastic turn of phrase (as fans of Larbalestier's earlier books can attest), and their protagonist, Mel -- a high-school senior whose best friend is besotted with the vampire -- is one of those iconic, absolutely likable but flawed YA protagonists that you find in the genre's best books.
Mel's best friend is Cathy, and where Mel is flamboyant and outgoing, Cathy is serious and studious and shy. They live in the small town of New Whitby, the birthplace of America's compact with vampires and the origin of the social contract that sees humans and vampires living side by side in a civilized (if not entirely comfortable) fashion. From the start, Cathy falls hard for Francis, an ancient, charming vampire in the body of a teenager, who is attending high school for mysterious reasons of his own (though Mel has her suspicions).
Mel is afraid that her intense relationship with her best friend is endangered by this, but what she really fears is that Cathy might be contemplating vampirism herself. This is a dangerous process for humans -- accepting an offer of "transition" from a vampire means a small but real risk of death or worse. Read the rest
Justine Larbalestier, a very good novelist with very bad RSI, has written a great post called "Why I Cannot Write a Novel With Voice Recognition Software." In it, she explains why machine-based speech-to-text software isn't sufficient for fiction. I think that if I absolutely lost the use of my hands and had no other choice, I'd probably dive into speech-to-text and gut it out, but nothing short of absolute necessity would get me to write fiction with machine-based speech-recognition.
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Most of my first drafts are written in a gush of words as the characters and story come flowing out of me. Having to start and stop as I correct the VRS errors, and try to get it to write what I want it to write, interrupts my flow, throw me out of the story I’m trying to write, and makes me forget the gorgeously crafted sentence that was in my head ten seconds ago.
Now, yes, when I’m typing that gorgeously crafted sentence in my head it frequently turns out to not be so gorgeously crafted but, hey, that’s what rewriting is for. And when I’m typing the sentence it always has a resemblance to its platonic ideal. With VRS if I don’t check after every clause appears I wind up with sentences like this:
Warm artichoke had an is at orange night light raining when come lit.
When Angel was able to emerge into the orange night Liam’s reign was complete.
Which is a terrible sentence but I can see what I was going for and I’ll be able to fix it.
Micah -- the unreliable narrator of this tale -- is a compulsive liar from a fraught background. Poor and biracial, she attends a posh New York alternative school through a scholarship. Her mother is a runaway, her father is from a reclusive back-woods family of illiterate survivalists, and so it's no surprise that Micah's identity is a little messed up. But Micah isn't just confused: she's deliberately confusing, a compulsive liar who fools everyone around her over and over (she is mistaken for a boy on her first day of school and so she undertakes to live as a boy, lasting days before she is found out).
But Micah's lies start to unravel when the boy she is secretly dating -- he is publicly involved with the most popular girl in school -- is murdered. As the school panics and the social order turns upside down, as Micah grieves, she is also found out, scapegoated, and suspected.
That's the setup. So far, it's your basic YA fare: complicated relationships, complicated identity, fraught situation. But Micah's circumstances grow progressively odder, as Larbalestier twists and turns the story in ways that are decidedly science fictional (or possibly fantastic) and that make this into one of the most original, oddest, and ultimately satisfying YA books I've had the pleasure of reading. Read the rest
Update: Victory! Justine's publisher has replaced its whites-only cover with a gloriously brown one.
YA author Justine Larbalestier has gone public with her disappointment over her US publisher Bloomsbury's cover art for her forthcoming novel Liar. Specifically, Justine is upset that the cover shows a white girl, and the book is about a black girl. She took this up strenuously with her publisher but was overruled.
It's a rare author who gets final say in her cover, many don't get any say at all. I'm generally OK with this, since I figure the point of the cover is to convey to the reader, "this is this sort of book, and if you like this sort, you'll like this." And I figure that cover designers and art-directors who do hundreds of covers a year know, in a much more fine-grained way, what the psychology of covers is. It helps that Irene Gallo, Tor's art director who oversaw the covers of all my Tor books, is terrific, loves my work, and always does a good job, and that HarperCollins in the UK have also been kicking all kinds of ass on this score.
But Justine's right about this one, because, as she says,
This cover did not happen in isolation.Read the rest
Every year at every publishing house, intentionally and unintentionally, there are white-washed covers. Since I've told publishing friends how upset I am with my Liar cover, I have been hearing anecdotes from every single house about how hard it is to push through covers with people of colour on them.
The SFWA European Hall of Fame: Sixteen Contemporary Masterpieces of Science Fiction from the Continent (James Morrow and Kathryn Morrow) A chance to read sf from outside of the Anglo Bubble Original Boing Boing post
Cory Doctorow's Futuristic Tales Of The Here And Now (Cory Doctorow) A six-edition series of comics adapted from my short stories by an incredibly talented crew of writers, artists, inkers and letterers Original Boing Boing post
The Plain Janes (Cecil Castellucci, Jim Rugg) Funny, spirited little story about a gang of girls named Jane at a strait-laced high-school, rejected by the mainstream, and their art adventures. Original Boing Boing post
See also: Jim Kelly's Hugo-nominated "Burn" free ebook James Patrick Kelly's new podcasts: "Look into the Sun" and a story every week James Patrick Kelly's wonderful sf stories online as free audiobooks Hugo nominee James Patrick Kelly video podcast Three James Patrick Kelly audio stories free and CC-licensed James Patrick Kelly's podcast James P Kelly's "Burn" short sf novel podcast concludes Asimov's magazine on DRM, copyright and Creative Commons Read the rest
I'm especially excited about the Best Novelette category, where I'm eligible twice: first for my story When Sysadmins Ruled the Earth, about the geeks who babysit the Internet after the apocalypse; and I, Row-Boat about robots who find religion in Asimovism after the humans all leave the planet. Both stories have been picked up for several reprints, including some of the Year's Best anthologies, and I've got Locus Award hopes there, too! If I had to pick one (and I do) I'd pick Sysadmins. I think it's got a little more heart.
2006 was an incredible year for sf. In the best novel category, we have two books by Charlie Stross; Karl Schroeder's magnificent post-singularity pirates-in-a-Dyson-bag adventure Sun of Suns, and Vinge's groundbreaking Rainbows End -- along with Rudy Rucker's sweet, smart Mathematicians in Love. Oh, and Jo Walton's haunting, blistering Farthing and Peter Watt's dark and savage Blindsight, his best book to date.
In the Magic or Madness series, we are introduced to a magic system in which those born to magic die a little every time they use it -- but go insane if they refuse to use it (hence the title).
Reason Cansino, the 15-year-old narrator, starts the series by being separated from her maddened mother, and being sent to live with her "evil" grandmother. There, she learns that magic-wielders can extend their lives by drinking the magic of others, draining them to live.
By book three, the cast of characters includes nigh-omnipotent deceased relatives, evil, dysfunctional parents, and a trio of spunky young people whose hormones war with their senses.
I won't spoil the conclusion for you, but there's something really disturbing and thought-provoking that happens by the end of the book, a direction I hadn't expected and that has me thinking about it still.
This trilogy is ready-made for smart, curious kids who look to fantasy for more than escape -- who look to fantasy literature to stretch their understanding of the real world. Link