Three men have been convicted of forging £1 coins. The London Police Detective Inspector even got all quippy about the sentencing ("These three men are organised criminals who were intent on undermining the UK monetary system. There is nothing fake about the reality they must now face of life behind bars." -- yes, yes, very clever DI South) but what fascinates me about the story is that it can somehow be profitable to forge £1 coins.

I got passed a fake pound shortly after I first moved to the UK, almost ten years go; it was a foil-wrapped plastic slug. Not realizing it was fake, I tried to buy something with it at a corner shop and the cashier pressed it edge-on on his counter and the foil split open, revealing the green plastic disc inside.

From the sound of this article, these fakes were solid metal, which, I think, would make them more expensive than the fake I got. When you add the costs of the materials, the wages for the manufacturing process, warehousing, the discount for counterfeit cash, etc, it's hard to believe that this was worth anyone's while.

On the other hand, it's probably easier to go on counterfeiting when you're passing very small denominations as most people (me included) won't bother going to the cops over a mere pound; and it's much harder to remember where a given pound coin came from than a £20 note.

The court heard Fisher, of Rags Lane in Goffs Oak, Hertfordshire, Sullivan, of Bancroft Chase in Hornchurch, east London, and Abbott were arrested during an undercover police operation in Essex last May.

Police found a storage container with 1.6 million metal discs inside and fake coins equivalent to £20,000.

Fake coins equivalent to a further £30,000 were found in a nearby car.

Three men jailed over 'largest' fake £1 coin plot [BBC]

(Image: Yet another forged pound coin, a Creative Commons Attribution (2.0) image from pahudson's photostream)

Fermilab just got a new Awesome Magnet, a 50'-wide jobbie that can't be tilted by more than a few degrees without suffering irreparable harm. It's in New York, though, and Fermilab is outside of Chicago, and this presents a logistical problem with a complicated solution:

The Muon g-2 ring, an electromagnet made of steel and aluminum, begins its 3,200-mile trek from New York in early June. From there, it will sail by barge down the East Coast, around Florida's tip into the Gulf of Mexico, then up the Mississippi River until it arrives in Illinois.

Once on land, the electromagnet will be driven at night in a specially designed truck at no more than 10 mph until it reaches Fermi National Accelerator Laboratory.

The high-tech transport is all in service of a plan to use Fermilab's powerful beam to send muons, a rare kind of particle that lasts just 2.2 millionths of a second, into the circular electromagnet, according to experiment spokesman Lee Roberts, who works at Fermilab. Once in the ring, muons "wobble," or tilt like a top.

Huge magnet set for delicate voyage to Fermilab [Alexa Aguilar/Chicago Tribune]

(via /.)

A Brazilian ad agency has built a campaign for Domino's "Pizza" that uses a heat-sensitive coating on rented DVDs; when the disc is played, the heat from the player heats up the coating and causes it to emit a pizza-like odor; the coating also changes appearance and becomes a picture of a pizza with an ad for Domino's.

In partnership with 10 video rental stores in Sao Paulo and Rio de Janeiro, the brand used rented DVDs as media. About 10 discs each of 10 different new release titles such as Argo, 007, Dread And Dark Knight were stamped with thermal ink and flavored varnish, both sensitive to the heat.

While people were watching the movie, the heat of the DVD player affected the disc. When the movie ended and they ejected the disc, they smelled pizza. They also saw pizza: the discs were printed to look like mini pies, and carried the message: "Did you enjoy the movie? The next one will be even better with a hot and delicious Domino's Pizza."

A DVD That Smells Like Domino's Pizza

SF/thriller writer Iain Banks has weighed in to quash a rumor that he only wrote his amazing SF novels to pay the bills because the (also amazing) high-brow literary thrillers didn't bring in enough:

I wish I did have the time to reply to everybody individually but I don’t. I think I’ll only comment on any of the posts if there’s something factually wrong mentioned in them, and so far the only point I can remember is one where an ex-neighbour of ours recalled (in an otherwise entirely kind and welcome comment) me telling him, years ago, that my SF novels effectively subsidised the mainstream works. I think he’s just misremembered, as this has never been the case. Until the last few years or so, when the SF novels started to achieve something approaching parity in sales, the mainstream always out-sold the SF – on average, if my memory isn’t letting me down, by a ratio of about three or four to one. I think a lot of people have assumed that the SF was the trashy but high-selling stuff I had to churn out in order to keep a roof over my head while I wrote the important, serious, non-genre literary novels. Never been the case, and I can’t imagine that I’d have lied about this sort of thing, least of all as some sort of joke. The SF novels have always mattered deeply to me – the Culture series in particular – and while it might not be what people want to hear (academics especially), the mainstream subsidised the SF, not the other way round. And… rant over.

Banks is dying of cancer, and it's an awful shame.

20 May Update from Iain (via IO9)

Wisconsin's Chocolate Shoppe Ice Cream has some refreshingly honest ad-copy on the side of its vans. The photo was snapped by a Consumerist reader named David, and shows a van whose advert disclaims any nutritional merit, proudly proclaiming "gobs of rich Wisconsin cream" as well as lots of "real ingredients" (whatever those are). My own experience has been that eating food high in grass-fed animal fat is good for me, so that sounds about right to me -- though carrots are good, too!

Ice Cream Company Knows What You’re Here For: You Want Nutrition? Eat Carrots

The bestest kid costume yet: tiny, female Stan Lee!

Little girl's cosplay of Stan Lee (i.imgur.com)

Here's a very short and snappy explanation for why so much of the UK's government IT infrastructure is so fantastically, awfully bad: it's an RFP from a Northern Irish government business development fund for a "Content Management System to manage all Invest NI websites and intranets." Here's how they express their priorities:

IV.2.1)Award criteria
The most economically advantageous tender in terms of

1. Price. Weighting 95

2. Quality. Weighting 5

This is for a 523 000 GBP contract, by the way.

Invest NI wishes to appoint a suitably qualified service provider to install, configure, maintain and support a Content Management System to manage all Invest NI websites and intranets... (Thanks, Angie!)

Ben Kokes wanted to give a ring to his sweetheart, and to make it interesting, he decided to create a ring with an inductive loop that would cause the stones to light up when they were close to a power-source. He documented the tricky technical problems that cropped up during the build, and it sounds like the romance part came out well, too:

The final idea was to embed a LED and copper coil assembly inside the titanium ring, illuminating it from under the stones when it was in close proximity to an induced alternating magnetic field (henceforth called 'the transmitter'). Autodesk Inventor helped me develop all of the dimensions and constraints for the design. Having some help, I was able to obtain her ring size and the rest of the measurements were based from there (15.72mm if anyone was wondering)...

... Of all the challenges presented in making the ring, affixing the stone is the most difficult. Traditionally, stones are affixed by mechanical means -- prongs, groves or snaps. Epoxies will delaminate from the attachment surfaces due to microstresses, thermal cycling, and other unmentioned movements. The stone may be attached now, but eventually it will fall out. It's just a matter of time.

With that in mind, I had 4 initial ideas for affixing the stone: thermally expanding the hole, hole deformation, point expansion deformation, and epoxy. Ultimately, I went with the epoxy method for attaching the stones.

The first test was to try and heat the ring, expand the hold and drop in the stone. When the hole cooled and contracted, it would hold the stone in place. Not only does the hole not expand enough, if I was lucky enough for it to happen (it did once), the stone would fracture along pre-existing crack lines.

Project Longhaul (via Hacker News)

Brian Ashcraft updates us on the astounding foam-art of Osaka barista Kazuki Yamamoto. Yamamoto has now mastered 3D foam, and is blowing my mind. Ashcraft has a series of posts documenting the journey of Yamamoto to undisputed novelty foam king of the Pacific Rim.

3D Coffee Art Reaches New, Dizzying Heights [Brian Ashcraft/Kotaku] (via Geekologie)

Thousands of Britons have reported seeing "beasts" in various places, usually described as a large, muscular black cat -- possibly a melanistic leopard. Some have taken photos and found footprints, as well as animals torn apart on moors. However, the boring science people annoyingly keep pointing out that the photos could be housecats, the footprints come from housecats and domestic dogs, and the animals were torn apart by badgers and crows.

Still, there's something weird and interesting going on here -- the thousands of similar eyewitness reports point to a kind of "beast fever" fuelled by (what else?) the Daily Mail's printing of stories that, for example, described a beast with "great fangs jutted from its huge jaw, gleaming in the afternoon sun" (it was revealed to be a "putrefying seal").

George Monbiot writes about this in his new book Feral, which comes out next week and was excerpted in today's Guardian:

The age of terrestrial exploration and encounters with peoples unknown to us was ending; planet Earth was perhaps a less exciting place than it had been. Aliens and their craft filled a gap, while promising that we too would achieve the mastery of technology we ascribed to extraterrestrials. Today, perhaps because our belief in technological deliverance has declined, we hear less about UFOs.

Could it be that illusory big cats also answer an unmet need? As our lives have become tamer and more predictable, as the abundance and diversity of nature has declined, could these imaginary creatures have brought us something we miss?

Perhaps the beasts many people now believe are lurking in the dark corners of the land inject into our lives a thrill that can otherwise be delivered only by artificial means. Perhaps they reawaken vestigial evolutionary memories of conflict and survival, memories that must incorporate encounters – possibly the most challenging encounters our ancestors faced – with large predatory cats. They hint at an unexpressed wish for lives wilder and fiercer than those we now lead. Our desires stare back at us, yellow-eyed and snarling, from the thickets of the mind.

Big-cat sightings: is Britain suffering from mass hysteria? [George Monbiot/The Guardian]

(Image: 20120413, a Creative Commons Attribution Share-Alike (2.0) image from tomascosauce's photostream)

This excerpt from neurologist-philosopher Daniel Dennett's new book Intuition Pumps And Other Tools for Thinking lays out a set of rhetorical habits that I immediately aspired to attain:

How to compose a successful critical commentary:

1. Attempt to re-express your target's position so clearly, vividly and fairly that your target says: "Thanks, I wish I'd thought of putting it that way."

2. List any points of agreement (especially if they are not matters of general or widespread agreement).

3. Mention anything you have learned from your target.

4. Only then are you permitted to say so much as a word of rebuttal or criticism.

And if that wasn't enough: "whenever you see a rhetorical question, try – silently, to yourself – to give it an unobvious answer. If you find a good one, surprise your interlocutor by answering the question." And then, "A good moral to draw from this observation is that when you want to criticise a field, a genre, a discipline, an art form …don't waste your time and ours hooting at the crap! Go after the good stuff or leave it alone."

Daniel Dennett's seven tools for thinking (via O'Reilly Radar)

A mechanical engineer (awesomely) named Anjan Contractor has won a NASA grant to prototype a 3D printer for food -- specifically pizza. It will lay down layers of food and flavor powder and melt them together; the powders are room-temperature stable for long periods and can be made from relatively abundant, sustainable foodstocks like insects and soylent green. He prototyped the concept with the 3D chocolate printer in the video above, and he holds out hope that food-printing could solve world hunger by allowing billions to feast on low-wastage, low-energy-input, low-carbon-footprint foods that are printed to order.

Contractor's printer is RepRap based, and is open source hardware; he promises to keep the plans open and free.

I suspect that there's a lot of nutritional subtleties lost when you turn food into processed elements that are recombined (in the same way that beta-carotene in carrots is reliably shown to have health benefits, while beta-carotene supplements are far more questionable). But as a form of food processing, it certainly is exciting!

Pizza is an obvious candidate for 3D printing because it can be printed in distinct layers, so it only requires the print head to extrude one substance at a time. Contractor’s “pizza printer” is still at the conceptual stage, and he will begin building it within two weeks. It works by first “printing” a layer of dough, which is baked at the same time it’s printed, by a heated plate at the bottom of the printer. Then it lays down a tomato base, “which is also stored in a powdered form, and then mixed with water and oil,” says Contractor.

Finally, the pizza is topped with the delicious-sounding “protein layer,” which could come from any source, including animals, milk or plants.

The audacious plan to end hunger with 3-D printed food (Thanks to everyone who sent this in!)

Danah boyd has a great summary of the new Pew report on Teens, Social Media, and Privacy. The whole thing is worth a read -- especially her thoughts on race and social media use -- but the most interesting stuff was about "social steganography" -- smuggling meaning past grown-ups through the clever use of in-jokes and obscure references (this is also something that Chinese net-users do to get past their national censors):

My favorite finding of Pew’s is that 58% of teens cloak their messages either through inside jokes or other obscure references, with more older teens (62%) engaging in this practice than younger teens (46%). This is the practice that I’ve seen significantly rise since I first started doing work on teens’ engagement with social media. It’s the source of what Alice Marwick and I describe as “social steganography” in our paper on teen privacy practices.

While adults are often anxious about shared data that might be used by government agencies, advertisers, or evil older men, teens are much more attentive to those who hold immediate power over them – parents, teachers, college admissions officers, army recruiters, etc. To adults, services like Facebook that may seem “private” because you can use privacy tools, but they don’t feel that way to youth who feel like their privacy is invaded on a daily basis. (This, btw, is part of why teens feel like Twitter is more intimate than Facebook. And why you see data like Pew’s that show that teens on Facebook have, on average 300 friends while, on Twitter, they have 79 friends.) Most teens aren’t worried about strangers; their worried about getting into trouble.

Over the last few years, I’ve watched as teens have given up on controlling access to content. It’s too hard, too frustrating, and technology simply can’t fix the power issues. Instead, what they’ve been doing is focusing on controlling access to meaning. A comment might look like it means one thing, when in fact it means something quite different. By cloaking their accessible content, teens reclaim power over those who they know who are surveilling them. This practice is still only really emerging en masse, so I was delighted that Pew could put numbers to it. I should note that, as Instagram grows, I’m seeing more and more of this. A picture of a donut may not be about a donut. While adults worry about how teens’ demographic data might be used, teens are becoming much more savvy at finding ways to encode their content and achieve privacy in public.

thoughts on Pew’s latest report: notable findings on race and privacy

Zack sez, "Jack 'King of Comics' Kirby's grandson is looking to raise funds for a coffee-table-sized book that will look at Kirby's life and times...along with a never-before-seen play by the master of comics. The book will include a wide variety of unpublished personal photographs and artwork from Kirby dating through the 1980s."

You have to pledge at least $50 to get a copy of the book, which is a lot, though the book sounds rather spectacular. Kirby's grandson doesn't list any publishing experience in his bio and doesn't list any helpers experienced in printing, layout, QA, or fulfillment, so caveat emptor.

Personal Look into the life of Jack Kirby The King Of Comics (Thanks, Zack!)