Twenty five-year-old Chinaka Hodge's play, Mirrors in Every Corner, is an intimate story of a black family set in West Oakland. But even that simple description doesn't work. By the time the play begins, the mom in the family, who already had three black sons, has inexplicably given birth to a white daughter. (The girl, by the way, is played by the same adult black actress who portrays the mother.) The story explores how race is lived within this family and out in the world, today and across generations. (Here's a long review.)
The play debuted this spring at the small non-profit theater, Intersection for the Arts, in San Francisco. For the next run of Mirrors in Every Corner, even before her characters say their first lines on stage, Chinaka is (as danah boyd might say) "writing them into being" (PDF) via platforms like Twitter, Facebook, GChat, and blogs. Her first attempt---a Twitter version of her play's opening scene (scroll all the way down to get to the first tweet). Read the rest
It's lovely, technically sophisticated, and positive.
So it's no surprise Mirna's picture won first place, elementary school category, in a contest sponsored by a state museum in Yogyakarta, Indonesia, not long after the country's authoritarian regime was overthrown by a student-led movement. Read the rest
Inspired by Boing Boing's strategy of "disemvoweling" hateful comments, we at Youth Radio (where I work) once considered a tactic called "in-consonance." The idea was to remove every consonant from abusive comments, as a way to call out their authors' apparent lack of control over their own waste. In the end, we decided against it. But we still don't always know what to do when the young people we've worked with for days, weeks, months on stories--some of them deeply personal, some exhaustively reported--get slammed in extreme ways, on some of our nation's biggest media outlets (e.g., NPR).
For young people whose personal identities, professional trajectories, and brains are still forming, the "digital afterlife" of their media productions can be especially intense and high-stakes. It used to be that public media's ultimate success was the so-called driveway moment--when a listener can't get out of the car before the story ends, even though he or she is already home. But now that engagement is the holy grail, for youth media producers, a whole new phase of activity starts when our work used to end--at the moment of broadcast or publication. Read the rest
CARNEGIE MUSEUM OF ART/HEINZ FAMILY FUND
Charles 'Teenie' Harris (1908-1998) sitting in chair with his son, Charles Harris Jr., c. 1930-1950. Black and white, Agfa Safety Film.According to those who knew him, the photographer Charles "Teenie" Harris never destroyed a negative. Working from the period just after the Depression through the civil rights movement, Harris amassed nearly 80,000 images. Read the rest
Just to be clear, the creators of Pop-Up Magazine aren't trying to outdo print mags.
The San Francisco event they've invented--the third issue happened this weekend to a sold-out Herbst Theater--is a stage show aimed to bring the best of magazines into "the medium of live," as Editor-in-Chief Doug McGray told me (his collaborators are Derek Fagerstrom, Lauren Smith, Maili Holiman, Evan Ratliff, and Dave Cerf). Pop-Up's got a masthead and table of contents, shorts, features, even integrated ads, and many of the contributors make their livings through words and images on the page (there are also film-makers and radio producers). There they all were, behind not laptops but a podium, spot-lit and performing.
Disclosures: Doug's a friend, and I worked with my Youth Radio colleague Brandon McFarland on his contribution to Pop-Up's first issue. But this time around, from my vantage point in the audience, I couldn't help but notice five things Pop-Up does better than print.
• Urgency: The show sold out in minutes (while print mags struggle to hold their advertisers). And then there was an after-party (see #5) that required special tickets of its own. I felt myself getting physically riled up booking my own tickets, as each little "available seat" icon blinked off before my eyes. Hate to say it, but that kind of flurry changes the way you think about an evening of journalism. Read the rest
Photo: Deney Terrio
USC Professor Henry Jenkins is a hard-core fan with hard-core fans.
I should know. I'm one of the audience members who stalked him at a conference a few years ago after his keynote, hoping to have a conversation about a paper he'd just published at the time. It was an argument for a whole new way of thinking about literacy. Reading, writing, and understanding words on a page won't cut it anymore. In a digitized world, Henry says young people need new skills that go way beyond basic composition and comprehension. Skills like play ("the capacity to experiment with one's surroundings as a form of problem-solving"), collective intelligence ("the ability to pool knowledge and compare notes with others toward a common goal"), and transmedia navigation ("the ability to follow the flow of stories and information across multiple modalities"). Read the rest