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Leigh Alexander

Leigh Alexander, Gamasutra editor-at-large, Kotaku and EDGE mag columnist, and NYLON Guys games editor, is on Twitter.

Game of Thrones S3E9: The Red Wedding

The latest episode of Game of Thrones was pretty much business as usual. It turned out Walder Frey was ready to let bygones be bygones, and a lovely wedding feast was held for Edmure and Roslin. Wine flowed, and music played.

I mean, they played the Lannister family song at a Tully wedding, which I thought was pretty rude. It's like, why are they playing that song?

Why are they playing that -- oh.

You should definitely watch the episode before you read this recap. I really mean it this time. If you read recaps of things you haven't read or seen and then complain about spoilers, I hope you marry a Frey.

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Game of Thrones S3E8: Will you take this man?

It's a war for the seven kingdoms! It's a soap opera with romantic weddings and blood sacrifices!!

It's the latest episode of Game of Thrones, and it's time to recap and discuss!

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Eurovision 2013: An American in London

It's Sunday morning in London, where I'm living as of less than a week ago. I've got a hangover and kitchen cleanup duty, and on top of that, I'm out £10. An actual live baby fox entered our house last night. Last night was Eurovision. I've had my first Eurovision party as an embedded foreigner.

Wait, I'll tell you all about it, but let's back up a bit, first. My first Eurovision was last year in my New York home, playing host to English friends. Before that, I'm a little embarrassed to say I knew hardly anything of the pan-European song contest, and in watching it I experienced the kind of wonderment that's sadly pretty rare for us Americans: the world is so big.

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Game of Thrones S3E7: I am yours and you are mine

The song "The Bear and the Maiden Fair" that heralds the climax of this episode is about the comedy in unmatched relationships, in pairing yourself inappropriately in accordance with your station.

Yet that's the theme of this episode -- love, silly love, in all of its sick permutations. Once again into the breach!

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Game of Thrones S3E6: Hang in there

The latest episode of Game of Thrones is called "The Climb," and it sees us crossing the Wall into the land of heavy-handed metaphors. What's the difference between a pin and a brooch, anyway?

Let's recap!

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Game of Thrones S3E5: Through the fire and the flames

The latest episode of Game of Thrones was, in my humble opinion, far and away the most exciting one yet. Fire, fire and more fire, fatherhood and impeccable crescendoes. Such payoff for book fans, but what do viewers think?

Let's recap and discuss. I can't wait!

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Game of Thrones S3E4: This is Madness

A friend of mine has a very bleak assessment of Game of Thrones: If you love a character, they'll die unfulfilled. If you hate a character, you'll come to learn how they became so hateful and start to love them, and then they try to redeem themselves and die unfulfilled.

It's not quite like that, or else I'd be worried about spoiling by sharing the sentiment. But how the show will deal with the books' long march of constant thwarting and elusive pleasure, while adding additional characters all the time, and still keep interest, was one of the things I worried about last season. How will the show give viewers the emotional boost they need to stay invested while being true to the gruesome, occasionally-grueling canon?

Well, stuff like That Daenerys Scene, I guess. It's time to recap and discuss! I'll bring the words, you bring the animated GIFs.

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Priorities and privilege reign in Game of Thrones S3E3

I’ve heard a lot of bewilderment across social media when it comes to keeping up with the ever-climbing number of characters in this show. Even fans of the books are having a bit of a tough time, since the written chronology is odd -- each character’s arc is written separately, so you might read in an entirely unpredictable order about events that are presumed to be happening simultaneously.

The show’s doing an incredible job of streamlining the chronology and making sure stories unfolding at different corners of the world keep reasonable pace with each other, and at uniting disparate arcs under a common theme. It’s titled “Walk of Punishment”, and it’s about the privileges each individual has (or has not), and what those things cost them.

Sigh. Trigger warning for discussion of rape.

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Game of Thrones S3E2: Ladies, leave your men at home

The Game of Thrones universe is all about how disadvantages are balanced against advantages: Every major character or faction has a unique set of challenges, and then a trump card. Tyrion Lannister's unfavorable height, scarred face and status as the family black sheep is balanced by his superior wit and endless disposable income; as Queen Regent, Cersei almost has the power she wants -- but then of course, she's tasked with mothering and managing awful Joffrey. Daenerys' dragons were her trump card even when she had nothing else. And young Bran Stark has lost everything, including the use of his legs, but he has "green dreams."

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Game of Thrones returns with critical mass of politicking

Funny thing about recaps: Some of the early feedback I got on the handful I did last season suggested people wanted less blow-by-blow, more macroanalysis. But I wonder how well that works for Game of Thrones: Friends, I've read all the books and watched every season so far twice, and I'd be lying if I said I didn't reach for a wiki a few times to make sure I had everything and everyone straight as we begin the third season.

I'm often afraid the show is going to shake less-obsessive Game of Thrones fans like a beauty in a bear pit, since we're reaching a critical mass of characters and politicking. Yet this is the season readers have anticipated most of all, and if the television adaptation has had one major strength so far it's its ability to abstract the muddy stuff and highlight over-arching themes.

I'll be your guide this season, and I'll try to focus on some of those themes, while seeing what I can do to help everyone keep their names, faces and facts straight as we return to the world of Westeros and beyond after a long, long winter.

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Black Mirror episode 2: White Bear and the culture of desensitization

The last episode of Black Mirror’s second season airs tonight on UK Channel 4.

Do you remember the first profoundly shocking image you saw on the internet? Perhaps it would have been something you came across by accident; perhaps you followed, half horrified and half compelled, a trail of digital whispers to see if you could handle it.

Maybe you don’t remember the first one, but you remember some of them. Maybe you shut the window, sick at yourself, at the glimpse of a woman’s eyes glassed with something unsettling, not staged. Maybe you lingered on eruptions, lacerations, in spite of yourself. To see if the image could possibly be real.

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Black Mirror decodes our modern dread of technology

The English have a coy euphemism for addiction: “moreish.” It summons the delightful anxiety in surrendering your control to something else, the ambivalent cocktail of desire and guilt. We feel it flickering in the periphery, and we feel our smartphones in the middle of a restaurant dinner.

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Meet the random shopper: Amazon gifts bought at a machine's whim

Workers fulfull orders at an Amazon warehouse in Rugeley, England. REUTERS/Phil Noble

What would a bot buy from Amazon, if given life—and a gift card loaded with credit? Noam Chomsky's Cartesian Linguistics, apparently.

It's hard to believe that'd be a random choice, but it is, coming from a creature engineered for randomness by a man fascinated with randomness -- and consumerism. My friend Darius Kazemi, Boston-based developer extraordinaire, has a long-held interest in randomness. He's made the Twitter account @metaphorminute, designed to tweet a random metaphor every couple minutes, and OutSlide, which generates a random set of slides based on phrase-oriented Google image results.

With a background primarily in games, he's always been drawn to roguelikes and other games where random generation is a factor in the experience; he's attracted to the idea of "abdicating design decisions to a computer."

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William Shatner talks slam poetry app

Photo: Askew II Photography

It's almost 10 PM in London and William Shatner is on the phone, sing-speaking the word "algorithm" to me, trying out various cadences. It feels a bit surreal.

"I love to say the word, although I don't know what it means, aside from writing a numerical formula," he reflects. "I should."

A few hours earlier I'd been drinking at the flat of my old college roommate when I got an email asking if I'd like to talk to Mr. Shatner about his new iPhone app, Shatoetry, that just launched on Friday. Megan and I went to acting school together in New York City nearly a decade ago, and the storm back home is keeping me here, where she now lives, another week.

I tell her I have to interview Wiliam Shatner and we download the app, best described as a sort of magnetic poetry assembler where every word is read in the offbeat actor's distinctive tone. We pass the phone around and assemble phrases, and from within the glass rectangle of the iPhone Mr. Shatner reads them out loud. The app says we are making "Shatisms." Megan can't stop laughing.

"These are the first reactions, and everybody is so positive, I'm delighted," William Shatner tells me on the phone I'm borrowing from the person I'm staying with, after I race back so as not to miss the call. I hang on hold waiting for him to pick up, and in the silence I feel abstractly grateful for gin and jet lag. Thanks to those things, it is just another dreamlike and unbelievable thing when Captain Kirk joins the line and says hello to me, that it's "Bill Shatner" and it's a pleasure to talk to me.

Shatoetry's the debut release for Hollywood-based Blindlight Apps, and Shatner said he loved the concept at first sight. Over the years he's been offered various opportunities to enter the app space, he says, but he was attracted to the fact he hadn't heard of a concept like this one before.

William Shatner does not buy apps. "I don't play games -- I follow directions a lot on the iPhone, and I find the nearest coffee shop. I read the newspapers now from my iPad, and I've got a Nook from which I read books."

"It appealed to the poet in me," he says, "the one that likes to write poetry, and the one that likes to speak it. It's got all the elements of things I like to do. I thought, 'I would buy that app.'"

"So this is your App Store debut," I tell him. "Aside from app development, what's your background, exactly?"

There is a pause and he laughs and I laugh and I tell him I was kidding. He says I sound young and that it's hard to tell if someone is kidding when you cannot see their "bright and shining" eyes. Bill is a charmer.

His elocution, this gleefully-parodic Shatology -- everything about this conversation I'm having, really -- straddles some kind of line between irony and sinere enthusiasm. I ask him whether his interest in poetry and spoken-word falls into either of these camps.

"There's no steadfast belief in one or the other; it's all there," he says. "You can have blank verse, and rhyming poetry and iambic pentameter and there is all kinds of poetry... the rhythm is in the language, and it's all there for the speaking."

For some reason I tell him the friend I'd mentioned who enjoyed his app so much was my friend from acting school. We had speech classes. "So you understand," he says warmly.

For each word in the Shatoetry app, Shatner recorded three different performanes. "You can dramatize your message in any way you want... that's part of the fun of writing the message and communicating with others," he says. Multiple users (Shatner calls players "Shatoetists") can collaborate on and share poems amongst themselves

"I've been involved in all the modern means of communication, but this was totally new. To speak an idea and have it come out in, I guess, an algorithm..."

William Shatner demonstrates three ways he would like to say the word: Starkly, enthusiastically, and then with a pitchy quiver that sounds something like terror.

"There's gotta be other things out there that I have yet to imagine," he says of the future of the App Store. As for the future of Shatoetry, Shatner plans to continue recording spoken word performances to be released as purchasable content for the app.

"I'd like to tell people to get a hold of this thing," he says. "It's totally different than anything else you've seen before and we would love -- and that's Love and love and LOVE -- to have your reaction so that we can fashion the app to your liking."

Love and love and love, he performs.

Shatoetry is $2.99 on the App Store.

Why the fedora grosses out geekdom

The fedora draws increasing controversy in internet circles. In just one hour I found no less than three Tumblrs related to shaming people who wear the creased, curve-brimmed hat—formal with a touch of classic dandy—and the censure is interestingly specific.

The targets are usually men. Nerdy men.

Although one of the sites, You Shouldn’t Wear That Fedora, chides the fashion-oops on men and women alike, the relatively-new Fedoras of OKC (where “OKC” means popular, endearingly-awkward dating site OK Cupid) focuses strictly on geeks who’ve made the choice to crown their search for love with the offending hat. Usually the humor derives from a presumptive consensus: that the fedora-wearers think they look much more suave than they do. Profile snippets, presented out of context, are often caption enough.

Fedoras of OKC doesn’t strictly limit its lambaste to the dapper caps. Once-weekly, it offers Top Hat Tuesday, when it’s time to pick on fans of the geeky “steampunk” trend, like this cog-topped gentleman who lists Japanese cartoons and comics alongside his predilection for dominance sex play. It’s such specific nerd-bullying that one starts to wonder: Is there some kind of correlation between earnest, romantic-if-awkward geeks and a blind faith in the appeal of classical hats?

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