The Weird World of Eerie Publications (Feral House, 2010) introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s.
Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume.
Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art. The book is beautifully designed by Sean Tejaratchi of Craphound.
Click images below for hi-res gruesomeness!
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Early Eerie Pubs issues featured reprints of precode horror stories that were first printed in Ajax/ Farrell comics like Voodoo and Haunted Thrills. Not gory enough for 60s readers, art director Ezra Jackson (father of a current Congresswoman) would draw in extra bloodletting. Jackson's favorite trick was to rip away the victim's cheek, exposing a neat row of white teeth! (Left is the Ajax original, right features Jackson's embellishments.
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