Avant Garde magazine ran for 16 issues from January 1968 to July 1971. It had a small print run, but is treasured today for its gorgeous design by art director Herb Lubalin. It was edited by photo-journalist Ralph Ginzburg, who was indicted by U.S. Attorney General Robert Kennedy in the 1960s for distributing obscene literature through the mails. This website has scans of most of the issues. I would love to have the dead tree version of the complete run.
Avant Garde is a seminal, but somewhat overlooked by a wider public, magazine, which broke taboos, rattled some nerves and made a few enemies. The magazine was the brainchild of Ralph Ginzburg, an eager and zealous publisher, even if the path that led to Avant Garde wasn’t so straightforward. It represents the third major collaboration between Ralph Ginzburg and Herb Lubalin, the magazine’s talented art director. The two previous magazines came to unexpected demise due to their candor and provocativeness, that landed them into legal trouble.
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The Family Acid is my favorite Instagram feed. It's a stream of photographer/author/explorer Roger Steffens's vintage snapshots of his psychedelic dynamic, inspiring, and psychedelic life in the counterculture since the early 1960s. Roger's children Kate and Devon are the editors and curators of their dad's hundreds of thousands of slides and negatives.
Kate has just issued these fantastic enamel pins for just $10/each. The "LSD did this to me" design is based on her dad's original pin from 1960s. As Boing Boing patron saint Timothy Leary once said, "You have to go out of your mind to use your head!"
Family Acid pins
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One of my favorite toys as a kid was Creepy Crawlers. Introduced in 1964 by Mattel, it was a kit that let you make rubber insects, spiders, snakes, lizards etc. It came with a set of metal molds, squeeze bottles of liquid plastic called Plastigoop, and an electrically-powered, 390 degrees Fahrenheit open-face hot plate called the Thingmaker to cure the Plastigoop. It's the kind of toy that would be deemed to dangerous today because of the high heat and shocking hazard (the kit came with a mold cooling tray that you filled with water and placed next to the Thingmaker).
I may have gotten a couple of first-degree burns using Creepy Crawlers, but I never regretted it. It would occupy my friends and me for hours at a time. My kids would have loved the Thingmaker as much as I did.
The Fright Factory was an especially cool Thingmaker toy. It was a kit that let you make macabre prosthetics: scars, long fingernails, a third eye, a diseased tongue, fangs, etc.
Nightflight's Bryan Thomas has a good article about the history of the Thingmaker line of toys, with lots of images. And Bob Knetzger wrote a terrific article about Mattel's line of DIY Toys for MAKE.
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Some users gave it the acronym CADET: "Can't Add, Doesn't Even Try."
When famed 1960s LSD cook and live soundman Owsley "Bear" Stanley died in 2011, he left behind 1,000 reels of high-quality concert recordings of The Grateful Dead, Johnny Cash, Miles Davis, Fleetwood Mac, Janis Joplin, and many more. The Owsley Stanley Foundation has launched an Indiegogo campaign to save those deteriorating tapes. Read the rest
The New York State Department of Health is selecting companies that may be given license to grow weed on farmland in Bethel, New York adjacent to the site of the legendary Woodstock Music Festival of 1969. Put that in your pipe and smoke it! Read the rest
Mars Attacks! was a lurid, horrifcally gory series of Topps bubble gum cards produced in the 1960s. Makeup artist Marla Malone created this wonderful face painting tribute to the genius of artist Norm Saunders, who painted the Topps Cards. Watch the video below.
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This #marsattack video has been enjoying some viral hits the last few days on #Facebook another look for any of you new guys here !!! Thanks to all daily on here #facepainting #makeupmobb #iloveart
Dirt Road To Psychedelia is a documentary about the underground culture and music scene in Austin, Texas during the 1960s. Above is the trailer.
"With a folk-singing Janis Joplin, the 13th Floor Elevators, peyote, LSD and the first psychedelic music venue in Texas, Austin was a fertile ground for the emerging counterculture of the 1960s," says director Scott Conn.
If you're lucky enough to be in Waxahachie, Texas this Sunday (3/23), check it out live at the wunderkammer that is the Webb Gallery as part of their "Big Hair & Sparkly Pants" Texas-themed group art show. You can also buy the DVD on Amazon. Read the rest
From Mind Hacks:
The Groupies is a remarkable record. The 1969 LP features nothing but interviews with "super groupies" who discuss the culture of sleeping around the '60s rock n’ roll scene.
It was made by, and featured, an 18-year-old version of the future Dr Cleo Odzer who shows her early interest in both sex and culture – both of which she’d study in her career as an anthropologist.
A proto-anthropology of the rock n’ roll groupie scene Read the rest
A 1969 TV series about a group of college students whose plane crashed on a small island.
LIFE.com has a beautiful gallery of Michael Rougier photographs from Japan in 1964: runaways, rock and rollers, biker gangs, "pill kids" and other Japanese teens. LIFE Magazine published some of these in September, 1964, but some have never before been published.
Above, the original caption from 1964: "Kako, languid from sleeping pills she takes, is lost in a world of her own in a jazz shop in Tokyo." Read the rest
Image Link. Boing Boing reader MewDeep, who has an awesome Flickr stream of '60s-'70s ad scans, points to this YouTube clip of a notable television commercial from 1968: it's a promo for the Peace Corps, set to "Age of Aquarius." As MewDeep excerpts here, the ad is mentioned in The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism, by Thomas Frank. Read the rest
"My Favorite Museum Exhibit" is a series of posts aimed at giving BoingBoing readers a chance to show off their favorite exhibits and specimens, preferably from museums that might go overlooked in the tourism pantheon. I'll be featuring posts in this series all week. Want to see them all? Check out the archive post. I'll update the full list there every morning.
Not every museum exhibit will survive untouched from your childhood to your grandchildrens'. Over time, historic and scientific accuracy, changing mores and aesthetics, and improvements in design will force some exhibits off the main stage and into the dusty storage room of memory.
But you can still love them from afar.
On this, the last day of "My Favorite Museum Exhibit" week, I'd like to include one man's tribute to a long-dismantled museum exhibit. Tom Luthman writes:
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When I was a kid in the 1970s, I'd go to the Center of Science and Industry in Columbus, Ohio (COSI). COSI opened in 1964, in the old Franklin County Memorial Hall, built in 1906. It closed in 1999, or rather, it moved to a new location, and most of the old exhibits didn't make the move.
One of the exhibits was THE TRIUMPH OF MAN, a leftover exhibit from the 1964 World's Fair in New York City, built by the Travelers Insurance Companies. You'd walk down a darkened corridor, and off in alcoves were 14 paper-mache scenes depicting the history of humanity. All accompanied by a recorded narration from the World's Fair.