Primitive digital imagery has had something of a resurgence across the past decade or so, to the point where pastiches of 8-bit pixel graphics have found their way into mainstream productions such as Wreck-It Ralph. Perhaps it is time that the animators and digital artists of today rediscovered the lesser-known cousin of this aesthetic: the strange world of pseudo-CGI.
The city of the future is imprisoned by feathered mullets, dry ice, and the synthesized orchestral hits that result when anyone opens their eyes. [↚ @joeljohnson]
View larger size here. Lovingly scanned and shared in the Boing Boing Flickr Pool by reader v. valenti. Art by Japanese illustrator Shusei Nagaoka, whose sci-fi illustrations were popular during the 1970s and '80s, and graced album covers by ELO, Earth, Wind & Fire, and Deep Purple. There's an awesome little archive of his work here.
From the original, and still brilliant, 1980 film Fame, the late Gene Anthony Ray's "audition" as Leroy Johnson. Wicked. His partner Shirley Mulholland, played by Carol Massenburg? A disaster. That's ok, she didn't want to spend four fucking years in that ass-licking school anyway.
The tune is Linda Clifford's "Red Light," available on the movie soundtrack.
Like his eighties brethren Alvin and The Chipmunks, Chuck E. Cheese has been redesigned in a manner that removes all remaining crumbs of original loveable kitsch. What was once a heart-warming pastiche of "scary clown" meets "stoned furry" is now just another soul-less CGI belch. Is nothing sacred?
Bonus in this AP article: a bungled reference to Nolan Bushnell as the man who "co-founded Atari and Pong." Pong, of course, was an arcade game created by Allan Alcorn and manufactured by Atari, the video game and home computer company Bushnell co-founded.