Cartoonist and illustrator Adrian Tomine (author of the terrific little book Scenes From an Impending Marriage) was recently interviewed on the Bat Segundo show. (I love this cover Adrian drew for The New Yorker.)
Subjects Discussed: Doing time in Sacramento, veiling a personal experience with a sex change, which of Tomine's characters is least like him, the liberation that comes in fabrication, scratched out names and Victorian literature, the original small audiences for Scenes and 32 Stories, the father's fund, taking criticisms to heart, the drawbacks of working in the same realist vein, Tomine's wife as the "first audience," the artist's fragile ego, the influence of printed literature and storytelling upon art, humbling versions of inspiration, Tomine's degrees of aspiration and ambition, living a life in service to the drawing, facing the world, the "strenuous" exigencies of cartoonists, drawing panels without decor, Tomine's perfectionist qualities, the freedom in pursuing work that isn't going to be reviewed, feeling highly scrutinized, the pleasure in publishing harsh letters, the look of the ranger, using the fewest lines to get the maximum amount of detail, settling upon the three panel approach, maintaining a private style in secret scrapbooks, varying levels of creative insulation from the public, the very low frequency of sound words, the tongue licking in "Alter Ego," seeing external details that other characters cannot, the grotesque reality of Chris Ware's furry cats, the number of people who read books in Tomine's New Yorker illustrations, the Venn diagram between 1990s subcultures and digital culture, disappearing subcultures, cartoonists who detest hippie and hipster culture, gesture and look, Alison Bechdel's elaborate photographic process, and the pursuit of "realism" in an "unreal" medium.
Cartoonist Adrian Tomine interviewed in Bat Segundo Show
One of my favorite illustrators, Barnaby Ward, found a cache of 1st edition copies of his dreamlike graphic novel, Sixteen Miles to Merricks, which sold out quickly (Used copies go for $90 and up on Amazon).
The story begins when a man comes home and discovers a mysterious woman in the house. She leads him through a series of tunnels under the house and beyond. The 208-page book contains four other excellent surreal short stories,
You can read the book online here and order it for $30 at Barnaby's website.
Just wanted to showcase this marvelous comic
by Stuart McMillen (the cover of which you see above and is a nice nod to Hergé). It's called "St. Matthew Island" and asks: "What happens when you introduce 29 reindeer to an isolated island of untouched natural resources?"
As a parable (humans being humans, and reindeer being reindeer), it does a great job of gently and effectively illustrating the issue of over consumption .
St Matthew Island by Stuart McMillen
Coming soon to Perpetual Kid's online store, this comic strip picture frame
comes with a sheet of reusable speech bubbles and will be $18.
GeekDad's Dave Banks explores
the current state of indie comic's with New Brighton Archeological Society co-creator and writer Mark Andrew Smith.
Finally, here was an all ages graphic novel that treated kids intelligently and was really entertaining at the same time. So we were surprised to see that the sequel was going to require some Kickstarter funding to get going. Surely a critical darling like The New Brighton Archeological Society didn't need funding to get off the ground, did it?
Unfortunately, as with many creators in the indie scene, the answer from Mark and co-creator Matthew Weldon, is a resounding YES. "We're eight thousand dollars in the red on The New Brighton Archeological Society Book One for coloring and lettering costs... We front the cost of producing the book and promoting the book. The publisher (Image Comics) prints it and the distributor (Diamond) distributes it... In the model we're publishing under, we're the last to recoup."
The recent fundraising success of Jeremy Bastian's Cursed Pirate Girl and others has made Brooklyn-based Kickstarter a game changer in the world of comics -- providing micro-financing to projects that wouldn't otherwise get made in this current state of shifting business models and economic woes.
Support Mark and Matthew! You can donate to the NBAS Kickstarter project and help bring the much anticipated sequel to reality. Or buy the first book.
Here's a preview of the upcoming one-shot issue of Lorna: Relic Wrangler
, coming on March 23 from Image comics.
Fun fact: Washington D.C.'s occult architecture was configured to roll out the red carpet for an extra-dimensional Dark Lord. And only one woman can rescue mankind from certain doom!
In March, Image Comics will tell the tale of mankind's savior in Lorna: Relic Wrangler, a one-shot adventure written by Micah S. Harris (Heaven's War) and illustrated by Loston Wallace (Elvira Mistress of the Dark, Batman Animated Series), Michael Youngblood, and Olli Hihnala. Eisner-award winning artist Darwyn Cooke (DC: The New Frontier, Richard Stark's Parker) provides the gorgeous cover, while Dean Yeagle supplies a pin-up worthy variant cover.
"Lorna's passions were never those of your typical southern belle," Harris says. "Now, from her trailer park HQ, she tracks the uncanny on a global scale."
"Lorna is Mary Ann and Ginger combined with a mint julep twist of Laura Croft," Wallace adds. "Sexy, funny, and devilishly smart, Lorna fearlessly faces down supernatural dangers wearing cut-off jeans shorts. What's not to like?!"
To defeat a nefarious evil entity, Lorna, Relic Wrangler, must pilfer a mysterious artifact from a Memorial in the heart of our nation's capitol. What she doesn't know is that she's offering herself up as a sacrificial party favor in the process! Lorna also has to face down her high school nemesis -- now a cat-suited villainess -- in a girl fight for the ages!
See preview pages after the jump.
Read the rest
Boing Boing reader Giant Eye, aka Matthew Borgatti, says, "Here's a sneak peek of something I'm working on for the Transmetropolitan Art Book. It's on the corner of W 26th st and 8th in Manhattan. If you live in the city you should come and see it before the installation gets graff'd over."
For those who aren't familiar: Transmetropolitan is a series of cyberpunk graphic novels written by Warren Ellis with art by Darick Robertson, published by DC Comics.
My friends at Hilobrow are running a really fun series of posts about comic book legend Jack Kirby. It's called Kirb Your Enthusiasm, and each essay is by a different person analyzing a panel from a Kirby title. Posts so far include Douglas Rushkoff on The Eternals, John Hilgart on Black Magic, Gary Panter on Demon, Dan Nadel on OMAC, and Deb Chachra on Captain America.
I lucked out and got to write about Kamandi.
In the summer of 1977 Jack Kirby came to Colorado to make appearances at the three different Mile High Comics stores -- in Fort Collins, Boulder, and Denver. At the time I was 16 years old and worked after school and on the weekends at the Boulder store; I fell asleep thinking about Kirby and woke up in the morning thinking about Kirby. I'd become an instant fan upon discovering Kamandi: The Last Boy on Earth. Before Kamandi, I read Richie Rich and other Harvey titles, but had zero interest in Marvel or DC comics, which were exclusively about superheroes and seemed as ridiculous to me as spectator sports.
Kamandi was different from any other comic. It was about an ordinary boy, with no special powers or skills, surviving on his own in a crazy world taken over by intelligent, bipedal mammals. The series came on the heels of Planet of the Apes -- a movie I watched over and over again in the theater -- and Kamandi was like an improved extension of that world. So when Kirby came to Colorado I was the first in line at all three stores. I hung out at the signing table from the minute he arrived until he left the stores in the evening.
I remember three things about his visit:
1. On the first night, somebody asked him what role Stan Lee played in the writing of the Marvel titles that Kirby had illustrated. Kirby answered, "He didn't do anything. I did the whole damn thing." A few minutes later, he noticed that someone was holding out a small tape recorder to record his answers. He said, "What are you doing! Gimme that." When the guy handed him the tape recorder, Kirby removed the cassette and stuck it in his back pocket. He then handed the recorder back to the guy and said, "Don't do that!"
Read the rest of my essay at Hilobrow.
In stores on April 20: Ziggy Marley's Marijuanaman.
Based on a character conceived of by Ziggy Marley, written by Man of Action Studios and illustrated by Jim Mahfood, Marijuanaman promises to shatter all expectations -- this is not the comic you think it is! The oversized deluxe hardcover graphic novel tells the tale of a noble extraterrestrial champion, who has arrived on Earth to deliver an important message and at the same time save his own planet.
Ziggy Marley's Marijuanaman
"Marijuanaman represents the hope of the future... the hope that we will utilize all of the power that the universe has given us to save our planet," Marley explained.
I like autobiographical comics, especially because they are about the lives of cartoonists. Adrian Tomine's (Optic Nerve, Summer Blonde) Scenes from an Impending Marriage (Drawn & Quarterly, 2011) is a 54-page book with 1-4 page vignettes of the events leading up to his marriage with his fiancée Sarah. The stories include making a guest list, booking a reception venue, designing the invitations, hiring a DJ, registering at Crate and Barrel, hiring a florist, etc.
This may sound humdrum, but the events are funny, and anyone who has gotten married will see a little of themselves in these comics. Adrian comes off as a slightly grumpy cheapskate (doesn't it seem like most good cartoonists are?), but the sweet-yet-firm Sarah has no problem getting her way and making Adrian come to his senses (see sample above).
This book was originally designed as a little gift that Adrian and Sarah gave to each of the wedding attendees. I'm glad they are sharing these entertaining and endearing personal stories with a wider audience.
Scenes from an Impending Marriage
Chris Murphy of Comics Alliance reviews issue number 1 of Steampunk Palin.
The story starts in the near future, in the immediate aftermath of a war that has destroyed all the Earth's oil. A new power source is needed, and Sarah Palin steps forward to suggest steam power as a replacement. A conglomerate consisting of big oil and nuclear power interests makes a counterproposal by blowing her up with a bomb at the meeting where she suggests this.
Six months later Sarah Palin wakes up to find that she now has body more than half made of robot parts. Powered by steam.
It's fitting that a cartoonish person gets her own comic book!
Steampunk Palin' Comic More Insane Than You Imagined (Thanks, Felipe Li!)
Here's my buddy Craig Yoe
standing in front of a giant reproduction of Wally Wood's "Disney Memorial Orgy
" poster at New York City's Museum of Sex , which was originally published in Paul Krasner's The Realist
in 1967. Craig is the curator of an exhibit there called "Comics Stripped."
From the show's description:
As Tom of Finland famously said, "If I don't have an erection when I'm doing a drawing, I know it's no good." Whether produced as an individual work of art or mass produced, comics are a reflection of society and sexual fantasy where every sexual act that can be performed or imagined can exist.
In showcasing the coquettish to the most sexually explicit "dirty drawings," Comics Stripped will examine the history and cultural significance of the images, icons and illustrators that have entertained, educated (as well as equally misinformed) on the basics of sex and created a realm of sexual fantasy unlimited by the constraints of reality for generations.
Craig is also the editor of two books about comics and sex:
Clean Cartoonists' Dirty Drawings, and Secret Identity: The Fetish Art of Superman's Co-Creator Joe Shuster.
Museum of Sex exhibit: "Comics Stripped"
The Monkeys You Ordered takes New Yorker cartoons and changes the captions to match the scene. The joke is that there is no joke. And it's actually pretty funny.