Gweek is Boing Boing's podcast about comics books, science fiction, games, gadgets, and other neat stuff. In this episode, Mark reviews the psychological thriller Tropic of Night by Michael Gruber, a health book called Why We Get Fat, by Gary Taubes, a comic book called All Nighter, and the Canon S95 digital camera.
Liz Ohanesian covers counterculture, cosplay, and cool music for the Los Angeles Weekly. She hit Comic-Con with photographer Shannon Cottrell, and came back with some great photo-essays. "I thought you might be interested in seeing our favorite cosplay of the con," she writes, "they're The Gender Bent Justice League." Above, Kit Quinn as Superma'am and Tallest Silver as Batma'am.
Gender Bent Justice League is a group of cosplayers who have taken characters associated with DC's Justice League and transformed them into something that is more Rule 63 than it is crossplay.
"A couple of us like to do female versions of preexisting male characters. One of our friends, Psykitten Pow, she had a female Flash," says Tallest Silver, who organized the group and who dresses as Batma'am. "One night, we were all hanging out and I said how funny it would be if we had a whole Justice League with swapped sexes."
A Redditor called "i_luv_ur_mom" posted this math teacher's amusement, an equation that draws a lovely Bat-signal.
“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP # 1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they werecheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”"Fantagraphics to Publish The Complete ZAP Comix"
“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”
“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny.
Gabby from the Gabby's Playhouse webcomic produced this 2010 installment that neatly summarizes every discussion about gender on the net; click through below for the whole thing.
In which we betray our gender (Thanks, Fipi Lele!)
Gweek is Boing Boing's podcast about comic books, science fiction & fantasy, video games and board games, tools, gadgets, apps, and other neat stuff.
In episode 009, Rob and Mark interview Nate Simpson, creator of the stunning new comic book Nonplayer. We also discuss digital cameras, video editing software, Spotify music service, and Mark's visit to the Trivia Championships of North America held this year in Las Vegas (congrats to Boing Boing reader Adam Villani for kicking butt in the competition!).
There is no one remotely like Jim Woodring. I admire dozens of living cartoonists, but Jim's wordless comic book stories -- about a happy go lucky cat named Frank who inhabits a phantasmagorical universe of polymorphic creatures and psychedelic architecture -- are some of the most mindbending books I've ever read. (No wonder Jim was awarded the 2001 Seattle Stranger Genius Award.)
Jim's latest work is Congress of the Animals, his second graphic novel, and the first to feature Frank. Woodring describes it as a "dense, rich fable of torture, exaltation and amnesia." The universe that Frank inhabits is called The Unifactor (something I didn't know until I read the dust jacket of the book). Woodring describes The Unifactor as a "closed system of moral algebra," that is "in control of everything that happens to the characters that abide there, and that however extreme the experiences they undergo may be, in the end nothing really changes. That goes treble for Frank himself, who is kept in a state of total ineducability by the unseen forces which control that haunted realm. And so the question arises: what would happen if Frank were to leave The Unifactor?"
What we learn is that the world beyond The Unifactor is, if you can believe it, even more bizarre. The atrocious humanoids that Frank encounters in a sculpture garden of distended viscera are the stuff of nightmares. But not everything in the world is as horrific as these creatures who appear to have nefarious plans for Frank. In this new world, Frank encounters and befriends a funhouse mirror doppelgänger of himself proves to be a valuable ally in Frank's attempts to return home to his faithful pets, Pupshaw and Pushpaw, who helplessly wait for his return.
Is there a lesson to be learned from Congress of the Animals? What is the meaning behind it, and Woodring's other books? That's the question I'm unable to answer. His comics affect the part of my brain that can think and feel, but cannot verbalize. His comics change me, but I can't say why or how.
RELATED: Did you know that "My Little Pony" has older, male fans that refer to themselves as "bronies"?
Each day, out-of-work computer programmer Luke Allen self-medicates by watching animated ponies have magical adventures. The 32-year-old, who lives in Albuquerque, New Mexico, loves his daily fix of My Little Pony Friendship Is Magic, and he's not alone. He's part of a growing group of "bronies" ("bro ponies") -- men who are fans of a TV show largely intended for a much younger audience.Now you do.
"First we can't believe this show is so good, then we can't believe we've become fans for life, then we can't believe we're walking down the pink aisle at Toys R Us or asking for the girl's toy in our Happy Meal," Allen said in an e-mail to Wired.com. "Then we can't believe our friends haven't seen it yet, then we can't believe they're becoming bronies too."
Comixology is selling digital copies (for iOS and Android) of the old Gold Key Star Trek comic book for 99 cents. How cool is this logo design?
In Gweek 005 Rob and I are joined by Tony Moore, the Eisner-award nominated co-creator of The Walking Dead, as well as the co-creator of Vertigo's The Exterminators and Dark Horse's Fear Agent.
His life cut short, dying in 2007 at only 37 years of age, Hayes left his saga of lovable gangster Lusiphur Malache unfinished.
The art was a black-and-white gothic scratchboard, and Poison Elves' mix of choppy dream sequences, drug issues, serial killers, strippers and supernatural weirdness looks rough and adolescent at first blush. But here was an energy and humor that was only just getting started: Hayes self-published his way to success (just like the Pinis and Dave Sim before him) in the early 1990s and should have had all the time in the world to refine his work and provide more comfortable attire for his characters.
Alas, it was not to be.
Hayes also worked on Overstreet price guide, Strange Attractors, Necromancer, Elfquest and others. Collections are available at Amazon, and his publisher also produced a collection of Hayes' columns and personal notes, Deathreats: The Life and Times of a Comic Book Rock Star in 2009.
Harder to find is original artwork by Hayes; sketches seem to go for hundreds of dollars, and a a few are in circulation on eBay. Also: toys.
ADVERTISEMENT: This post is sponsored by American Express Membership Rewards. Visit American Express on Facebook at facebook.com to view all the possibilities with Membership Rewards Points.
The gore and violence is over the top, and the mature subject matter prevented me from sharing the book with my 13-year-old daughter. Violence and darkness aside, Joe Hill's story is tight and well told, skillfully weaving flashbacks and present-day scenes, and inserting elements of foreshadowing to add just the right amount of complexity to the plot. Hill is the author of the acclaimed horror novel, Heart-Shaped Box (and his dad is Stephen King, which I just found out about 15 seconds ago).
I'm not familiar with Gabriel Rodriguez, the Chilean artist who drew Locke & Key, but his work is terrific. I have seen too many comics lately where the characters physical features vary from panel to panel so much that they are unrecognizable. Rodriguez's characters are extremely well-designed and consistent throughout the book, making it easy to figure out who is who. That might not seem like a big deal, but to someone like me, who isn't that great at recognizing faces, it's a big help. His depictions of architecture is stunning.
Most supposedly-scary novels and movies don't affect me, even though I enjoy them. But Locke & Key was both enjoyable and spooky. I highly recommend it.
Scott Morse (one of the contributors to the terrific art book, The Ancient Book of Sex and Science) says:
Are you planning your San Diego comics excursion this summer? There's something new and unique being planned by a host of comics, film, and illustration artists including Mike Mignola, Mike Allred, Craig Thompson, Paul Pope, Brian McDonald, and more.
TR!CKSTER is a huge, free-to-enter pop-up store event that's equal parts retail shop/fine art gallery/and symposium space. Spearheaded by Scott Morse and Ted Mathot, TR!CKSTER just might be the world's first creator-owned venue of its kind, spotlighting an armada of artists and writers that are the heart and soul of popular storytelling, daring enough to retain the rights to their own work. Featuring limited run small press books and wares, original art in a gallery setting, a full bar, live music and more, TR!CKSTER seeks to be a haven for creators and audiences to gather in a classy, comfortable atmosphere. With no booths, creators will be free to relax and interact more casually with their audience, have a cocktail, and share their creative processes more readily. A series of Symposia will we featured, focusing on honing craft, technique, method, and theory concerning writing and art making. As a crash-course in creative sharing and collaboration, the Symposia will be limited seating with tickets on sale soon.
Open Tuesday, July 19th, through Sunday, July 24th, and located DIRECTLY across from the San Diego Convention Center, TR!CKSTER just might be the most talked-about event this summer for art makers and storytellers!