As a young boy, Tom Fassbender remembers being fascinated by Easter Island while watching In Search Of, but he never thought he’d have the chance to actually visit the place — then his family decided to travel around the world.Read the rest
When Tom Fassbender took a trip around the world with his family, he wasn’t naive enough to think that it was going to be a year of easy adventure full of laughs and endless fun.Read the rest
“Most people think that taking a family of four on a trip around the world for an entire year would require a long discussion and some careful consideration,” says Tom Fassbender. “But for us, the decision was made with the speed of a single text message.”Read the rest
Now this is how you do multimedia.
At The New York Times, John Branch tells the amazing, terrifying story of 16 backcountry skiers and snowboarders caught in an avalanche in the Cascade mountains in February 2012. The article, by itself, is a must-read. But you should also take a look at the absolutely fantastic way that Branch and his editors put the online medium to good use — embedding interactive maps, photos that move like something out of Harry Potter, and more standard videos into a lovely, fluid design.
Alissa Walker, who pointed me toward this piece, said that she felt cold just reading it. And you really do get that feeling. All the elements of Branch's article are brought together in a way that enhances the urgency and amplifies your sense of experiencing somebody else's story. It's really, really, really fantastic.
On the anniversary of Apollo 11, Steve Jurvetson posted an amazing, never-before-seen series of space artifacts. He writes:
On July 20, 1969, Eagle landed on the moon. These are the handwritten notes from the Grumman engineers as they pushed to complete Lunar Module LM-5 in 1968. On the last page, they learn than this particular Lunar Module would be the one to bring the first humans to the moon.
The Grumman Engineering Log served not only as an engineering notebook but also as an intercom between the day and night shift – separate teams that needed to push the ball forward from where the other left off. So we are offered a rare peek into the concerns, uncertainties and conversations that might have otherwise been quietly undocumented.
Read the rest
Image: Chhiring Sherpa provides the lighting for a photograph of Swiss mountaineer Ueli Steck. Photo by Grayson Schaffer, used with permission of Outside.
Hint: It involves a lot of sherpas.
Grayson Schaffer, an editor for Outside magazine, is currently embedded at Base Camp on Mt. Everest, covering several teams attempting to climb the mountain's West Ridge—which Outside describes as "a route nearly as many climbers have died on as have summitted." He's sending back stories and photos from the tallest mountain in the world. But that presents a problem. The kind of photography that's used in a glossy magazine is not the kind of photography that is easy to produce with a team of one in a bare-bones climbing camp.
In a recent post, Schaffer explains the tools he's using to get his shots and shows us how he's wrangled random sherpas, climbers, and camp staff into assisting him. It's a neat bit of media behind-the-scenes.
The key piece of gear that makes it all possible is the new Pro-B3 1200w/s AirS battery pack. It's the lithium-powered update to the older 7B power pack, and it delivers consistent flashes even in subzero temperatures at 17,500 feet. We've got two of these with a set of spare battery inserts but have yet to run down in a day's shooting. To charge these beasts, we've been using a basic GoalZero solar setup, which, thanks to the Pro-B3's built-in trickle-charging capability, can top off a charge in a sunny afternoon.
Image: A yak inspects Grayson Schaffer's camera gear boxes. Photo by Grayson Schaffer. Used with permission of Outside.