Maciej Cegłowski's latest talk, The Internet With A Human Face, is a perfect companion to both his Our Comrade the Electron and Peter Watts's Scorched Earth Society: A Suicide Bomber's Guide to Online Privacy: a narrative that explains how the Internet of liberation became the Internet of inhuman and total surveillance. Increasingly, I'm heartened by the people who understand that the right debate to have is "How do we make the Internet a better place for human habitation?" and not "Is the Internet good or bad for us?" I'm also heartened to see the growth of the view that aggregated personal data is a kind of immortal toxic waste and that the best way to prevent spills is to not collect it in the first place.
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Facebook continues to tighten the screws on the businesses that use the service to market to their customers. Independent research shows that new updates from businesses reach about six percent of the people who follow those businesses. It is rumored that Facebook intends to reduce this number to "between one and two percent" over time. Businesses that want to reach the people who follow them at higher rates will have to pay Facebook to reach them through paid advertisements.
If you're building your business's marketing and customer relations strategy atop Facebook, take note -- and remember that if you have a real website, all your readers see your posts, even if you don't pay Facebook!
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Snap! Crackle! and Pop! are the embodiment of Rice Krispies cereal. They were born in 1928 when artist Vernon Grant was inspired by a Rice Krispies radio jingle describing how the puffed grains "merrily snap, crackle and pop in a bowl of milk," so he drew the three elves and sent them off to Kellogg's ad agency of record. But for a few short years in the 1950s, there was a fourth elf. A space elf! His name? Pow! If not for the Internet, Pow! would be lost to time. He appeared in two TV commercials. "Pow means power and power's nice! Rice Krispies power from whole grain rice!” said the announcer... "Now Pow doesn't say much...he just goes ahead and does things...like putting power into every...lightweight spoonful of Kellogg's Rice Krispies!"
Smithsonian has the full story: "The Untold Tale of Pow!, the Fourth Rice Krispies Elf." Read the rest
Funny viral video of a scary prank in NYC promoting the new horror film Devil's Due. (Thanks, Kelly Sparks!) Read the rest
An enticing ad spotted by my IFTF colleague Jake Dunagan. Click to see larger. Read the rest
Heather spotted this remarkably sad ad from Swiffer, aping Westinghouse Electric's classic wartime poster, We Can Do It! Adds Jason: "I love the clear tribute to an important historical image done in such a way as to piss on its legacy."
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"It's funny cause it's true," says my pal Jason Tester who posted the photo to his Instagram feed @guerrillafutures. Read the rest
Alan Wexelblat comment on the news that Nintendo has claimed "monetization rights" to fan videos on YouTube that feature tips on playing its games. Some of these videos are incredibly popular, and while their use of Nintendo's creations are often fair use, Nintendo gets to use YouTube's monetization system to advertise on all the videos:
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The basic idea is that if someone makes a video of themselves playing a Nintendo game and uploads it to YouTube any ads shown with that video will be of Nintendo's choosing and revenue from it will flow to Nintendo. Ads may appear beside the videos or actually be inserted before and after the video when people go to play it.
The problem here is that "Let's Play" style videos are a pervasive form of information and sharing throughout the industry. I did a quick YouTube search for "let's play" for this blog post and got back over 9.1 million hits. People create these videos to show off their skills, to highlight interesting things they've seen such as game "easter eggs", to provide guides or walk-throughs, or just to share a bit of fun with friends. There are a few professional or semi-professional games writers who use this style of video to promote themselves or their channels, but they are a tiny minority of that nine million.
Nintendo has positioned its action as a gentler approach; rather than trying to ban content related to Nintendo games, they just want to make money off it by changing the video that an individual uploaded.
This shuffled into my music player this morning, and delighted me as it ever does: Allan Sherman's When I was a Lad, a lovely bit of Mad Man-style period parody from the album My Son, the Celebrity. You probably know Sherman's work from "Hello Muddah, Hello Faddah," but it's well worth exploring his whole catalog -- especially since there's a fabulous box set.
When I Was A Lad - Allan Sherman
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Distilled from forty hours of 80s commercials, pulled from VHS tapes, Memorex is the sequel to Smash TV's Skinemax.
According to a survey of 200,000 Americans, Miller High Life is the most bi-partisan of beers. Republicans favor Samuel Adams and, apparently, there are a lot of Democrats drinking Heineken. (Although one might argue that these results are heavily skewed, as the survey did not include either microbrews or microparties. God only knows what the Libertarians are drinking.) There's a chart. Yay, charts! (Via Kevin Zelnio) Read the rest
[Video Link]. Wieden+Kennedy's new ad for Nike is provocative stuff. Nike isn't sponsoring the Olympics this year, but the ad is timed accordingly. The star of this spot, Nathan, is 12 years old and lives in London, Ohio. He tells Business Insider he puked in a ditch while filming takes. I like this kid.
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The internets are a-flutter with critics of these new Apple ads. I'm not crazy about them. They feel like they're for Best Buy or something, not Apple. I do wish they'd just bring back John Hodgman. (via @nytjim) Read the rest
The first offering has lyrics by famous advertising copywriter Salman Rushdie
. The second is a version of U2's One
created for Bank of America, titled One Bank
. By the time you get to The Gazprom Song
, you will have already gone quite mad. [popbitch] Read the rest
I challenge you to un-see this.
I asked photographer Markus Mueller about these hilarious and semi-disturbing shots on his website:
We shot these in different locations in berlin. one day three motives, three locations, a nice and very funny crew and work. we took the portrait pictures from the girls separately some days before. that are original prints on the t-shirts .....nothing with photoshop!
It was a ad campaign for the german client "Das Handwerk" (it is a German union for handcraft companies)Agency: scholz&friends BerlinArt Direction: Michael Johne
Gut gemacht gentlemen! Read the rest
An interesting piece from The Atlantic's Alex Madrigal points out that the coveted 18-34 male demographic is no longer the most important force in technology consumption and purchasing. He quotes Intel anthropologist and all-round awesomesauce dispenser Genevieve Bell's research, which shows that women lead tech adoption in "internet usage, mobile phone voice usage, mobile phone location-based services, text messaging, Skype, every social networking site aside from LinkedIn, all Internet-enabled devices, e-readers, health-care devices, and GPS. Also, because women still are the primary caretakers of children in many places, guess who controls which gadgets the young male and female members of the family get to purchase or even use?"
Of course, the neglect of women -- and other groups of systematically disenfranchised people, like gblt people and people of color -- is a recurring theme in the history of business. And periodically (generally in the midst of a recession that makes the previously unthinkable into the inevitable), some industry will figure out that there's a group of people whom they've ignored or held in contempt with a lot of money on their hands, and you get a new boom of targeted products, media and advertising. And exploitation, of course. Lots of exploitation.
Terry O'Reilly's "Age of Persuasion" podcast has done some good episodes on these turns in advertising history -- here's one on women, one on people of color, and one on gblt-targeted ads.
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How can an industry get its market so wrong?
One huge reason is the relative lack of women at major venture capital firms, startups, electronics makers, and Internet companies.