UK government spent millions arming and training Congolese and Sudanese soldiers

Cory Doctorow at 10:16 am • •

The UK government has spent £2.4m on training and arming the military forces in Sudan and the Democratic Republic of Congo -- two places where soldiers are known for atrocities, gang-rape, torture, electoral fraud and vote suppression, and gross human rights abuses. The Guardian's Diane Taylor and David Smith report:

The Enough Project, which works with the American actor George Clooney to expose human rights abuses in both Sudan and Congo, says the two countries are the scene of some of the world's most serious mass atrocities.
In information revealed in a freedom of information response from the Ministry of Defence a total of £75,406 has been spent on providing 44-week courses at the elite Royal Military Academy Sandhurst for Sudanese and Congolese forces. Other support includes military logistics, advanced command and staff courses, strategic intelligence and evaluating challenges to state sovereignty.
A total of £952,301 was spent on international peace support, which includes border security and stabilisation.

As the Sudanese opposition leader Dr Gebreil Fediel said from London, "If it was and is the intention of the UK authorities to teach Sudan's police and security officers how to conduct these matters in a democratic manner, it has failed. The brutality and genocidal activities of government of Sudan state organs against its own citizens is widely documented."

UK spent millions training police from oppressive regimes

Chinese-built ghost town in Angola - the first of many to come?

Cory Doctorow at 5:40 am • •

The BBC's Louise Redvers reports on the ghost town of Kilamba, Angola, a horrendously expensive high-rise enclave built by Chinese companies on a line of credit secured with Angolan oil, which has only seen 220 apartments out of 2800 sold. Kilamba is the most ambitious of several new towns being built outside of existing Angoloan cities by Chinese firms.

It's like a bizarro-world version of the Keynsian idea of getting the economy going by paying one group of laborers to dig holes and another to fill them in. But in this case, one group of workers are paid to pump oil, which is offshored to China. In exchange, a group of Chinese workers is paid to build a gate-guarded enclave for a non-existent pool of mega-rich locals that no one can afford to live in, and which gradually turns into a massive liability. Profit!

The place is eerily quiet, voices bouncing off all the fresh concrete and wide-open tarred roads.
There are hardly any cars and even fewer people, just dozens of repetitive rows of multi-coloured apartment buildings, their shutters sealed and their balconies empty.
Only a handful of the commercial units are occupied, mostly by utility companies, but there are no actual shops on site, and so - with the exception of a new hypermarket located at one entrance - there is nowhere to buy food.
After driving around for nearly 15 minutes and seeing no-one apart from Chinese labourers, many of whom appear to live in containers next to the site, I came across a tiny pocket of life at a school.
It opened six months ago, bussing in its pupils in from outlying areas because there are no children living on site to attend.

Angola's Chinese-built ghost town (via Super Punch)

Science fiction in Africa

Cory Doctorow at 9:14 am • •

Here's a 23-minute BBC World Service documentary about science fiction in Africa, hosted by Zoo City author Lauren Beukes, who speaks to various luminaries, writers and commentators, including District 9 creator Neill Blomkamp.

Beukes hears from film-makers Neill Blomkamp (South Africa - director of the international hit District 9), Wanuri Kahiu (Kenya), blogger Jonathan Dotse (Ghana), writer Nnedi Okorafor (Nigeria/USA) and others on how their particular experiences have influenced their work.
Science fiction often explores the interaction between people and technology. In Africa that theme plays out in surprising ways, from making an appointment with a traditional healer over email, to women in remote villages collecting water while chatting on their mobiles.
It’s this mix of magic and technology, challenge and innovation that shapes the science fiction coming out of the continent.
Leaving behind the traditional visions of a high-tech Tokyo, futuristic LA or dystopian New York, and challenging clichéd views of the entire African continent, this is a science fiction being told by the people who live there.

Is Science Fiction Coming to Africa? (via Afrocyberpunk)

African bootleg MP3 street-market

Cory Doctorow at 1:53 pm • •

3bute's comic has adapted Chris Kirkley's blog post about an MP3 street-market in Nouakchott, Mauritania. It's a fascinating look at the intersection of traditional developing-world counterfeit/bootleg markets and the digital world:

The market itself is a labyrinthine of stalls, glass display cases filled with “fake” Nokia/Samsung cellphones, sporting two or three SIM cards, cameras, mp3 players, and speakers. Deeper into the market, past the fancier shops, the stalls are simpler. In concrete boxes plastered with glossy hip hop posters and homemade montages, young men lounge behind computers, blasting music from pairs of speakers directed outwards, in an arms race of sonic amplitude. This is Nouakchott’s mp3 market.
This is no amateur operation. Every computer trails a variety inputs: USB multipliers, memory card receivers, and microSD adapters. A virus scan is initiated on each new connection. Each PC is running some version of a copy utility to facilitate the process. The price is a standard 40 ougiya per song, about $0.14; like every market, discounts are available for bulk purchases. The music on the computers is dictated by the owners. Hassaniya music is most often carried by young Maurs, Senegalese Mbalax and folk by Pulaar and Wolof kids. While I’m searching for Hausa film music, I’m directed to the sole Hausa man in the market, a vendor from Niamey. I sit with the vendors, scrolling through the songs on VLC, selecting with a nod or a pass, the files copied to a folder, tallied, and transferred to my USB.

The original post included an MP3 of the street-sounds in the market, which makes for good listening (I've proxied that link through CoralCache to avoid nuking the server).

#5: Down and Out in the MP3 Market (via AfroCyberPunk)

Associate editor of Elsevier's Genomics resigns, vows to devote energies to open access

Cory Doctorow at 10:00 am • •

Winston Hide, is an associate professor of bioinformatics and computational biology at the Harvard School of Public Health. He was also -- until recently -- the associate editor of the prestigious (and expensive!) Elsevier journal Genomics. In a column in The Guardian, he explains why he resigned from Genomics: people are dying because scientists in poor companies can't afford proprietary journals. He will devote his efforts to open access alternatives to Genomics from now on.

My work on biomedical research in developing countries has shown me that lack of access to current publications has a severe impact.
The vast majority of biomedical scientists in Africa attempt to perform globally competitive research without up-to-date access to the wealth of biomedical literature taken for granted at western institutions. In Africa, your university may have subscriptions to only a handful of scientific journals.
In reality, the modus operandi is "please can you send me a pdf". Alternatively some researchers spend part of their research grant to buy a subscription to the journal they need.

The majority of the science in Elsevier's journals is conducted at public expense, or with a large public subsidy. The peer reviewing process is also undertaken by publicly subsidized scientists whom Elsevier does not pay. The institutions that these scientists work for have to pay very large amounts of money in order to receive the journals their work contributes to.

I can no longer work for a system that puts profit over access to research (via Copyfight)

Raising money to free classic volume on Africa's oral literature

Cory Doctorow at 5:57 am • •

A campaign on Unglue.it is seeking to raise $7,500 to pay for a Creative Commons Attribution-only licensed edition of Oral Literature in Africa, an out-of-print classic on the subject that is widely sought by African libraries. Once the money is raised, they will produce the new edition and make it widely available.

First published in 1970 by Oxford University Press, this classic study has been hailed as "the single most authoritative work on oral literature”. It traces the history of story-telling in Africa, and brings to life the diverse forms of creativity across the African continent. Author Ruth Finnegan is thought to have “almost single-handedly created the field of ethnography of language” with this book, and it continues to be a go-to text for anyone studying African culture.
However, despite its enormous scope and popularity, Finnegan’s book is now out of print. It is particularly hard to find in Africa, where its original retail price was beyond the budget of most university libraries. The non-profit organization Open Book Publishers is endeavoring to make this definitive book freely available to African students and scholars — and indeed to any interested readers around the world. The Unglued Ebook will be particularly friendly to people in places with slow Internet connections: once a copy is downloaded, the book can be read offline.
This edition, developed in conjunction with Cambridge University’s World Oral Literature Project, will include a new introduction and extra digital material. When Finnegan’s book was first published forty years ago, the technology did not exist to include audio clips. Part of this Unglue campaign will involve the creation of a free online repository of Finnegan’s audio recordings of African story-telling, carefully collected during her fieldwork in the late 1960s. These clips, together with original photographs taken during her research, will become available for the first time to researchers everywhere — an invaluable resource to scholars of African literature and culture.

Oral Literature in Africa (via Copyfight)

Bones of Turkana: Meave and Richard Leakey on human ancestors and the Leakey legacy

Maggie Koerth-Baker at 5:30 am • •

The Leakey family is like the Kennedys, but for paleoanthropology instead of politics. Think about any hominin fossil or artifact you can name. Chances are, there was a Leakey involved in its discovery. Louis Leakey was one of the first scientists to champion the idea that humans had their origins in Africa. For three generations now, his family has carried out active paleo excavations in eastern Africa, especially the countries of Tanzania and Kenya.

The first generation—Louis Leakey and his wife Mary—were most associated with Tanzania's Oldupai Gorge. But their son Richard, his wife Meave, and their daughter Louise have all spent their careers focused on Lake Turkana, on the border between Kenya and Ethiopia. The site is the world's largest, permanent desert lake. Undisturbed by modern development, in a spot where millions of years of flowing water have washed deposits and fossils down from the rift valley—Lake Turkana is an excellent place to search for human ancestors and our ancient relatives.

On Wednesday, PBS will air an hour-long documentary on the Leakeys' work at Lake Turkana. Part biography of Richard Leakey and part exploration of human history—Bones of Turkana will air May 16th at 9:00 pm central and again on May 21st at the same time. Yesterday, I got the opportunity to speak with Richard and Meave Leakey. We talked about human evolution, the scientific promise of Lake Turkana, the process of paleo fieldwork, and the lasting impression of the Leakey legacy.

Read the rest

South African 3D printing conference

Cory Doctorow at 7:14 am • •

Chris sez, "I'm helping to arrange a conference on 3D printing/additive manufacturing in South Africa. We have some world-renowned professors on the subject coming and its being held in a game reserve so it should be fun!"

Rapid Prototyping remains a key technology in the Rapid Product Development suite of technologies. However, over the past decade we have experienced growing acceptance of this powerful technology in the manufacturing industry, not only as prototyping tool, but increasingly as niche manufacturing technology. The inherent ability of the technology to accommodate part complexity and customization, coupled with an ever-increasing range of materials, has provided industry with unprecedented flexibility in design and production. Resulting from this, Additive Manufacturing has replaced Rapid Prototyping as internationally accepted terminology for this technology. Also in South Africa the uptake of Additive Manufacturing by industry has been breathtaking.
In the calm and pristine environment of the South African Bushveld, the conference programme will offer a variety of opportunities for participants from industry, R&D institutions, academia and government to listen to presentations, engage in discussions, visit exhibitions and just interact informally during the three days of the event.

Rapid Product Development Association of South Africa (Thanks, Chris!)

African Men, Hollywood Stereotypes (video)

Xeni Jardin at 9:37 am • •

[Video Link] A new video for Mama Hope, by Joe Sabia and crew.

Read the rest

On Tweetbombing and the Ethics of Attention

Xeni Jardin at 10:49 am • •

Something weird happened on Twitter yesterday. It was annoying and upsetting at the time, but now it's meaty fodder for behavioral analysis discussions. Ethan Zuckerman wrote a blog post about it that extracts some of the more interesting questions raised about social media and activism.

* Postscript: I've since traded tweets with the two guys behind the stunt, and we're cool.

Blogger scoops news of Malawi President's death, is detained and harassed by police

Xeni Jardin at 2:30 pm • •

Marilyn Terrell of National Geographic tells Boing Boing,

My pal Andrew Evans who blogs for National Geographic Traveler just happened to be in the capital of Malawi yesterday when the president was rushed to the hospital. The local media insisted he was in stable condition but people were saying he had died, so Andrew stopped by the hospital to see what he could find out. The hospital was oddly quiet, although it had been buzzing with police earlier. Andrew figured something was fishy and starting taking photos of the unprotected hospital until some plainclothes police noticed. They made him delete his photos and demanded that he hand over his iPhone but he refused and kept tweeting, and tweeted the first report of Bingu wa Mutharika's death, which wasn't officially admitted until 24 hours later.

Read Andrew's account, and view his photos, here.

(PHOTO: Andrew Evans. "At Lilongwe airport, Malawians listen to news of their president's death.")

Teju Cole on "The White Savior Industrial Complex"

Xeni Jardin at 2:15 pm • •

In The Atlantic today, a must-read piece by Teju Cole on some of the cultural issues raised by Kony 2012, and reactions to it in the media-blog-Twitter-opinion-sphere.

I disagree with the approach taken by Invisible Children in particular, and by the White Savior Industrial Complex in general, because there is much more to doing good work than "making a difference." There is the principle of first do no harm. There is the idea that those who are being helped ought to be consulted over the matters that concern them.

Read "The White Savior Industrial Complex" at the Atlantic.

Revealed! Kony 2012's sinister Musical Comedy roots

Xeni Jardin at 12:21 pm • •

From the first time I watched "Kony 2012," I always sensed a link with the storyline of Matt Stone and Trey Parker's Book of Mormon musical. But sweet fancy Moses, I did not know how closely linked the two truly were.

Aaron Stewart-Ahn tells us about the video above (which has been taken down by Invisible Children, but mirrored elsewhere):

Here's where the money has been going to: Invisible Children founder Jason Russell's vanity dance musical numbers which start off with exploitative footage of suffering children. How did no one else catch this? It makes the Kony 2012 video look subtle and sane. He's basically using this to fund his desire to make Glee.
This is where the millions are being spent: vanity musicals. Did Trey Parker write this??!! Russell has mentioned repeatedly how his ambitions were to make musicals. He intimated that he was going to make the musical popular again á la Glee, but this didn't work out—so he ended up in advocacy. It was that chat at the evangelical conference. So, here's a direct youtube link to 9m 10secs in the video where he talks about making musicals, and casually talks about his dream of documenting genocide.
That bit with the t-shirt with the African child on it is just... I'm speechless. Wonder why they've removed it from their YouTube channel, since it looks so damn expensive? It's insane, isn't it? I mean, seriously: it makes Scientology videos look charmingly naive.

UK funnyman Charlie Brooker has a bit of fun with Invisible Children and the Kony 2012 viral phenomenon, in the video embedded below.

Bonus round, below. Brooker asks, "Can ANYONE explain how this EPIC visual embarrassment helps Africa? OH GOD THERE'S MORE. Also: how much did this cost, did donations fund it, and what the TWIRLING FUCK does it mean?"

Read the rest

Kony 2012 screening in Uganda results in anger, rocks thrown at screen

Xeni Jardin at 8:50 am • •

[Video Link to Al Jazeera report]

Invisible Children's "Kony 2012" video has been viewed by millions online around the world. By view counts alone, it is now the most viral video in history. It is now the first ever YouTube hit publicly screened in the northern Ugandan town of Lira—and it didn't go so well.

The screening was hosted by African Youth Initiative Network (AYINET), an NGO founded by Victor Ochen (LRA abductee turned peacekeeper) mentioned in this previous Boing Boing post. Ochen and AYINET thought Ugandans who had been personally affected by the LRA and Kony deserved an opportunity to see what all the fuss was about.

Ugandan journalist Rosebell Kagumire attended the AYINET screening of Kony 2012 last night, and tweeted that local radio stations heavily publicized the event in advance. "There were 5000+ people at the screening," she says, "Many rode bicycles from villages to see the #kony2012 video in Lira."

Malcolm Webb attended the event in the Mayor’s Gardens in the city center, and he reports for Al Jazeera:

Having heard so many great things about the film, the crowd’s expectations were high. People I spoke to anticipated seeing a video that showed the world the terrible atrocities that they had suffered during the conflict, and the ongoing struggles they still face trying to rebuild their lives after two lost decades.
The audience was at first puzzled to see the narrative lead by an American man – Jason Russell – and his young son. Towards the end of the film, the mood turned more to anger at what many people saw as a foreign, inaccurate account that belittled and commercialised their suffering, as the film promotes Kony bracelets and other fundraising merchandise, with the aim of making Kony infamous.
One woman I spoke to made the comparison of selling Osama Bin Laden paraphernalia post 9/11 – likely to be highly offensive to many Americans, however well intentioned the campaign behind it. The event ended with the angrier members of the audience throwing rocks and shouting abusive criticism, as the rest fled for safety, leaving an abandoned projector, with organisers and the press running for cover until the dust settled.

Kagumire adds this morning that AYINET has suspended further screenings, "not to further harm victims or provoke any violent response."

AYINET has published a statement on the screening here.

Invisible Children's bracelets and t-shirts aren't likely to receive a warm welcome in Uganda, either. Kagumire says "The Northern Ugandan people want the government to stop Kony 2012 tshirts from entering the country; the video sparked heated talks on 5 radio stations in Lira... one caller said #kony2012 t-shirts cannot cross Karuma. It would be too provocative."

(via @somebadideas)

Medical aid worker on Kony 2012: "The aid industry has just been Biebered."

Xeni Jardin at 9:35 am • •

(Photo: Joseph Kony, via Reuters)

On his personal blog, Marc DuBois of Médecins Sans Frontières (MSF, Doctors without Borders) writes about the impact of the viral Kony 2012 campaign on the work of long-established humanitarian efforts in Africa.

"Most madmen love the idea of fame, so Joseph Kony’s wet dream just came true," writes DuBois.

Many aid workers are simultaneously offended by the project and jealous of its unprecedented reach. At the time of this blog post, the promotional video for Invisible Children's fundraising/"awareness" campaign about the fugitive African rebel leader has exceeded 70 million views, making it the fastest-growing viral video in internet history.

Snip from DuBois' blog post:

So why, really, are we aid insiders so bothered? It’s the big green monster. Is there another charity whose message has captivated so many so fast? About six months ago, my niece “Lisa” in Chicago excitedly asked me to contribute to Invisible Children. At the time, I’d never heard of it. I poked around. I can’t say I was taken by the cause, but I couldn’t help feeling envious of IC’s having so effectively reached Lisa, usually more interested in dance and boys. These young upstarts at IC are the next big thing. And we aren’t.
Why? Well, for one, they have a simple message that people grasp. For another, good looks. More importantly, Invisible Children has discovered what the entertainment industry figured out a decade ago. It’s not about us old timers. It’s not people who read the Philip Roth or contribute conscientiously to their pension fund. It’s about the under 25s, maybe even the under 15s. It’s about the kids. That’s why there are a couple dozen TV shows about teenage vampires. That’s why we have Jedward.
The aid industry has just been Biebered. IC’s hundreds of thousands of donor / activist – they were invisible to us. Kids. That’s the target and that’s the message. If you think the aid world depends on gray haired HNWIs (High Net Worth Individuals, aka rich folk), wait and see what IC does with its pubescent legions. My advice to the aid industry? First, get over it. Then, get on the boat.

Read the rest here.

DuBois isn't speaking for MSF, but I spoke to another MSFer via Twitter today: Avril Benoît, the group's Director of Communications, who pointed me to DuBois' blog post. I asked her if MSF had released an official statement in reaction to the Kony campaign: No. But, she said, "MSF teams in LRA-affected regions of DR Congo, Central African Republic & South Sudan are likely wary of retaliation risks."

Read the rest