The Simpsons, SpongeBob Squarepants, Minions, Pikachu are yellow. So are many, many other popular cartoon characters. Why? The answer lies at the intersection of psychology, color theory, and, of course, aesthetics. (ChannelFrederator)
BlueBiscuits Studios posted a video tutorial illustrating how to make an incredibly realistic wolf animation in Blender. Even as a 2D "stills" artist, I think that guides like this are very useful: having watched it twice, I feel like I've gotten a new depth of insight into canine biology and motion. Read the rest
When Pink Floyd took the stage on their mid-1970s "Dark Side of the Moon" tour, they performed in front of a stunning video cut-up created by British animator Ian Emes. Above are screen projections from the 1974 French tour. Below, a reel from the 1975 North American tour. (The album audio was added by someone else later.) From Wikipedia:
Emes' first major work, 'French Windows', was started while he was subsequently a student at Birmingham College of Art and finished while he was unemployed. It was set to the Pink Floyd recording "One of These Days". After it was shown at Birmingham's Ikon Gallery, it was screened on the television programme The Old Grey Whistle Test, and thereby came to the attention of Pink Floyd. The band invited Emes to give them a private screening, and afterwards to make films to be projected during performances of The Dark Side of the Moon. His animation for their song "Time" is on Pink Floyd's Pulse DVD. He subsequently worked with Roger Waters, making live action film for his performance of The Wall – Live in Berlin.
As a result of his work for Pink Floyd, Linda McCartney asked Emes to animate Wings' "Oriental Nightfish". He has also made animations for concerts by Mike Oldfield, and directed The Chauffeur for Duran Duran.
George Michael, 23, had just ended Wham! and launched his solo career when he spoke with Joe Smith, author of Off The Record: An Oral History of Popular Music:
I do have the advantage of youth. I’m going to make two types of music: one is the type that people are expecting me to make because it’s really what I’m best at and what I would imagine whatever happens from now on or probably be remembered the most for is my songs in terms of structured ballads and stuff like that with strong melodies. You know, I’ve done that, I’ve done Careless Whisper.
But also there’s a kind of sexuality that I haven’t really made the most of with the first part of my career. I suppose obviously as a 22 year old, 23 year old, obviously I’m more experienced sexually than I was as an 18 year old. So maybe it’s time for that to start reflecting in the music.
In this gorgeous video produced by Al Jazeera's media literacy show The Listening Post, Amy Goodman from Democracy Now narrates an explanation of the "5 Filters of Media Manipulation" set out by Noam Chomsky and Edward S Herman in their 1988 classic Manufacturing Consent, brought to life by Pierangelo Pirak's spectacular animations. You could hardly ask for a more timely intervention in our current media and political landscape. (via JWZ) Read the rest