Andrew Freeman from Immortal Masks (who make some beautiful masks indeed) and then wisely gave them to Adam Savage to play with on his Tested Youtube channel. Hubba hubba! (via Neatorama) Read the rest
When Pink Floyd took the stage on their mid-1970s "Dark Side of the Moon" tour, they performed in front of a stunning video cut-up created by British animator Ian Emes. Above are screen projections from the 1974 French tour. Below, a reel from the 1975 North American tour. (The album audio was added by someone else later.) From Wikipedia:
Emes' first major work, 'French Windows', was started while he was subsequently a student at Birmingham College of Art and finished while he was unemployed. It was set to the Pink Floyd recording "One of These Days". After it was shown at Birmingham's Ikon Gallery, it was screened on the television programme The Old Grey Whistle Test, and thereby came to the attention of Pink Floyd. The band invited Emes to give them a private screening, and afterwards to make films to be projected during performances of The Dark Side of the Moon. His animation for their song "Time" is on Pink Floyd's Pulse DVD. He subsequently worked with Roger Waters, making live action film for his performance of The Wall – Live in Berlin.
As a result of his work for Pink Floyd, Linda McCartney asked Emes to animate Wings' "Oriental Nightfish". He has also made animations for concerts by Mike Oldfield, and directed The Chauffeur for Duran Duran.
George Michael, 23, had just ended Wham! and launched his solo career when he spoke with Joe Smith, author of Off The Record: An Oral History of Popular Music:
I do have the advantage of youth. I’m going to make two types of music: one is the type that people are expecting me to make because it’s really what I’m best at and what I would imagine whatever happens from now on or probably be remembered the most for is my songs in terms of structured ballads and stuff like that with strong melodies. You know, I’ve done that, I’ve done Careless Whisper.
But also there’s a kind of sexuality that I haven’t really made the most of with the first part of my career. I suppose obviously as a 22 year old, 23 year old, obviously I’m more experienced sexually than I was as an 18 year old. So maybe it’s time for that to start reflecting in the music.
In this gorgeous video produced by Al Jazeera's media literacy show The Listening Post, Amy Goodman from Democracy Now narrates an explanation of the "5 Filters of Media Manipulation" set out by Noam Chomsky and Edward S Herman in their 1988 classic Manufacturing Consent, brought to life by Pierangelo Pirak's spectacular animations. You could hardly ask for a more timely intervention in our current media and political landscape. (via JWZ) Read the rest
... a loose, rotating collective of indie animators. That is, animators who do independent, non-commercial work. It’s an excuse to bring a whole bunch of us together and make something great, and also to promote the work of the artists involved. Some of the best, most personal, experimental and vital animation going right now is happening on the internet. It’s being made late at night when other people have gone to sleep and on weekends when everyone else is out. It’s being made by students, freelancers, full-timers and folks with unrelated day jobs. It means something to us. It’s our scene.
It's hard to describe; it makes me think Salad Fingers in Arcadia. Read the rest
The technology to create emotionless, plastic-faced "uncanny valley" animation is getting cheaper, and those placed in charge of using it are giving less and less of a fuck.
Oh god somebody posted this on /vg/ pic.twitter.com/odCG56fJjq— Pepipopa (@Pepipopa) March 16, 2017
Another compendium here from xLetalis.
First aired in 1994 as a Beavis and Butt-Head spinoff, Daria was a fantastic animated series about a whip-smart, sardonic, misanthropic highschool girl, her punk friend Jane, and a familiar gang of jocks, dimwits, and cool cats. Daria, the show and the character, was funny, feminist, emo, and awesome. La la la la la. Vice has an oral history of Daria:
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Daria was put together by Harvard-educated Lampoon alum Glenn Eichler and Susie Lewis, who spent her days at Temple University doodling MTV logos on notebooks until a classmate suggested she get an internship at the network. His book smarts combined with her street smarts and pop culture knowledge, in a dynamic not dissimilar to that of Daria and her best friend, Jane Lane. They made their project work without a singular creative mastermind like (Beavis and Butt-Head creator Mike) Judge, who wanted nothing to do with the spin-off and was on his way out the door to bigger (and much more lucrative projects) with Fox anyway.
Daria ended up being the longest-running show to come out of MTV's Animation department, surpassing even Beavis and other cultural touchstones like Celebrity Deathmatch...
David Felton, Beavis and Butt-Head writer and creator of the character Daria Morgendorffer): In my script, Daria was ordered to work with Beavis and Butt-Head on a science experiment because their project was a disaster. It seemed like it would be interesting if they had someone to back them up who was a female, but not a sexual object. They certainly didn't think of her in sexual terms—they'd ask her about sexual things, but they called her "Diarrhea" instead of "Daria."
Tracy Grandstaff, voice of Daria Morgendorffer: I was the only female writer on the Beavis staff at the time, so I was the default choice [for Daria].