Pixar has released its Renderman imaging software to the public free to download. This version is identical to the software it uses on it's own films, which was invented in-house, and is used today by major film and video game studios for animation and visual effects. This free license is for non-commercial use only, which includes show reels and student films.
Free Non-Commercial RenderMan can be used for research, education, evaluation, plug-in development, and any personal projects that do not generate commercial profits. Free Non-Commercial RenderMan is also fully featured, without watermark, time limits, or other user limitations.
Pixar is also launching a Renderman Community Site to share knowledge and assets, showcase work, and support all the new users bound to take advantage of this unique opportunity.
Ronald Wimberly is a comics and animation artist, the author of Vertigo's Prince of Cats, and a character designer for Black Dynamite: The Animated Series. Wembly has illustrated a work experience he had while coloring an X-Men comic. His story, Lighten Up, appears on the excellent blog The Nib, a site devoted to "political cartoons, comics journalism, humor and non-fiction." Read the rest
Animator Jilli Rose created this lovely animated short about a group of stick insects stranded for 80 years near Lord Howe Island, on a sea stack with only one shrub for protection. It also tells the story of the scientists who discovered them and raced to save them from extinction. Read the rest
Elana Pritchard (see her kickstarter), an animator who is a protege of Ralph Bakshi, was thrown in the scandal haunted LA County Jail for three months for violating a court order; on Bakshi's advice, she kept herself sane by illustrating her experiences using a golf pencil and scrap paper. Read the rest
Molly Crabapple writes, "On August 9th, Ferguson police officer Darren Wilson shot a black teenager named Mike Brown. Since then, the city has been protesting. The police did not react well." Read the rest
Foxxfurr's latest article on Disney theme park history is yet another amazing and insightful read that uses the tenth anniversary of Stitch's Great Escape ("the worst ride in Disney World") as a jumping-off point to show how the history of theme-parks, animation, the elusive 5-12 year old boy market, and the entertainment business all influenced one another. Read the rest