Duge Beipanjiang Bridge crosses a gorge 565 meters above China's Nizhu River. That's a bigger height than One World Trade Center, and beats the previous record-holder by about 70 meters. Read the rest
Read the rest
The trend towards motor courts has accelerated notably in the last two years, according to Kent Security’s Alon Alexander, who has seen a major uptick in inquiries from luxury developers on how best to incorporate the feature in an architectural brief. They’re driven, of course, by twin concerns: privacy and security.
There’s also a less concrete allure to motor courts: in a city where developers want to wring maximum value from every square foot, there’s an extravagance in leaving such a large space empty. It tacitly telegraphs a developer’s largesse and indulgence, at least according to Alon Alexander’s twin brother, Oren. He is a sales executive for 565 Broome. “A regular developer might squeeze a retail site, or extra amenities like a larger lobby, from that space but a driveway is the definition of luxury,” Oren says by cellphone, “It’s space where you don’t typically get it.” Jasmine Mir, CMO of Corcoran Sunshine, puts its more simply. “Buying a penthouse at the top of a building is one thing, but the sense of extravagance and luxury associated with having space at street level in a congested place like New York? It gives an amazing sense of wow!
What happens to a utopia that never got off the ground? Bits and pieces of one, an experiment in postwar living for the masses, are hiding in plain sight in the hills above Sunset Boulevard. Architect and author Cory Buckner talks about Crestwood Hills, a Modernist vision for a cooperative future that never quite arrived.
A note from the producer: If you'd like to help HOME get off to a good seasonal start, drop by the iTunes Store and subscribe. And if you have a minute to leave a rating and/or review, that helps stir the algorithmic stew that gets shows noticed. Thanks for listening.
Redditor ipee9932cd couldn't find a keyboard to their liking, so they built the casing of their dreams—out of cement. The brutal board weighs in at 12 pounds (yes, heavier than an IBM Model M) and "it takes some force to move it."
Being my first concrete cast, I chose not to put any rebar and want to see what happens over time. I know nothing about concrete, just did some research and went for it so we'll see what happens. It's not moving off my desk, even if I try, and when I do move it I never hold it from one edge. I was thinking about trying basalt rebar or glass fibers for the next cast...the full gallery has 5 glorious shots of this brutal contraption, and there's an accompanying how-to gallery to show each step of the way. (Not shown is dismantling a keyboard and installing the important bits, but I guess if you're that far into custom keyboards it won't be a problem for you.) [via r/MechanicalKeyboards]
As this spectacular cross-section of the NYPL main branch demonstrates, the library was designed to service the needs of all the city's dwellers, even the CHUDs. (via From Deco to Atom) Read the rest
Between the Reagan years and the crash of 2008, developers absorbed the skyrocketing wealth of the 1% with monuments to bad taste and ostentation: the McMansion. Read the rest
In 1958 and '59, an unprecedented study was conducted by the Institute of Personality Assessment and Research at the University of California, Berkeley. The idea was to apply the latest psychological tests on the world’s most famous and accomplished architects to try and determine what makes them so creative and successful. In studying them, could some magical key to creativity be discovered?
Astoundingly, some 40 major architects volunteered, including Eero Saarinen, I.M. Pei, Philip Johnson, George Nelson, Louis Kahn, and A. Quincy Jones. The group spent three days being subjected to a battery of tests, sitting for interviews, even evaluating the creative and design prowess of each other. While the idea was to publish the results of the tests at the time, besides some news and fluff pieces about the study, and some superficial conclusions about the nature of the creative impulse that drove these design superstars, the full results of the study have remained unpublished until this impressive new release from Monacelli Press.
The Creative Architect: Inside the Great Midcentury Personality Study is a lovely and thought-provoking time-capsule of a book. Through its numerous black and white photos and reprints of the research materials, correspondences between the subjects of the study and the psychologists, and news clippings of the day, the book paints a surprisingly evocative picture of this unique study and the era in which it was conducted. Reading the test results, in the architects’ own hands, and the evaluations of the researchers, is fascinating. Read the rest
For more than 50 years, Justo Gallego has spent his days building his own beautiful cathedral outside of Madrid, all by himself.
"When I started to build this cathedral, the word on the street was that I was crazy," Gallego says.