Robbo sez, "Artist Paula Strawn paints the plain white medical helmets of babies and transforms them into super awesome designs.
The flight helmets and droid designs are really cool - but so are the Van Gogh and Seurat paintings. And the wee tykes look like they love 'em too."
The kids have flat head syndrome and have to wear the helmets; Strawn's done 1,300 helmets in 12 years, through her business Lazardo Art.
Artist Turns Babies' Head-Shaping Helmets Into Impressive Works Of Art [Mandy Velez/Huffington Post]
The amazing pancake artist Nathan Shields (previously, previously) has launched a video-series in which he makes pancakes with his adorable kids, Gryphon and Alice. Part three, out today, is jaw-dropping and hunger-inspiring! Parts one and two (below) are great introductions to advanced pancaking, and part two features a pancake portrait of Paul Erdos!
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Lee writes, "Philadelphia's Hacktory has just announced its Call For Artists for its new Unknown Territory Fellowship and Artist-In-Residency."
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Matt Hawkins contributed his lovely papercraft Disney characters to the Boing Boing Flickr pool. His description: "Paper sculptures made of painted watercolor paper. I created Goofy and Elliott one facet at a time from the top down from watercolor paintings with only a 2-D sketch for a guide. My hope is that this improvisational technique would help capture the spirit of these characters, bringing them to life in a flowing organic way that defies the sharp corners and geometric forms from which they're built. Available at the Wonderground Gallery in Downtown Disney."
Selfies make us look strange, lopsided, comical. Why? Because a cellphone camera sits inches from our faces, whereas our brains are used to a mirror-image seen from several feet away
. [The Atlantic] Stop worrying about how pretty you are and embrace imperfection and character
. — Rob
Deviant Art's Kasami-Sensei has produced a series of illustrations that mashup The Walking Dead with Disney characters, recasting the familiar lighthearted animated figures as post-apocalyptic zombie-hunters.
The Walking Disney
Artist Jordan Wolfson collaborated with animatronics studio Spectral Motion to create this artwork, currently on display at David Zwirner Gallery in New York City. Integrated sensors give the artwork an, er, interactive component. Full credits here. And you can see another clip of it here. (Thanks, Karen Marcelo!)
Remember this incredible video above? In the new issue of BusinessWeek, I profile the brilliant minds behind it, creative robotics studio Bot & Dolly, whose astonishing technology was also instrumental in the special effects of Gravity:
Behind a small cafe in San Francisco’s Potrero Hill neighborhood stands an unmarked warehouse where the future of human-machine interaction is taking shape. Inside this sprawling maze of soundstages, machine shops, and computer labs, artists collaborate with engineers, cinematographers brainstorm with coders, and everyone has a collegial relationship with the small army of industrial robots stationed here. This is Bot & Dolly, a boutique design studio that specializes in combining massive mechanical arms with custom software for movies, architecture, digital fabrication, and entertainment installations. “We’re a culture of makers, of creators with open minds,” says Tobias Kinnebrew, Bot & Dolly’s director for product strategy. “We work on things that don’t seem possible and try to make them possible.”
"Bot & Dolly and the Rise of Creative Robots
Just look at it.
I... just... don't... know... o.0
My friend Bob Self of Baby Tattoo has produced a traveling exhibition/extravaganza featuring artist Michael Husar. It kicks off in LA this weekend, then moves to San Francisco, Portland, Seattle, and Sacramento.
Draw, paint and party with renowned artist Michael Hussar as he travels from town to town with a mysterious dark art roadshow. Artists are invited to draw and paint with Michael; fans and curiosity-seekers are encouraged to observe and socialize. Baby Tattoo is about to launch a Michael Hussar Roadshow. The live events will be an unusual concoction of live painting, art workshop, theatrical presentation and social gathering mixed together to create three hours of artistic inspiration and entertainment. These local events will be very intimate, and will allow artists and art fans to experience a unique combination of creativity and showmanship presented in a mysterious and marvelous format.
Michael Hussar Roadshow
Dave Vancook buys thrift store paintings and adds Star Wars characters to them.
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"Tiny Worlds" is a delightful trilogy of short films about imaginary miniature city services dealing with the small trash littering the streets and sidewalks of London. The series was created by Rushes, a Soho video production house. Above is "Tiny Worlds: Bulldozer." Below, "Tiny Worlds: Submarine" and "Tiny Worlds" Logging Truck." (via Laughing Squid)
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Tomorrow night, San Francisco's pioneering contemporary dance company ODC will premiere a new work inspired by famed sculptor/environmental artist Andy Goldsworthy with live music by experimental cellist and loop musician Zoë Keating, likely familiar to Boing Boing readers from previous BB posts, or her appearances on Radiolab and Who Killed Amanda Palmer. For this piece, titled "boulders and bones," ODC artistic directors Branda Way and KT Nelson took choreographic inspiration from the ever-transforming landscapes of art and nature. The visual context of the dance comes from a time-lapse film by RJ Muna shot during the seven-month installation of a Goldsworthy sculpture at private location north of San Francisco.
Performances of "boulders and bones," along with several other works, will be held through March 30. Tickets are available here. Boing Boing is delighted to share the special video below from a "boulders and bones" rehearsal, along with another stunning photograph of dancer Natasha Adorlee Johnson by RJ Muna.
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San Francisco's Walt Disney Family Museum is running an exhibition on the art of Mary Blair, one of the all-time greats of Disney history and modernist illustration and color. I've covered her work here before (for example, there's a gorgeous collection of Blair's Golden Books, and, of course, the amazing Alice in Wonderland edition featuring the rejected concept art she produced for Disney's psychedelic Alice in Wonderland animated film), and I've been lucky enough to see some of it in person while I was working at Disney, but this exhibit, called "MAGIC, COLOR, FLAIR: the world of Mary Blair," looks extraordinary.
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Josh Harker's beautiful and bizarre "21st Century Self-Portrait" [via JWZ] defies easy explanation, so I'll just let him do it!
Based on a 3D scan of his face & CT scan of his skull, coupled with his filigree aesthetic the piece allows both forms to be viewed simultaneously juxtaposing the newfound reaches of our vision, discovery & technology against our vulnerability, privacy & humanity. The disembodied head suggests our increasing digital disconnect from the physical world & reexamination of reality. Exhibit debut at 3D Printshow New York, February 12th-15th.