Artist Marion Peck and her husband, Mark Ryden at Pixit book signing at the Taschen bookstore in the Los Angeles Farmers' Market on 21 December 2013 (Photo: Mark Frauenfelder).
"Fuzzy bunnies, big-eyed girls, meat, magic, and mystery." That's Taschen Books' capsule description of the things that artist Mark Ryden often includes in his surreal, cotton-candy-colored paintings. They did't include "Abraham Lincoln, snow, and candy," but that's OK. You'll figure that out on your own when you see the masterfully-rendered paintings in the pages of his latest book, Pinxit, which came out in April.
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Arie van't Riet was an x-ray physicist who worked in hospitals in the Netherlands. A few years ago, he turned his skill with x-rays to art, creating some really beautiful and far-out images of animals, insects, and flowers. You can see some of his art at the My Modern Met blog, and watch van't Riet explain how he creates these images in a TEDx talk. Read the rest
Tolkien, perhaps rightly in marketing terms, though with the insistent literalism that makes writers writers (which is to say: not artists), demanded, of Barbara Remington's cover art for Lord of the Rings, "What has it got to do with the story? Where is this place? Why a Lion and emus? And what is the thing in the foreground with the pink bulbs?"
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Here's one of three Cosplay Apocalypse scenes drawn by bOING bOING illustrator Danny Hellman. See the other two on Danny's blog. Read the rest
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Gweek is a podcast where the editors and friends of Boing Boing talk about comic books, science fiction and fantasy, video games, board games, TV shows, music, movies, tools, gadgets, apps, and other neat stuff.
My guest today Chip Kidd. For more 26 years Kidd has designed over 1000 iconic award-winning book covers that have revolutionized and inspired jacket design. He’s the author of The Cheese Monkeys, The Learners, the graphic novel Batman: Death by Design, and many other books about comics and design. Hailed by USA Today as "the closest thing to a rock star" in graphic design you can find him online at ChipKidd.com.
I talked to Chip about his new design principles book for children aged 10 and up called, GO: A Kidd’s Guide to Graphic Design.
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Fantagraphics posted a bunch of photos from the pages of the new printing of The Complete Crumb Comics Vol. 17: Cave Wimp. Above, the first page to Crumb's 1989 love letter to MAD creator Harvey Kurtzman. Read the rest
Drawn & Quarterly has reprinted cartoonist Chris Ware's Acme Novelty Datebook Volume One, which came out in 2003. It's a terrific look at the "loose" work of one of the world's best living illustrators.
Acclaimed cartoonist Chris Ware (Building Stories) reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). Acme Datebook Volume One is as much a companion volume to Jimmy Corrigan as a tremendous art collection from of one of America’s most interesting and popular graphic artists. Chris Ware has a passion for drawing that is infectiously wide-ranging in style and subject. Acme Datebook Volume One surprises the reader on every page with its spontaneity, its mordant humor, and its excellent draftsmanship. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures, quietly troubling figure studies, and innumerable notes to self detailing artistic doubts and ideas.
Acme Novelty Datebook Volume One (And they've reprinted Volume Two, too!) Read the rest
In 1910, Walter Goodacre published a map of the Moon, created over the course of several decades using nothing more high-tech than a good quality backyard telescope. Goodacre was an amateur astronomer. He didn't have access to top-of-the-line observatory. But he did have a knack for detail and willingness to painstakingly record his observations of the Moon with pen and paper, eventually producing a map that's accurate to a few kilometers. (In contrast, the high-definition images that we get today from lunar orbiters show details at a scale of a few meters.)
University College London has an explorable version of Goodacre's map on their website, along with scans from his 1910 book that broke the map up into sections. (As art, the sections are almost more intriguing than the full, stitched-together image.) It's all part of a larger collection of historic space images, photos from the Moon, Mars, Jupiter, and Venus. Read the rest
Adrian Tomine's New Yorker cover is called "Crossroads." He was interviewed about it on the New Yorker's website.
When asked how being a father affects New York living, he says, “We live in a notoriously kid-centric neighborhood, so it’s not like I’m walking around, gritting my teeth, and thinking, Oh, the sacrifices I make for this kid! Most of the things that become difficult or impossible when you have kids, I was never really into anyway.” As for the teeth-gritting moments? “You can definitely drive yourself crazy thinking about the cost of living here, but I try to remind myself that the monthly check I send off is giving me access to a lot of great things beyond our apartment.
Adrian has a book of his New Yorker and other NY-themed illustrations, called New York Drawings. Here's an excerpt.
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There's a theory that seeing something over and over and over will increase your acceptance of that thing. Applied to art, the idea suggests that what we think of as "good art" is actually just the stuff that we've seen a bunch of times. Which is sort of depressing. But here's some good news: There's evidence that this theory isn't true (at least, not always). A recent study found that people exposed to Thomas Kinkade paintings liked his work less and less
the more often they saw it. Read the rest
These coy hippos come from a 19th century illustration in The Proceedings of the Zoological Society of London. They're now part of a new book, published by New York's American Museum of Natural History, that combines some of the best illustrations and artworks from the museum's rare book collection. Looks like a great read! Read the rest
Rob Liefeld is the creator of Deadpool, Cable, X-Force, Youngblood, Supreme, Bloodstrike, Prophet, and Glory! He founded Image Comics in 1992 with Jim Lee, Todd McFarlane, Erik Larsen, Jim Valentino, and Marc Silvestri. Currently he oversees the Extreme Universe titles at Image. Follow Rob on Twitter @robertliefeld and see more of his art on robliefeldcreations.com.
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Ancient Egyptians made some really nice jewelry out of meteorites
. Read the rest
This table is not for pooping. It's for tea. But it is made of poop — specifically fossilized hunks of fish poop, encased in a crunchy shell of clay and rock. The fossilized poops — called coprolites, which is basically just fancy Latin for "fossilized poop" — are the spiny-looking bits in the center of each circular inlay on the table top. (Technically, the name translates as "dung stone".)
The table belonged, appropriately, to the Rev. William Buckland, the man who gave coprolites their fancy name and proved that they were, in fact, fossilized poops.
The table resides at England's Lyme Regis Museum. You can read more about Buckland's work and the details of the craftsmanship and restoration behind the table at their website. Earth Magazine also has a lovely article on coprolites, including important information that will help you distinguish between fossilized poop and stuff that just looks like fossilized poop.
Via The Earth Story. Thanks to my Dad for forwarding this to me! Read the rest
Shelton Drum is a first-generation outlier in the world of comics retail and convention organizing with his Charlotte NC store, Heroes Aren't Hard To Find, celebrating 30+ years in existence and Heroes Con growing stronger over a similar span of time. The TMSIDK gang traveled to Heroes Con 2013 to record the show live and the conversation spans the history of comics from the mid-60s forward through the eyes of a store owner who's seen it all. Read the rest
Evil Mad Scientist has a great collection of photos taken of the booklets that came with the sort of old-fashioned, you'll-put-your-eye-out chemistry sets regularly sold to children in midcentury America.
It's a treasure trove, not only for those of us interested in science, but also for anyone with a special place in their heart for the era's graphic design. Read the rest
Jon M. Gibson is the co-founder/co-owner of iam8bit -– a production company, creative think tank, art exhibition, and gallery space in Los Angeles. iam8bit’s projects include a music video for Radiohead, A Really, Really Brief History of Donkey Kong for the King of Kong DVD, Street Fighter Club, a custom vinyl picture disc for Tron Evolution, and marketing and artwork for Mega Man 9. After the success of the initial iam8bit shows (hosted at Gallery Nineteen Eighty Eight), they opened their own space and have continued to produce a variety of art exhibitions in addition to their work in the video game, film, fashion, and music industries.
Tell Me Something I Don't Know is produced and hosted by three talented cartoonists and illustrators:
Jim Rugg, a Pittsburgh-based comic book artist, graphic designer, zinemaker, and writer best known for Afrodisiac, The Plain Janes, and Street Angel. His latest
project is SUPERMAG.
Jasen Lex is a designer and illustrator from Pittsburgh. He is currently working on a graphic novel called Washington Unbound. All of his art and comics can be found at jasenlex.com.
Ed Piskor is the cartoonist who drew the comic, Wizzywig, and draws the Brain Rot/ Hip Hop Family Tree comic strip at this very site, soon to be collected by Fantagraphics Books and available for pre-order now.
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