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I've independently produced an audiobook edition of my nonfiction book Information Doesn't Want to Be Free: Laws for the Internet Age, paying Wil Wheaton to narrate it (he did such a great job on the Homeland audiobook, with a mixdown by the wonderful John Taylor Williams, and bed-music from Amanda Palmer and Dresden Dolls.
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Pay what you like for more than 10 DRM-free audiobooks, including Hunger Games, Catching Fire and Warhorse, send some or all of your payment to Feeding America (gift download codes available, too!). (Thanks, Kelley!)
Skyboat Media produced this great little documentary about Wil Wheaton's recording sessions for the audiobook of my novel Homeland, in which he had to read out Pi for four minutes straight, read out dialog in which the narrator had a fanboy moment about meeting Wil Wheaton, and many other fun moments.
The new Humble Audiobook Bundle is up, where you can name your price for audiobooks including my Down and Out in the Magic Kingdom, as well as David Byrne's brilliant How Music Works (review); Chuck Palanhiuk's Fight Club; Carl Hiassen's Strip Tease and more! All the titles are DRM-free (natch!).
The latest Humble Ebook Bundle has added four new titles: Alan Moore and Eddie Campbell's From Hell, the From Hell Companion (review), Too Cool to Be Forgotten (review); and my audiobook for Lawful Interception, the sequel to Little Brother and Homeland. They join a stellar lineup of other comics, novels and ebooks with work by Neil Gaiman, George RR Martin, Ed Piskor, Nate Powell, Paolo Bacigalupi, Tobias Buckell and Terry Goodkind.
Name your price for them -- all DRM free, and you can contribute to charity when you buy!
Four more books have been added to the final week of the third Humble Ebook Bundle: John Scalzi's Hugo- and Nebula-nominated novella The God Engines; Dia Reeves's Bleeding Violet; Mercedes Lackey and Rosemary Edghill's Arcanum 101; and Ryan "Dinosaur Comics" North's To Be or Not To Be, a bestselling, choose-your-own adventure version of Hamlet.
These are added to seven other books, from authors including Holly Black, Justine Larbalestier, Steve Gould, Scott Westerfeld, Wil Wheaton, Yahtzee Chroshaw -- and me!
Six of the books are available on a name-your-price basis; if you give $15, you get the whole whack, including the DRM-free audio adaptation of Homeland, which I paid for out-of-pocket, read aloud by Wil Wheaton!
Here's Wil Wheaton reading chapter one of my novel Homeland (here's the MP3, which I paid to independently produce for the third Humble Ebook Bundle, which runs for another eight days.
I've loved all of my audio adaptations, but Wil's was a dream come true for me. He really, really nailed it. What's more, because I produced this book independently, I can promise that it will never be sold with DRM, which makes it a rarity: Audible, which controls 90% of the market, insists on adding DRM to audiobooks even if the author and publisher object.
I hope you enjoy this as much as I did. The full, unabridged audiobook runs more than 12 hours -- thanks, Wil!
When Wil Wheaton was reading the audiobook for my novel Homeland (exclusively available through the Humble Ebook Bundle for the next nine days!), I had the great pleasure of listening to the raw, unedited studio recordings before they were mastered. Together with editor John Taylor Williams, we collected some of the best outtakes, which I've been posting here all week. Here's the last one (MP3), in which Wil's subconscious supposes that Marcus Yallow has a hankering to "melt some camels."
Homeland audiobook: Wil Wheaton explains how Little Brother and Homeland make you technologically literate
The Humble Ebook Bundle continues to rock, raising hundreds of thousands of dollars for a bundle of great name-your-price ebooks, including Scott Westerfeld's Uglies, Steve Gould's Jumper, and Holly Black's Tithe. Also included in the bundle is an exclusive audiobook of my novel Homeland, read by Wil Wheaton.
I commissioned Wil to read the book -- it was pretty much the only way to get a DRM-free audio edition in the age of Audible -- and while he read, he had a series of conversations with the project's director Gabrielle di Cuir from LA's Skyboat Studios. In this clip (MP3), Wil explains how the discussions of crypto and technology in my novels serve as a spur to drive kids -- and grownups -- to research more about security and freedom.
You've got 11 more days to avail yourself of the Humble Ebook Bundle!
As mentioned yesterday, the DRM-free, independent audiobook of my novel Homeland is available from the Humble Bundle for the next two weeks, along with a collection of brilliant science fiction and fantasy from authors ranging from Scott Westerfeld to Holly Black.
I commissioned the audiobook for the project, and paid Wil Wheaton to read it at the Skyboat Studio in Los Angeles, for mastering by John Taylor Williams in DC. If you've read the book, you'll know that Wil has a cameo in the story, early on, and when he read that passage, he couldn't help but crack up. Gabrielle de Cuir, the talented director, made sure we captured that audio, and here's your chance to hear it (MP3).
Wil's reading is amazing, and it was such a pleasure to listen to the roughs as they came in from the studio. There are a couple more of these funny moments I'll be publishing this week, so watch this space!
Homeland, read by Wil Wheaton, one of my favorite audiobook voice-actors (and a hell of a great guy, besides!). The audiobook is out as of today, and I'm proud to say that for the next two weeks, it is exclusively available through the new Humble Ebook Bundle, which kicks off today, featuring an amazing collection of name-your-price DRM-free ebooks by authors like Holly Black and Scott Westerfeld, as well as Wil Wheaton. As always, there are some surprise bonus titles that will be added in week two, and so long as you pay more than the average at the time of purchase, you'll get these automatically.
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Daniel Kraus's 2013 horror novel Scowler was pure nightmare fuel, a book that literally made me shriek aloud on the bus one afternoon. Now, the novel has been released as an audiobook by Random House audio, read by Kirby Heywood.
Humble Audiobook Bundle: name your price for audio editions of "Junky," "Heartbreaking Work of Staggering Genius," "Blood Meridian" and many more!
You've only got two days left to take advantage of The Humble Audiobook Bundle, which lets you name your price for a stellar lineup of DRM-free audiobooks (this is practically the only way to get DRM-free audiobooks these days, since Audible, the company that controls 90% of the market, requires that publishers use DRM even if they object to it). The Humble Audibook Bundle selection includes Salman Rushdie's "Satanic Verses;" William S Burroughs's "Junky;" Meg Cabot's "Abandon;" Dave Eggers's "A Heartbreaking Work of Staggering Genius;" Cormac McCarthy's "Blood Meridian," Charles Portis's "True Grit," and many more.
The Pew Internet and American Life project has released a new report on reading, called E-Reading Rises as Device Ownership Jumps. It surveys American book-reading habits, looking at both print books and electronic books, as well as audiobooks. They report that ebook readership is increasing, and also produced a "snapshot" (above) showing readership breakdown by gender, race, and age. They show strong reading affinity among visible minorities and women, and a strong correlation between high incomes and readership. The most interesting number for me is that 76 percent of Americans read at least one book last year, which is much higher than I'd have guessed.
Ben writes, "Overdrive, which is one of the main suppliers of downloadable audiobooks to public libraries, announced that it is retiring its DRM-encrusted .WMA formats and pushing everything to DRM-free .mp3s."
This is a big deal. Audiobooks are the last holdouts for DRM in audio, and one company, Audible, controls the vast majority of the market and insists upon DRM in all of its catalog (even when authors and publishers object). Itunes, Audible's major sales channel, also insists on DRM in audiobooks (even where Audible can be convinced to drop it). Audiobooks can cost a lot of money, and are very cumbersome to convert to free/open formats without using illegal circumvention tools. To stay on the right side of the law, you have to burn your audiobooks to many discs (sometimes dozens), then re-rip them, enduring breaks that come mid-word; or you have to play the audio out of your computer's analog audio outputs and redigitize them, which can take days (literally) and results in sound-quality loss.
Overdrive going DRM-free for libraries is a massive shift in this market, and marks a turning point in the relationship between the publishers/creators and the technology companies that act as conduits and retail channels for their work. It's especially great that libraries are getting a break, as they have been royally screwed on electronic books and audiobooks up until now.
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Wil Wheaton has performed and recorded an audio edition of his wonderful memoir Just a Geek. Listen for free, or pay $12 for a DRM-free download. Wil's story is an interesting and inspiring one, and he's really a wonderful reader (I loved his reading of Ready Player One).
There's a new special-edition audiobook of Welcome to Bordertown, the YA reboot of the amazing, classic urban fantasy shared-world anthologies that practically invented the genre. The special edition includes lots of new material, such as Neil Gaiman's reading of his poem "The Song of the Song" and Steven Brust fronting a musical version of his "Run Back Across the Border" -- there's lots more, and its all available as a DRM-free MP3CD.
Jeff sez, "After the success of It's Kind Of A Cute Story, Disney Legend Rolly Crump's memoir, Bamboo Forest Publishing is proud to announce the release of More Cute Stories, Volume 1: Disneyland History (CD/MP3). This high-quality recording includes nearly fifty minutes of all new stories about Disneyland that weren't included in the book, told by Rolly himself. No one can tell a tale quite like Rolly, so we decided that having the man himself actually tell you these brand new stories was the best way to preserve them!"
I'm getting a review copy of this and I'm really excited; Crump is an amazing raconteur and was part of some of the critical moments in themepark history.
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I often listen to audiobooks when I'm falling asleep, and my favorite go-to for these is Librivox, the incredible collection of volunteer-read public-domain texts (I used to buy a lot of Audible titles, but the fact that they use DRM even when publishers and authors beg them not to has meant that I no longer use the service). Last night, I stumbled on Phil Chenevert's reading of the Robert E Howard classic "The Queen of the Black Coast," one of the great Conan stories, available on Project Gutenberg, in the anthology The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, and in a smashing graphic novel adaptation by Brian Wood (!).
This is the Ur-stuff, the sword-and-sorcery material that turned me into a stone Conan freak when I was 12 years old. It's all mighty thews and straining jaws and blood-drenched swords -- and pirates and sinuous dances and so on. Chenevert gives a great reading of the material, sounding like the voice that I heard in my head when I was falling in love with that stuff. I was reminded of the revelation I experienced when I read John Clute's marvellous Robert E Howard book, that the young Howard used to shout the words aloud as he typed them, in his small-town Texas home, while his mother lay dying of TB in the bedroom above him; and the fact that Howard wrote all this incredible material between the age of 22 and 29 (he killed himself at 29, after his mother finally died). The idea of a 22-year-old Howard producing this amazing, mythic stuff makes it all the cooler.
As I mentioned in my March Locus column, I'm celebrating the tenth anniversary of Down and Out in the Magic Kingdom by planning a prequel volume. As part of that planning, I'm going to read aloud the entire text of that first book into my podcast, making notes on the book as I go. Here's part one.
Mastering by John Taylor Williams: email@example.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes "Beer Jewelry" and "Odd Musical Furniture." He often "meditates while reading cookbooks."
Yesterday, I reviewed Daniel Kraus's spectacular and terrifying horror novel Scowler. It turns out that Random House Audio has produced an audiobook version read by Kirby Heyborne (who also reads the audio edition of Little Brother), and they sell it as a DRM-free CDs direct from their site (a welcome alternative to Audible/iTunes, which requires DRM for audiobooks even when the publisher and writer object).
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Further to yesterday's post about the availablity of a DRM-free, EULA-free MP3 download for the audiobook of Little Brother, I'm pleased to announce that I'm also selling the audiobook for my new novel Pirate Cinema. As with the Little Brother audio, this is a professionally voiced, unabridged audiobook from Random House Audio. This one is read by the rather fabulous Bruce Mann.
The reason I'm selling this direct from my site is that the largest retail channels for audiobooks -- iTunes and Audible -- refuse to carry audiobooks without DRM and onerous license-agreements. I don't want to lock you into anyone's platform, and I don't want to take away any of the rights you get under copyright law. So I've taken matters into my own hands, offering the book directly, in a fair, straightforward, simple way. I'm immensely grateful to Random House for backing me in my fight against DRM, and for sacrificing the revenue they'd get from iTunes/Audible in order to leave me with my principles intact.