Read Chapter 22 of the new book, How the Beatles Rocked the Kremlin: The Untold Story of a Noisy Revolution, by Leslie Woodhead, a Cold War spy who filmed the Beatles in 1962.
Imagine a world where Beatlemania was against the law -- recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies but the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion.
In August, 1962, Leslie Woodhead filmed a two-minute cameo of four unknown kids bashing out rock ’n’ roll in a Liverpool cellar. Not long after, The Beatles were conquering the world.
How the Beatles Rocked the Kremlin by Leslie Woodhead tells the improbable story of how the music of the Beatles helped bring down the Soviet Union -- plus eight never-before-seen photos of the Beatles from 1963.
Woodhead, a Cold War–era spy, compiles over three decades of research to demonstrate the group’s impact on the Soviet psyche. The music of John, Paul, George, and Ringo was forbidden, but their music was irresistible. It blasted open the door to Western culture, fomenting a cultural revolution.
How the Beatles Rocked the Kremlin tells the unforgettable, wild, and unmistakably Russian story of Soviet kids who discovered that all you need is Beatles.
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Hailing from Baton Rouge, LA, John Fred had a MASSIVE hit with the amazing, Beatle-esque "Judy In Disguise" in 1967, but this veteran performer had a career in music stretching back to his teen years in the late '50s. One could easily be mistaken into thinking John was a black singer, as his heavy, deep south accent OOZES soul, and it's heard to great effect on this FUNKY cover of the song that opens The Beatles self titled 1968 LP, known forever as The White Album. The Playboy Band itself shows off how tight the group was, no doubt brought on by a decade of performing all over the south at Fraternities, sock hops, opening slots, and basically anywhere they could make a living as journeyman musicians.