Cuepoint looks back at the storied career of Giorgio Moroder, the pioneering producer who paved the way for nearly all electronic dance music since the 1970s and is still pushing new beats. Below, my favorite Moroder track, "Chase," heard in the film Midnight Express. From Cuepoint:
“The range of my audience is incredible,” he said. “I see young kids and older people, sometimes people in their forties, fifties, and even sixties! It’s fantastic to see people around the world dancing to my songs.” He’s now seventy-five and frequently tours—this time with a laptop loaded with hits from his opulent catalogue. On being called the oldest touring DJ, his response: “I don’t know if being the oldest is a good or bad thing [laughs]. But I really think it’s wonderful, if anything.”
"From Disco to Daft Punk: Giorgio Moroder’s Neverending Story" (Cuepoint)
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"Bohemian dancing it's called, and these kids start dressing up where the 'teds' and 'weirdies' left off." Read the rest
Over at Dangerous Minds, Richard points us to this fantastic 1967 short documentary "It's So Far Out It's Straight Down" from Granada Television. Allen Ginsberg, Pink Floyd, the staff of the International Times underground paper, and Paul McCartney all make the scene.
"The straights should welcome the underground because it stands for freedom," Sir Paul says. "It’s not strange it’s just new, it’s not weird, it’s just what’s going on around." Read the rest
James Broughton (1913-1999) was an icon of San Francisco counterculture and the Bay Area's Beat scene. A poet, filmmaker, and prankster, Broughton was one of the original Radical Faeries and a member of The Sisters of Perpetual Indulgence. His gravestone reads: "Adventure – not predicament." I can't wait to see this new film about Broughton, titled Big Joy, that's currently on the film festival circuit! "Big Joy: The Adventures of James Broughton" Read the rest