I have tried many different methods to stop birds from striking my windows including sticking white label dots all over the window. I found these UV decals that go on the exterior of your window to be the easiest and most successful of any solution.
Birds read the reflection of nature in your windows as real and think they are traveling towards trees or sky or another bird--whatever is reflected. The WindowbAlert decals are nearly invisible (so you can barely see them when looking through the window) but the birds see UV light reflected back from the decal, thereby deterring them from flying into the window. Before applying the decals I made sure to wash the window and used rubbing alcohol to remove any residue.
It also helps if you place feeders and bird baths either very close to the window or away at an angle.
--Terry Powell
Window Alert U.V. Decals
$7.00
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I recently learned that some birds have been found to be able to isolate and control different parts of their vocal tract independently, allowing them to sing simultaneous double tones or alternate between frequencies very rapidly. I'm not sure about the particular species below, but I think it's safe to say that numerous birds on this album are at least using similar 'mad avian skills' to sound like synthesizers.
This album, recorded by celebrated ornithologist Johan Dalgas Frisch, (and first released on the Sabia label in 1961), was once in the Top 50 of Brasil's popular record sales. President João Goulart actually gave JFK a copy when he came to visit (click on thumbnail below for photographic evidence). Talk about a country with its musical priorities in the right place!
This collection of recordings isn't readily available in the states, but if you can't track down a used LP or torrent, it looks like you can buy it from this site in Brasil.
This post is a special 'avian edition' of a series about music that disorients the senses. I've found that some of the most amazing and jarring auditory illusions are not the usual scientifically distilled or synthesized ones, they're often found in folk music and made by people's voices. Of course, in a way, it makes perfect sense - the vocal chords are some of the most complex and advanced musical instruments in existence. They are ubiquitously available, and we've been experimenting with them for longer than any other sound-making implement.
The liner notes say it was recorded in: "Mongolia and Buriatia in 1967, 1968, and 1970 in the course of field work organized in the frame work of the Protocole d'Echanges Culturels between France and Mongolia, and as part of an exchange program with the Academy of Sciences in the USSR."
"In Mongolian tradition, neither music nor singing can strictly-speaking be described as specialist activities. In the past, everyone was expected to be capable of singing and playing the fiddle at festivals..."
From the liner notes again: "The player flutes with his nose. Some air really does pass through the nose. The player's lips are slightly parted but do not move: only the corners of the mouth tremble sightly and the cheeks are tensed. This tension brings him out in a sweat. The melody comes from the movements of the tongue. Anyone who possesses this technique is able to reproduce any melody"
Both of these tracks just blow me away with how much the singers sound like birds:
For you die-hard record sifters, the info is Vogue Records LDM 30138 (recorded in 1973). Here's a full track-listing. You might be able to download it somewhere if you peek around the internet. ;-) I call for a re-issue!
This post is part of a series about music that disorients the senses. I've found that some of the most amazing and jarring auditory illusions are not the usual scientifically distilled or synthesized ones, they're often found in folk music and made by people's voices. Of course, in a way, it makes perfect sense - the vocal chords are some of the most complex and advanced musical instruments in existence. They are ubiquitously available, and we've been experimenting with them for longer than any other sound-making implement.
Releasing the data was an about-face for the FAA, which refused to release the records because it felt doing so would jeopardize safety. If the information were made public, the argument went, it would discourage airlines and airports from reporting bird strikes. The agency changed its position under pressure from Transportation Secretary Ray LaHood, who says the move is part of a larger shift toward full disclosure.
"The Department of Transportation is, among other things, a safety agency," he wrote on his blog. "Public disclosure is our job. The sea change in government transparency is beginning, and we are happy to be a part of it."