Petra Haden is a talented violinist and singer who has performed with everyone from The Decemberists to Victoria Williams to Sunn O))). On her YouTube channel, she also posts really impressive a capella versions of such movie themes as The Exorcist (Tubular Bells), Star Trek: The Original Series, and the theme to the 60s Batman TV show. She's also done a capella covers of Bowie's Life on Mars, King Crimson's Frame by Frame, the Furs' Ghost in You, and other pop and progressive tunes.
Here, she does a seriously beautiful and haunting rendition of the Vangelis Blade Runner theme, complete with Deckard's voice commands as he navigates an image of the replicant Zhora. Read the rest
I like the idea of having a blog but basically feel as if I have very little to say about things, at least things that are original or interesting. I gravitated to Tumblr with some idea of just posting pictures, but still felt I needed to be posting something I'd actually made myself... [Y]ears ago I used to draw really crappy basic MS Paint pics for a favourite pop group's fan site, and they always seemed to raise a smile. The idea of doing something else with MS Paint, a kind of celebration of my not being deterred by lack of artistic talent, never really went away....
I don't really think about giving up. The idea of actually completing something I start out to do (for once in my life) is very appealing,And it's fun, it's not a chore.
If you love Ridley Scott's sci-fi masterpiece, Blade Runner, the minutia of film, and nerding out over typography, prepare to have your neck bolts blown. Dave Addey runs Typeset in the Future, a website dedicated to the typographic elements found in sci-fi films. He has previously examined the titling, signage, logotypes, text messaging, and visual displays found in 2001: A Space Odyssey, Moon, and Alien. Here, he turns his typographical attentions to Ridley Scott's 1982 sci-fi classic, Blade Runner.
In 5,000 words and hundreds of screen caps, Dave goes through every scrap of textual content seen in the film. What's equally amazing to the point of the piece-- typographic analysis--is how much you learn about every other aspect of the film. This one narrow skew of the movie reveals so many other angles and tangents. Blade Runner is a film I already know too much about and I still learned so much more and had numerous "ah-ha" moments.
The first time we meet Deckard, he’s sat in the Los Angeles rain, idly reading a newspaper. The headline of this newspaper is FARMING THE OCEANS, THE MOON AND ANTARCTICA, in what looks like Futura Demi: Here’s a close-up shot of that newspaper prop, from an on-set photo of Harrison Ford and Ridley Scott: The subtitle reads WORLD WIDE COMPUTER LINKUP PLANNED, in what looks like Optima Bold. While the idea of a World Wide Computer Linkup might seem passé as we approach 2019, it was still very much unusual in 1982 when Blade Runner was released.Read the rest
The absolutely stunning work of Swedish artist Anders Ramsell, who painted each frame as a 1.5 x 3cm work of art. It's taken him a while to complete the epic job; Pesco wrote about the first three minutes last year. The end result runs about 30 minutes, which is exactly how long Blade Runner should be. [Video Link] Read the rest