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Crowdfunding a CC-licensed translation of classic Yiddish book Poylishe Velder (In The Forests of Poland)

Eric sez,

Best selling author and native Yiddish speaker Michael Wex has launched an indiegogo campaign to translate what he is calling the most important work of world literature that you've probably never heard of. The book, written by Joseph Opatoshu in 1921 when he was a young Polish immigrant living in New York City is an historical novel about 19th century Jewish Eastern Europe:

A vast panorama of Jewish life in Poland during the 1850s, Opatoshu's novel concentrates on backwoods Jews who live among gentile peasants rather than in Jewish communities in cities or shtetlekh. Touching as it does on hasidism, heresy, pre-Christian Polish folk customs, wife-swapping, messianism, and Polish nationalism, this book will change the way you think about Jewish life in Poland.

When he completes the work in about a year the translated novel will be released under a Creative Commons license. Wex hopes that a new translation will bring Opatoshu's 1921 novel to a broader audience. "It'll change everybody's views of Jewish life in Poland,' Wex writes. 'If this campaign works, it'll also help other translators find a way to fund their own projects and establish a whole library of world literature that hasn't been translated into English before or has never been translated properly. Raising the money in advance means that the translators can work full time; since the finished product doesn't cost anything, they don't have to worry about a book's commercial potential. It's like a grassroots Guggenheim."

Wex wrote the wonderful book Born to Kvetch, which I reviewed in 2009.

New Authorized Translation of a Classic Yiddish Novel into English

Nothing Can Possibly Go Wrong: YA graphic novel about robots, romance and school elections


Back in September 2012, I posted about Nothing Can Possibly Go Wrong, a fantastic YA graphic novel about robotics, cheerleaders, and school council elections adapted by Faith Erin Hicks (a favorite of mine, thanks to great comics like Zombies Calling, Friends With Boys) from a YA novel by Prudence Shen. Hicks and her publisher, the ever-excellent FirstSecond, serialized the comic on the Web through much of 2012/13, and now they've published the book between covers.

Nothing Can Possibly Go Wrong is a beautifully told story about a pair of unlikely friends: Charlie, a jock who is nevertheless rather uncompetitive, and Nate, a high-strung roboticist and head of the school robots team. The story kicks off with a conflict: the cheerleaders and the robots kids are squaring off to convince the student council to allocate crucial budget to each of them, and there's only enough for one. Nate decides he's going to solve the problem directly by getting himself elected council president. The cheerleaders retaliate by running Charlie against him, bulldozing him into the job with their military discipline and formidable organization. After the elections shenanigans get out of hand, they make an uneasy peace, predicated on the idea that if the robotics kids use some of the cheerleaders' money to militarize their prized robot, they can win enough at the robot games to pay for both teams' necessaries.

What follows is the most epic robot battle in comics history. Seriously. Screw the Transformers. Hicks's illustrated robot war makes use of every one of the comics creator's tricks to accomplish something genuinely pulse-pounding. It's like a killer mecha ate a copy of Understanding Comics.

Woven into all this is a series of relationship stories that are well-told, and provide richness and texture and depth to the story, reaffirming Hicks's position as an awesomesauce dispenser of great skill and reliability.

Nothing Can Possibly Go Wrong

Free/CC kids' picture book: The Story of a Piece of Paper


Natalie Jubb comes out to many of my events in Toronto with her charming kids, and while I knew she was an artist (mostly lovely mosaics), I hadn't had a chance to get a good look at her work until today, when she tweeted a link to "The Story of a Piece of Paper," a board-book she wrote and drew with the help of her daughter Katya. Natalie and Katya have released their book as a CC-licensed PDF (it's a picture book, so they needed to control the layouts pretty closely). It's a fabulous read, and has my favorite kids' book origin story: the bedtime-story-become-a-book.

The Story of A Piece of Paper was commissioned by my older daughter Katya one bedtime when she was four. “Can you tell me a new story?” she said. “Make one up yourself. What about? Oh, just a piece of paper.”

So I made up this story with the girls’ help, and they were quite pleased with it. So pleased that they kept requesting that same story again and again. I personally didn’t think the story was all that great. But clearly I have a poor grasp on what literature appeals to children.

For the girls’ birthdays this year, I decided to illustrate their story and make it into a book. I thought that it would make a memorable birthday present and also that seeing characters from their imagination on a pages of a real book will encourage my kids to keep inventing stories and creating things.

The Story of a Piece of Paper

Easy win for publishing: network and systematize PR and marketing

My latest Locus column, "Improving Book Publicity in the 21st Century," addresses the lack of automation and management in traditional publishing an publicity, and suggests some simple and cheap ways that publishers could join up the way its editorial, marketing a PR departments communicate with reviewers and other publicity outlets to save money and score more PR for their writers.

Right now, this stuff all lives in separate word-processing files and spreadsheets in different departments’ hands, which results in all sorts of bizarre occurrences that I see firsthand.

There’s the trilogy whose first volume I blurbed, and whose first two volumes I glowingly reviewed – and I sold a ton of each. The publisher didn’t send me book three for review, even though it had a quote of mine on the front cover, the back cover, and the jacket-flap. They didn’t even tell me it was out – by the time I saw it in a store, it had been out for a month, and my review showed up weeks after the book’s publicity push was over.

I know how that happened: the cover quotes came from editorial and were sent to marketing, which had them in a word-processing document. When PR brainstormed people to send review copies to, they forgot to include me, so it fell through the cracks.

There’s the graphic novel series, now in up to something like 17 volumes. I’ve given every book a positive review, and all the new volumes have quotes from me on the cover. I never get review copies of this one – I don’t even get a notice from the PR department when a new volume is out. But the same PR department has sent me something like nine volumes of another series, none of which I’ve ever reviewed. If I don’t review book one, that means I either didn’t like it, or didn’t even bother with it because it looked so unpromising. Having skipped book one, you can be certain I won’t review book two. This same publisher sends me mountains of single-issue comics, even though I’ve never reviewed one of those.

Improving Book Publicity in the 21st Century

8-year-old's invention for keeping books dry in the bath


This ingenious technique for safeguarding books from falling in the bathtub was invented by redditor Crash-From-Space's 8-year-old daughter. The suction cup came from the plumbing aisle at Home Despot.

Never drop a book on the bath again. My 8 year old daughters invention. (imgur.com)

Topsy Turvy World: surreal kids' picture book


TOPSY TURVY WORLD is one of the new titles from Flying Eye, the kids' imprint of London's wonderful NoBrow publishing. Like the rest of the line (recently reviewed titles include Welcome to Your Awesome Robot, Monsters and Legends and Akissi), Topsy Turvy World is brilliantly conceived, beautifully executed, and not quite like anything else in kids' publishing today.

Topsy Turvy World is a wordless collection of surreal paintings presented as two-page spreads. Though there's no story per se, the paintings do progress from the merely whimsical to the outright bizarre. The artist, Atak (a pseudonym for the German illustrator Hans-Georg Barber) manages to make things weirder and weirder without even hinting at horror, which is a great trick and makes this a perfect picture book for small kids like my daughter, who experienced unvarnished delight as we snuggled up at bedtime, working our way through all the strange and funny situations depicted on each page (the final spread is a real crescendo!).

Topsy Turvy World is already out in the UK, and will hit the USA on June 11 (you can pre-order it now). The nice folks at Flying Eye were kind enough to supply some samples to go with this review -- check them out below the jump!

TOPSY TURVY WORLD [Flying Eye]

Topsy Turvy World [Amazon UK]

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Clever, vintage covers for Orwell reissues


Spotted these yesterday (though they've been around for a while - see Mark's post from January): Penguin's done a bunch of George Orwell paperback reissues with clever and vintagey covers. The Nineteen Eighty-Four has a black mask over the title that you can scratch off (or leave intact), while Animal Farm and Books v Cigarettes both sport lovely old school covers.

Gooseberry Bluff Community College of Magic, a Kindle Serial

Gooseberry Bluff Community College of Magic: the Thirteenth Rib by David J. Schwartz is the first Kindle Serial I've tried. Serials are one time purchases episodically delivered as the author completes shorter installments.

Kindle Serials hold the hope of performing like an old time radio show. I enjoy looking forward to them.

Very much in the vein of the Magicians by Lev Grossman, Gooseberry Bluff is set in a future where magic is real and taught. The first episode hooked me as a Federal Bureau of Magic agent is sent undercover to investigate a community college professor's disappearance, apparently related to a larger demonic summoning/terrorist plot.

Schwartz uses 30-40 page installments to develop the story very well. I hope this format catches on.

Gooseberry Bluff Community College of Magic: the Thirteenth Rib by David J. Schwartz

Feynman graphic-novel biography out in paperback today

Jim Ottaviani and Leland Myrick's Feynman, a stupendous biography of Richard Feynman in graphic novel form that went to #1 on the New York Times bestseller list, is out in paperback as of today! Here's my original review from 2011:

Jim Ottaviani and Leland Myrick's Feynman is an affectionate and inspiring comic biography of the legendary iconoclastic physicist Richard Feynman. I've reviewed Ottaviani before (I really liked T-Minus, a history of the Apollo program, as well as his Dignifying Science: Stories About Women Scientists) and I expected great things from Feynman. I wasn't disappointed.

Feynman is primarily concerned with its subject's life -- his personal relationships, his career triumphs, his mistakes and misgivings. From his work on the Trinity project to the Feynman lectures to his Nobel for his theory of Quantum Electrodynamics, Feynman paints a picture of a caring, driven, intelligent, wildly creative scientist who didn't always think through his actions and sometimes made himself pretty miserable as a result. But the Feynman in this book is resilient and upbeat, and figures out how to bounce back from the worst of life.

Feynman's technical achievements are mighty, but very few people understand them (Feynman claimed that he didn't understand them). But the way he conducted his life was often an inspiration. The authors even manage to wring sweetness from his tragic romance with his first wife, Arline, who contracted terminal tuberculosis before they married, meaning that their marriage was conducted without any intimate physical contact lest he catch her sickness -- but for all that, they clearly loved each other enormously and made one another's lives better.

Feynman is notorious for his irreverent outlook and his willingness to look foolish while he learned new things, an extremely admirable ability I often wish I possessed in greater measure. The bongo-playing, doodling, pranking Feynman who tried to get out of accepting his Nobel prize and drove Freeman Dyson across the country, staying in flophouses and looking for excitement leaps off the page here.

The authors pass lightly over some of Feynman's more problematic shortcomings, such as his inconsistent sexist attitude towards women. They show us Feynman gallantly mentoring his sister in physics while all the authority figures in their lives insisted that this wasn't a fit subject for girls; they show us Feynman working on physics problems five nights a week at a local strip-bar; but they don't dip into his embarrassing writings on convincing women to have sex with him, in which he comes across as a sexist pig. He was surely a product of his times, and he was surely imperfect, and that explains his attitude, but it doesn't excuse it.

But this isn't a whitewash. Imperfect and warty, Feynman is still an inspiration.

The authors don't shy away from technical subjects entirely, either. They make a really good run at depicting Feynman's supposedly lay-oriented lectures on Quantum Electrodynamics. To be honest, I've never really been able to wrap my head around QED, and, having read Feynman, I'm still pretty fuzzy on the subject -- but I feel like I'm a little closer to getting it.

Like all great biography, Feynman is an enticement to read more of his works. I haven't read The Feynman Lectures (an introductory physics course that Feynman wrote and delivered late in his career -- an unheard-of undertaking for a physicist of his stature) in years, but I'm going to start listening to the audio of his lectures. And I'll be shoving Feynman at everyone I can get to read it.

Feynman

Necessary Evil - a triumphant end to the Milkweed Triptych where Nazi X-Men fight English warlocks


With Necessary Evil, published today, Ian Tregillis triumphantly concludes his astonishing, brilliant, pulse-pounding debut trilogy, The Milkweed Triptych. Milkweed began in 2010 with Bitter Seeds, an alternate history WWII novel about a Nazi doctor who creates a race of twisted X-Men through a program of brutal experimentation; and of the British counter-strategy: calling up the British warlocks and paying the blood-price to the lurking elder gods who would change the very laws of physics in exchange for the blood of innocents. These elder gods, the Eidolons, hate humanity and wish to annihilate us, but we are so puny that they can only perceive us when we bleed for them. With each conjuration of the Eidolons on Britain's behalf, the warlocks bring closer the day when the Eidolons will break through and wipe humanity's stain off the universe.

Book two, The Coldest War, came out last summer -- a too-long hiatus! -- and jumped forward to the 1960s, where the struggle continued in a Europe divided among the Soviets -- who seized the Nazi technology at the end of the war and used it to breed their own supermen -- and the British, whose warlock reserves have become an everyday instrument of foreign policy. Coldest War was half James Bond, half Cthulhu, and was every bit as painstakingly researched, beautifully described, blisterlingly plotted and utterly engrossing as the first.

Now, with book three, Necessary Evil, Tregillis draws the series to a close with a time travel story that goes back to the beginning of the tale, a desperate mission to stop the use of magick and the use of the Nazi "Will to Power" from ever gaining hold, to keep the elder gods at bay. And in Evil, Tregillis is even more on form. This is a book that veers precipitously from unexpected and chilling ruminations on the inherent evil of precognition; to the questions of loyalty and betrayal so thorny that they need a time-travel loop to really be explored; to spy-thriller action sequences that will keep you up under the covers with a flashlight, turning pages and unable to sleep.

This is a remarkable set of books, and with all three in hand, would make a fabulous spring read.

Necessary Evil

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Great old indie bookstore in St Louis faces demolition as town considers proposal to site an industrial storage facility on its lot


Thorne sez, "I grew up in a bookstore in a 150 year old Victorian mansion in Rock Hill, St. Louis. I lived in an upstairs room until I was about 10, and we needed the space for more books. This weekend a demolition crew came into my family's store to take measurements for a proposed demolition. An out of state company wants to build an industrial storage facility on this location. This has been an operating independent family business for 30 years and I'm posting it because I believe this type of development needs attention. A friend started a change.org petition over the weekend. Also - it's haunted."

Apparently, the landlord is an "older guy who just wants to sell the property," and the real leverage point here is whether the city grants permission for the demolition and the storage facility.

City of Rock Hill, Missouri: Stop the tear-down and redevelopment of The Book House [Change.org]

Book House Issues Call To Stave Off Eviction [Publishers Weekly]

Monsters and Legends: kids' reference book on the origin of monsters


Monsters and Legends is part of the fabulous debut lineup of titles from Flying Eye, a kids' imprint spun out of London's NoBrow (they're the publishers of recently reviewed books like Welcome to Your Awesome Robot and Akissi). The book, written by Davide Cali and illustrated by Garbiella Giandelli, is a fascinating reference work for kids 7 and up about the curious origins of the monsters of the popular imagination. The book recounts the odd history of stories of mermaids, chupacabras, cyclopses, dragons, the Loch Ness Monster, and other cryptozoology favorites. It's a great balance between fascination with monsters and lore and a skeptical inquiry into how widespread beliefs can be overturned by evidence and rational inquiry -- a real "magic of reality" book.


The illustrations in this book represent a range of engaging styles, and they bring it to life for even younger readers. My five year old and I spent several bedtimes on this, flipping through the pages, and stopping when a picture caught her eye. I had to interpret the text for her -- the language was often over her head -- but the stories absolutely grabbed her and it's become a family favorite.

As with other Flying Eye titles, this one is out in the UK right now and coming to the US on June 11 (here's a pre-order link). As a one-time monster kid who's doing his best to raise another one, this one gets my unreserved stamp of approval.

MONSTERS AND LEGENDS [Flying Eye]

Monsters and Legends [Amazon UK]

The Important Book, by Margaret Wise Brown

Goodnight Moon (1947) is Margaret Wise Brown's most famous book. It's terrific, without a doubt. It entertained my kids several dozen times when they were little. But I won't shed a tear if I never read it again. Brown's less-well known children's book, The Important Book, is her magnum opus. Goodnight Moon has pleasant rhymes, but The Important Book (1949) is true poetry about perceiving the world around us, and my wife and I both felt moved whenever we read it to our kids.

The title page of the book has a tiny image of a book and an illustration of a cricket:

The important thing
about a cricket is
that it is black.
It chirps,
it hops,
it jumps,
and sings all through the summer night.
But the important thing
about a cricket is
that it is black.

The other pages identify the important things about daisies, glass, water, shoes, spoons, and other common items, celebrating the mystery in the ordinary. Leonard Weisgard's color illustrations are rendered with a kind of quiet surrealism that increases the impact of Brown's writing.

The Important Book rekindles the sense of wonder we were born with.

The Important Book

Lauren Beukes's Shining Girls: a serial killer thriller with a time-travel twist


Lauren Beukes's latest novel, The Shining Girls, ships in the UK today (the US edition is out on June 4). The Shining Girls is a departure from Beukes's earlier cyberpunk-inflected fiction, being a supernatural thriller that's one part Hannibal and one part House on Haunted Hill, tautly written and sharply plotted.

Shining Girls is the story of a serial killer named Harper Curtis, a savage psychopath who hunts the alleyways of a stinking Hooverville in Depression-era Chicago. Curtis is your basic remorseless nutcase who reels from one act of callous violence to another. Until he happens upon a boarded-up house where he seeks refuge from the people he's wronged and a chance to rest up and lick his wounds from an unsuccessful encounter. And that house isn't just a house, it's the House, an unexplained and inexplicable haunted place that slips through time back and forth between the Depression and the early 1990s. In this house is a room, filled with the trophies of murdered girls and their names, written on the wall in Curtis's own handwriting. Curtis learns that his destiny is to travel through the ages, killing the girls he's already killed, taking the trophies he's already taken.

One of Harper's victims is Kirby Mazrachi, but unlike the rest (and unbeknownst to Harper), Kirby survives his vicious attack. As Kirby matures, her obsession with the man who nearly killed her takes over her life, and she wrangles a job interning for the Chicago Sun-Times reporter who covered her attack all those years ago. She wheedles him into helping her pick up the details again, and slowly they begin to unravel the weird and awful truth.

Deftly told from many points of view and in many timezones, Shining Girls is a tremendous work of suspense fiction. What's more, it's a fabulous piece of both time-travel and serial killer fiction, using the intersection of those two themes to explore questions of free will, predestination, and causality in a mind-melting, heart-pounding mashup that delivers on its promise.

The Shining Girls

How the Beatles Rocked the Kremlin - exclusive book excerpt

Read Chapter 22 of the new book, How the Beatles Rocked the Kremlin: The Untold Story of a Noisy Revolution, by Leslie Woodhead, a Cold War spy who filmed the Beatles in 1962.

Imagine a world where Beatlemania was against the law -- recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies but the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion.

In August, 1962, Leslie Woodhead filmed a two-minute cameo of four unknown kids bashing out rock ’n’ roll in a Liverpool cellar. Not long after, The Beatles were conquering the world.

How the Beatles Rocked the Kremlin by Leslie Woodhead tells the improbable story of how the music of the Beatles helped bring down the Soviet Union -- plus eight never-before-seen photos of the Beatles from 1963.

Woodhead, a Cold War–era spy, compiles over three decades of research to demonstrate the group’s impact on the Soviet psyche. The music of John, Paul, George, and Ringo was forbidden, but their music was irresistible. It blasted open the door to Western culture, fomenting a cultural revolution.

How the Beatles Rocked the Kremlin tells the unforgettable, wild, and unmistakably Russian story of Soviet kids who discovered that all you need is Beatles.

Read Excerpt | Buy How the Beatles Rocked the Kremlin: The Untold Story of a Noisy Revolution

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