Here's a highlight reel of the adventures of a Moscow youth-group whose members physically place their bodies in the path of cars whose drivers insist on driving on sidewalks to beat Moscow's epic traffic. It's an inspiring couple of minutes of semi-suicidal bravery in the service of pedestrianism. (via Reddit)
Marin filmmaker Brenda Chapman, who won an Oscar for writing and co-directing the animated feature "Brave," blasted Disney's sexy makeover of her movie's feisty heroine, Merida, as "a blatantly sexist marketing move based on money." ... "I think it's atrocious what they have done to Merida ... When little girls say they like it because it's more sparkly, that's all fine and good but, subconsciously, they are soaking in the sexy 'come-hither' look and the skinny aspect of the new version. It's horrible!"
It's really blistering, bridge-burning stuff, and I salute her for it: "I forget that Disney's goal is to make money without concern for integrity."
Previously: Disney gives Brave princess a body makeover
Argument in the show-trial of the Russian punk band Pussy Riot -- who gave an unlicensed anti-Putin performance in a cathedral and now face harsh, Stalinist justice for daring to point out the spy-emperor's nudity -- has concluded. Pussy Riot member Yekaterina Samutsevich has given a tremendous closing statement, which is a masterful summary of Russian oligarchy:
The fact that Christ the Savior Cathedral had become a significant symbol in the political strategy of our powers that be was already clear to many thinking people when Vladimir Putin’s former [KGB] colleague Kirill Gundyaev took over as head of the Russian Orthodox Church. After this happened, Christ the Savior Cathedral began to be used openly as a flashy setting for the politics of the security services, which are the main source of power [in Russia].
Why did Putin feel the need to exploit the Orthodox religion and its aesthetics? After all, he could have employed his own, far more secular tools of power—for example, national corporations, or his menacing police system, or his own obedient judiciary system. It may be that the tough, failed policies of Putin’s government, the incident with the submarine Kursk, the bombings of civilians in broad daylight, and other unpleasant moments in his political career forced him to ponder the fact that it was high time to resign; otherwise, the citizens of Russia would help him do this. Apparently, it was then that he felt the need for more convincing, transcendental guarantees of his long tenure at the helm. It was here that the need arose to make use of the aesthetics of the Orthodox religion, historically associated with the heyday of Imperial Russia, where power came not from earthly manifestations such as democratic elections and civil society, but from God Himself.
How did he succeed in doing this? After all, we still have a secular state, and shouldn’t any intersection of the religious and political spheres be dealt with severely by our vigilant and critically minded society? Here, apparently, the authorities took advantage of a certain deficit of Orthodox aesthetics in Soviet times, when the Orthodox religion had the aura of a lost history, of something crushed and damaged by the Soviet totalitarian regime, and was thus an opposition culture. The authorities decided to appropriate this historical effect of loss and present their new political project to restore Russia’s lost spiritual values, a project which has little to do with a genuine concern for preservation of Russian Orthodoxy’s history and culture.
It was also fairly logical that the Russian Orthodox Church, which has long had a mystical connection with power, emerged as this project’s principal executor in the media. Moreover, it was also agreed that the Russian Orthodox Church, unlike the Soviet era, when the church opposed, above all, the crudeness of the authorities towards history itself, should also confront all baleful manifestations of contemporary mass culture, with its concept of diversity and tolerance.
Iraq and Afghanistan veterans to return their medals to protest war on terror at Chicago NATO summit this weekend
Iraq Veterans Against the War is bringing veterans to the NATO summit in Chicago on May 20 to ceremonially return the medals they were awarded for serving in Afghanistan and Iraq. The group's statement -- which will be reiterated to NATO's representatives -- is:
We were awarded these medals for serving in the Global War on Terror, a war based on lies and failed polices. This endless war has killed hundreds of thousands, stripped the humanity of all involved, and drained our communities of trillions of dollars, diverting funds from schools, clinics, libraries, and other public goods.
They are calling on supporters to rally with them:
Iraq Veterans Against the War calls on fellow service members, veterans, Chicagoans, and everyone who believes in justice, dignity, and respect for all peoples to join us in the streets on May 20th. On this day, we will hold a nonviolent march to the site of the NATO summit where we will ceremoniously return our military service medals. We will demand that NATO immediately end the occupation of Afghanistan and relating economic and social injustices, bring U.S. war dollars home to fund our communities, and acknowledge the rights and humanity of all who are affected by these wars. We wish to begin a process of justice and reconciliation with the people of Afghanistan and other affected nations, fellow service members, veterans, and the American people.