Brutal London: Construct Your Own Concrete Capital tells the stories of nine of London's greatest brutalist structures (with an intro by Norman Foster!), including the Barbican Estate, Robin Hood Gardens, Balfron Tower and the National Theatre -- and includes pull-out papercraft models of these buildings for you to assemble and display.
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Calvin Seibert makes modernist sandscastles on Coney Island. At Little Atoms, Caroline Christie interviewed him about his remarkable creations.
I like making things and tend to work with whatever is at hand. Building sandcastles at a beach to me is a very natural thing to be doing. As a child, I saw photographs of the French ski resort of Flaine. I was very taken by the brutalist buildings, designed by Marcel Breuer. Since then I have always gone out of my way to see brutalist architecture and when I build sandcastles I have them in mind.
A five-gallon paint bucket is essential. Paint buckets are particularly rigid and have a nice sharp edge for digging with. Then it is used for carrying water. Lots and lots of water. The tools are all made of plastic. I have a couple that are nothing more than a small rectangle of 1/8-inch plastic with a beveled edge and then a couple of trowels of different sizes.
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Peter Chadwick -- he runs the @brutalhouse stream of loving photos of imposing brutalist monuments -- has teamed up with Phaedon to publish a coffee-table book of the biggest, most uncompromising hulking monsters of the bygone age of concrete futurism: This Brutal World.
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Pascal Deville loves "beautiful atrocities"—websites that could be described as intentionally brutalist were they not mostly just ugh. Fast Company interviewed him on his love of rough design, strangely compelling as it is in the age of bloated, broken, but very pretty websites.
"I wouldn't call it a protest but a shout-out for more humanity in today's web design," Deville says. He views his site as a bastion for a segment of Internet culture of people who built scrappy websites themselves as opposed to using services with pre-canned templates like Squarespace. "Terms like UX and user friendly don't have a lot of soul or guts and treat everything like a product. They also killed a lot of the web culture, which seems to find a voice on Brutalistwebsites.com."
More from The Washington Post.
Intriguingly, Deville has found in his Q&As with coders and designers that few set out to mimic this newly popular aesthetic; instead, they all arrived at the same point out of a drive to create something original.
“[Brutalism] is interesting to me … because it doesn’t necessarily have a defined set of aesthetic signifiers,” said Jake Tobin, the designer behind trulybald.com. “What defines those signifiers is decided by the platform it’s built on.”
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Brutalist websites: "In its ruggedness and lack of concern to look comfortable or easy, Brutalism can be seen as a reaction by a younger generation to the lightness, optimism, and frivolity of todays webdesign."
An evocative (if imperfect) word for the combination of considered minimalism and retro-HTML design that's coming into vogue as a reaction to the overtracked bloat of the modern web. I'll take it! But "brutalism" doesn't seem to account for the nostalgic component that suffuses a lot of the entries, even if the materials match. Brutalism didn't look like something from 20 years ago until it was 20 years old.
P.S. There are many ways to view Boing Boing, but ASCII is worstbest. Read the rest