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Having disrupted the traditional concert DVD distribution system with his ground-breaking DRM-free $5 download video, comedian Louis CK is now preparing to go on tour and he's going to cut out all the sleazy ticket brokers slimy scalpers, and other middle-men, and sell the tour tickets direct to fans. Tickets are a flat $45 each. He says he'll make less than he would if he went with an expensive ticketing service, but he wants to make his shows affordable.
Making my shows affordable has always been my goal but two things have always worked against that. High ticket charges and ticket re-sellers marking up the prices. Some ticketing services charge more than 40% over the ticket price and, ironically, the lower I've made my ticket prices, the more scalpers have bought them up, so the more fans have paid for a lot of my tickets.
By selling the tickets exclusively on my site, I've cut the ticket charges way down and absorbed them into the ticket price. To buy a ticket, you join NOTHING. Just use your credit card and buy the damn thing. opt in to the email list if you want, and you'll only get emails from me.
Also, you'll see that if you try to sell the ticket anywhere for anything above the original price, we have the right to cancel your ticket (and refund your money). this is something I intend to enforce. There are some other rules you may find annoying but they are meant to prevent someone who has no intention of seeing the show from buying the ticket and just flipping it for twice the price from a thousand miles away.
Some of these rules may be a pain in your ass, but please be patient. My goal here is that people coming to see my shows are able to pay a fair price and that they be paying just for a ticket. Not also paying an exhorbanant fee for the privalege of buying a ticket.
Kevin Bleyer (Emmy Award winning writer for the Daily Show) personally rewrote the Constitution of the United States and needed his author’s portrait painted in the neoclassical style. I’d never been to a life drawing class before but heard they involve nude models.
Anil Dash, whose familiar mug appears briefly in Hasan's video here, has a few things to say about the matter.
(via Aman Ali)
Video director and wonderfully funny guy Eric Spiegelman tells Boing Boing,
The new season of Old Jews Telling Jokes begins today, featuring jokes we recorded in Boca Raton. We've been on hiatus for almost a year, and it's good to be back. The joke that begins our season, about a bull and an enema and a bridgekeeper, is one of the best I've heard. Also, a bit of trivia. We have a new logo for the show, and it was designed by Milton Glaser. I'm not going to lie, I feel like that's a pretty great honor.
Embedded above: I've selected a joke from the new season told by Irving ‘Brownie’ Brown, a gentleman who is 102 years old. Below, the bull enema joke, as told by Charlie Seibel.
There is to be an Alan Partridge movie. Alan, for those not in the know, is the vain, mean-spirited, emotionally broken protagonist of a pitch-black British comedy series--think David Brent with notes of Bill O'Reilly and Goebbels. A "best of" is embedded above for your cringing pleasure. [Norwich Evening News]
Aziz Ansari, an extremely funny standup comedian, has just released "Dangerously Delicious," a comedy special that follows Louis CK's Live at the Beacon Theater DIY, DRM-free concert video, which netted CK over a million dollars. Ansari, who was an outspoken critic of SOPA and PIPA, is also asking for $5 for his DRM-free download, and has a very good ecommerce setup for buying and downloading the video, and is also using it to promote an upcoming tour.
Ansari isn't the only comedian who's trying this. As Mike Masnick notes on Techdirt, Jim Gaffigan is also following suit. Masnick laments that both Ansari and Gaffigan are slavishly copying CK's exact methodology, and wishes that each would experiment some with pricing, delivery and so on, in order to learn if there are ways of improving on CK's experiment.
The one thing that concerns me a little about this is the fact that the deal terms are identical. I can understand why they're doing this. It's basically "don't mess with what worked for Louis." But I worry that the message people are getting is "$5 direct offering off a website is the secret." I don't think that's it. Lots of people have offered up a product for download off their website for a variety of prices. The key to making it work is not just the pricing. It's the way the offering is presented. I think it would be even cooler if some of these comedians experimented a bit more with branching out creatively around this business model. It wouldn't be hard, for example, to build on what various musicians have done, and offer up different tiers of support. Or something else. The real opportunity here is in how it's presented -- in a way that treats fans as fans, rather than assuming they're criminals or that there needs to be a big impersonal gatekeeper in-between the fans and the artist. But, unfortunately, some are going to look at these experiments and say "the lesson" is "$5 off your website is the secret." And when that doesn't work for some content creators, they're not going to understand why.
A new season of my favorite lifestyle improvement edu-tainment program, Check It Out! with Dr. Steve Brule, airs tonight at 1230am on Adult Swim.
Julian Gough sez, "I get the feeling you and some of your readers are, um, not entirely unconvinced by austerity as an economic strategy. So you might like the BBC's free Drama of the Week podcast. It's a satire on Eurozone austerity economics called The Great Squanderland Roof, by, er, me. It's free, downloadable worldwide till Friday, and it stars some great actors, like Dermot Crowley who was in Fr. Ted and, er, Return of the Jedi. What can we do but laugh? Hope you like it. Here's the official BBC blurb on it:"
The Great Squanderland Roof 2 Mar 12 (Thanks, Julian!)
Jude lives in a henhouse with no roof, in the bankrupt Republic of Squanderland. Purchased for ten million euro at the height of the credit bubble, his henhouse has been rated the asset in Europe most likely to default. To solve this small but symbolic problem and restore confidence in the markets, Europe's leaders need a plan. Sadly, putting a roof on Jude's henhouse quickly escalates out of control. Soon they are committed to building a roof over the entire country, half a mile above the startled voters... But what happens when a structure that's too big to fail finally fails? To the horror of Europe's bankers and politicians, Jude comes up with a dramatic (and rather romantic) solution to the Eurozone crisis... 'The Great Squanderland Roof' stars Rory Keenan as the hapless Jude (whose recent credits include 'The Kitchen' at the National, 'A Dublin Carol' at the Donmar and 'Birdsong' on BBC TV) in his debut BBC Radio role, Dermot Crowley as a banker turned government minister, and Stephanie Flanders, the BBC's Economics Editor.
Craig Davis Pinson, a composer who is a Boston Conservatory student, writes in the liner notes for the video embedded above:
This is a set of variations written on the melody heard in the Youtube video Nyan Cat. It is an experiment, in which I tried to find the limits of how far I could transform the melody before it begins losing its identity. The theme is known as Nyanyanyanyanyanyanya!, originally posted by username daniwellP on the Japanese video sharing website, Nico Nico Douga. The Nyan Cat phenomenom has become ingrained in popular culture, and amazes me both in its sheer absurdity and its freakishly colossal popularity. However, fascinating as they are to me, the origins of the theme are not played upon in this composition. Instead, I treated Nyanyanyanyanyanyanya! as pure musical material from which to generate music. The motivation to use this theme came from my repeated viewings of the video, and slowly realizing that it is a strangely alluring melody. Therefore, this is my tribute to Nyan Cat. Credit goes to daniwell-p for creating this theme, prguitarman for creating the gif animation, and saraj00n for joining them. Theme used for non-commercial purposes as per daniwell-P's request.
On a large scale, the work is structured along a simple alternation pattern. The theme and its variations alternate, similarly to rondo form. However, the theme is progressively dissolved, meaning that each time it returns it contains less percentage of the source material. This chipping-away continues until there's nothing recognizable left. In the variation episodes, more tools are employed to change the essence of the theme, especially, pronounced changes of duration, texture, harmonic character, and of the intervallic makeup of the melody. Each of the variations has its own defined character, and they contrast sharply with one another in mood and technique. Despite of the contrast of its sections, the piece exploits a long-scale narrative arc, playing on the contrast between the theme's duration - which remains essentially consistent at each iteration - and the durations of the variation episodes, which seem to grow out of control as their proportions become subverted.
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