It’s hard to imagine what contemporary culture would be like without the existence of the comic, graphic novel, and low-brow art publishers Last Gasp, Fantagraphics, and Canada’s small press darling, Drawn & Quarterly. In Drawn & Quarterly: Twenty-five Years, D&Q are given their due. This lavish doorstopper of a book contains numerous historical essays about the company, with lots of great photos, a timeline, reminiscences, interviews, and more. The rest of the book is mainly comprised of full strips and excerpts from some of the many award-winning and pathbreaking comics and graphic novels that D&Q has published over the past quarter century. Some rarely-seen comics are included. Peppered throughout are appreciation essays from the likes of Jonathan Lethem and Margaret Atwood along with many artists appreciating the fellow creators of the delightful devil’s picture books known as comics. Artists featured in the collection include Seth, Julie Doucet, Chris Ware, Adrian Tomine, Lynda Barry, Chester Brown, Peter Kuper, Tom Gauld, Daniel Clowes, Anders Nilsen, Ariel Bordeaux, and dozens more.
Again, imagine for a minute a world in which the work of these talented artists had never reached the masses, and how far less rich, interesting, and strange our world would be as a result. Congrats to Drawn & Quarterly for bringing these artists to us, for celebrating 25 years of beautiful high weirdness, and for producing this impressive and yummy book. The ink smell of it alone will make a book nerd’s eyes roll back in her head.
Professional toy designer Ryan Whearty has come up with several cool 3D designs featuring the Meltdown Comics mascot, which was designed by cartoonist Daniel Clowes. To celebrate the Daniel Clowes book launch event at Meltdown in Los Angeles on June 5th, the store is inviting owners of 3D printers to bring their machines to the store and participate in a group toy-printing session.
If you'd like to participate, send email to firstname.lastname@example.org.
If you had the power to erase your mistakes, what would you do? Would you change big things, little things? How about every single seemingly insignificant thing you did today? That’s the question in Seconds, when Katie, a young chef aspiring to own her own restaurant, discovers a magical mushroom that allows her to “revise” her mistakes. Immediately she uses the power to course correct every aspect of her life, from arguments with friends to bad business decisions. As you’ve probably guessed, things quickly spiral out of control, often in humorous ways.
The book itself is pretty; the full-color artwork is drawn in a style similar to the Scott Pilgrim cartoony-ness that made author Bryan Lee O’Malley famous. The pages have a painted quality and the panels are bordered with a ton of white space on the top and bottom so you can never forget that you’re reading a book. This design feels thematically important to the story, as Katie is constantly forced to question her reality and we are constantly reminded that the story isn’t “real.” A handful of full page illustrations creep in to surprise you with how awesome they look: the two-pager of the Seconds basement is something I would hang on a wall. The book has a cool hardcover design with a dust jacket that interestingly does not cover the entire book, making this a great addition to any bookshelf. – Alex Strine
There is a certain novelty in trying to leaf through a book that is bigger and heavier than the coffee table it rests on. Thankfully, the hernia is worth it, with Marvel teaming up with Taschen and putting out a gorgeous repository of comic book history guided by Marvel Comics veteran, Roy Thomas. The book thankfully takes advantage of its massive size, reprinting iconic scenes from Marvel’s history in the original large format that artists draw their pages. This allows the reader to be able to enjoy the details hitherto not possible, especially for those images from older issues which suffered from poor production and printing processes. Definitely a purchase well worth it for anyone who is interested in seeing how much the company has changed over these past 75 years. However, you should be warned that the information within is so engrossing that loss of blood-flow to your legs may happen thanks to the mighty book’s weight! – Ahmed Bhuiyan
The Silver Age of Comic Book Art is a sparkly remastered new version of the long-out-of-print coffee table book that first came out ahead of its time in 2003, before all the beautiful Chip Kidd-designed superhero books, before many do-gooders depicted in these pages – Captain America, The Flash, Thor, Green Lantern, The Avengers, Dr. Strange, Green Arrow, Nick Fury and more – made it to the big & little screens. IMHO, more so than any other book on the subject, and more even than the bombastic blockbusters, this book manifests the magic and majesty of the Marvel and DC classic comics and characters from The Silver Age (1956-1970) and does so by focusing due attention on eight artists responsible for their creation: Carmine Infantino, Steve Ditko, Jack Kirby, Gil Kane, Joe Kubert, Gene Colan, Jim Steranko, and Neal Adams.
By way of uberdynamic spreads chockfulla judiciously juxtoposed images, ouvre-compressing cosmic collages, and the hubris-if-it-wasn’t-done-right method of replacing words in original comic balloons with choice quotes from the artists themselves, Schumer achieves the fantastic feat of making the reader experience the awe a kid in 1964 must have felt upon first gazing upon an earth-shattering Jack Kirby spread in Fantastic Four, or having Neal Adams’ art in Green Lantern / Green Arrow punch you in the face with its wrenchingly emotional realism, or being thrown off-kilter by the angular other-dimensionality of Steve Ditko’s Dr. Strange.
Appropriately, two of comics’ most influential writers wax testimoniacal, in their signature styles, about this sublime celebration of super artists:
Alan Moore: “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. Read the rest
In my spare time, when I'm not protecting wildlife with the National Wildlife Federation or guest-blogging for Animal Planet and here at Boing Boing, I'm also the co-host of a podcast called The Elfquest Show, about one of America's longest-running fantasy series, with my fellow uber-geek Ryan Browne.
I was lucky enough to sit down with series' creators Wendy and Richard Pini to record this interview for the show. We talked about the events of the latest Elfquest story arc called The Final Quest, the difference in fan reactions today versus 36 years ago when the series premiered, and a lot of other juicy tidbits.If you're an existing Elfquest fan, or are just curious about the series, give it a listen.
Boing Boing will remember that The Final Quest story arc of this epic, long-running fantasy series launched right here a couple of years ago. The series is now several issues in and is published both in print and digitally by Dark Horse Comics. Read the rest