The London Review of Books visited Austin and learned some fascinating things about hardware depreciation:
‘This IBM mainframe was $8.7 million in 1983,’ he told me when I went to see them. ‘Which in today’s money is $24 million. I mean, that’s astronomical. And they’re scrapped after four years. That’s it. Scrap.’ He points to another. ‘The Fujitsu supercomputer, I think it depreciated at £16,000 a week for three years. Then it was zero.’ Behind the IBM and the Fujitsu are more machines: DECs, Wangs. ‘I just take them all home. I preserve them. I just collect them, because I like them. And I’ve got the sheds, so I just put them in.’
The visit to Austin's shrines to obsolescence makes for almost poetic reading -- especially the story of 2005's 64th-fastest machine in the world, whose former owner traded away half its processor boards for chocolate bars.
Above, video evidence of my short presentation "Just Say Know: A Cyberdelic History of the Future" at the recent Lift Conference 2014 in Geneva, Switzerland. Albert Hoffman first synthesized LSD in 1938 in Switzerland so this felt like the right set and setting to share stories about the intersection of psychedelic culture and computer technology from the 1960s to the present and beyond!
Jeffrey Stephenson's most elegant handmade PC yet comprises 167 handcut veneers, made of quilted maple, mahogany, lacewood and "aircraft grade birch plywood." Inside is a Gigabyte Thin Mini-ITX motherboard with an Intel Core i3 processor, 8GB RAM and a 60GB SSD, but specs hardly matter when the chassis is so beautiful. [Slipperyskip]
It's watching us, and this is what it sees. Mike Pelletier explores quantified emotions in software, in collaboration with Subbacultcha! and Pllant / Marieke van Helden [Video Link]
With a new trailer out to promote Kutcher-starring biopic Jobs, Apple co-founder Steve Wozniak has new thoughts on the movie—not all of them negative. [Jesus Diaz / Kinja]
Charlie Warzel: "THIS is what google's self driving car can see. So basically this thing is going to destroy us all." [via Matt Buchanan]
There's a dark cloud hanging over the science of climate change, quite literally. Scientists today have access to supercomputers capable of running advanced simulations of Earth's climate hundreds of years into the future, accounting for millions of tiny variables. But even with all that equipment and training, they still can't quite figure out how clouds work.
Sometime between 1956-1958 an unknown IBM employee wrote a punchcard program that displayed the above pin-up girl on the screens of the US military's two billion dollar Semi-Automatic Ground Environment (SAGE) computers. Some say that the program was a diagnostic tool that showed the pin-up as a data transfer test. Others contend that it was just geek fun. The Atlantic's Benj Edwards tells the story of what was one of the first pieces of figurative computer art. "The Never-Before-Told Story of the World's First Computer Art (It's a Sexy Dame)"
Invented in 1801, Jacquard looms are really an add-on to already existent mechanical loom systems, which allowed those looms to create patterns more complex and intricate than anything that had been done before. The difference: Punch cards.
When you weave, the pattern comes from changes in thread position — which threads were exposed on the surface of the cloth and which were not. But prior to the Jacquard loom, there were only so many threads that any weaver could control at one time, so patterns were simple and blocky. Essentially, the Jacquard system vastly increased the pixels available in any weaving pattern, by automatically controlling lots and lots of threads all at once. Punch cards told the machine which threads were in play at any given time.
It's a really cool process, and I wanted to share a couple of videos that give you a good idea of how these looms work and how they changed the textiles industry. You can watch them below. But probably the best example is the image above. It's a picture of Joseph-Marie Jacquard, woven in silk on the loom he invented — a fantastic demonstration of the design power that loom offered. In just a few years, people went from weaving simple stars and knots, to weaving patterns that almost look like they were spit out of a printer.
Read the rest