Mine wears a bow-tie, but I'd bet he's into a Princess Leia halloween!
Look at this poor cat!
I had forgotten how goofy the monster noises were in the epic Kirk vs Gorn battle. With this excellent mask and a few groans you too could rough up Starfleet's more daring Captain.
Evidently you'll need to make your own body suit, but the mask looks nicer than the actual prop.
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a "weird-oh," a "derelict," a ghoul, a mummy, Frankenstein's monster, Quasimodo, Mr Hyde, "split face," and more. Read the rest
While at Make: for many years, I had the pleasure of working with and getting to know Shawn Thorsson, author of Make: Props and Costume Armor. Shawn was one of the first serious amateur prop builders that we featured. He and one of his Space Marine costumes even made it onto the cover of the magazine. When Shawn launches a project, he’s like a torpedo in the water. You either get out of the way or you prepare for impact. You can feel this passion for what he does (and how he does it), in person, on his project blog, and thankfully, in the pages of this wonderful new book from Make:.
I love the way Make: Props and Costume Armor is organized. There is an amazing set of sci-fi costume armor and a prop gun (from a comic book called The Final Hunt) on the front cover and a Wolf Warrior costume on the back. The bulk of the book is taken up with each chapter detailing one of the elements of each costume. If you make all of the projects from the book, you will end up with these two very different types of weapons and armor, one sci-fi, one fantasy.
Each chapter examines a different prop-making technique, from vaccumforming to 3D modeling using Pepakura software, to working with EVA foam, and finally, finishing, painting, and weathering. While the book is an amazing introduction and beginner’s guide to prop construction, the text is peppered throughout with enough expert tips and tricks to make this relevant to prop makers and cosplayers of any level of expertise. Read the rest
Vancouver makeup artist Mimi Choi has a Hallowe'en-themed series of confounding dazzle face makeup pics in her feed that will give you the best kind of headache, and possibly some very good last-minute costume ideas. Read the rest
IMGURian Ryan S. Miller posted this wonderful series of images: “Here is Jeremy's Costumer this year...The Ghostbusters Ecto-1!”
“Every year we've tried to step up the scale of the costume builds we do for Jeremy,” Ryan says. “This year we put it to a vote and our friends choose the Ghostbusters Ecto-1!”
Check it out in action, below.
Stephanie Pokorny freehand crocheted this out-of-this-world E.T. the Extra-Terrestrial costume for her son Jack, age 2! The project took her four days.
"He is free handed and made with no pattern," she said. "I literally just tried it on him as I created and stopped when it fit right!"
"Grab a Phone, ET needs to call home! New “HumanGurumi!”" (Crochetverse) Read the rest
Halloween is here and it was time for some new face paint. These crayons are very easy to use.
A bit less exact than a brush, these crayons are a fast and simple way to put paint on whomever is your canvas. The 12 colors are bright, and vibrant; showing well against the various skin colors in our household. Soap and warm water washes it right off.
I suggest wearing latex gloves as you apply it, the paint doesn't dry and gets a bit slippery on my fingers.
Great for use on your budding juggalo!
The October issue of Make is focused on making props and costume armor (natch!) and on the website, master propmaker Shawn Thorsson shares an elaborate and fearsome set of instructions for making your own gigantic, embossed battle-axe. Read the rest
San Diego Comic-Con International has concluded for 2016, but these amazing photos of dedicated cosplayers at the event will live on.
But Jacky Chen, who manages the Jinhua Partytime Latex Art and Crafts Factory, believes that Trump will win and his mask will sell out. Read the rest
After Gene Wilder saw early sketches of his costume for the 1971 film Willy Wonka & the Chocolate Factory, he had some strong opinions to share with director Mel Stuart. From Letters of Note (via Dangerous Minds):
Read the rest
I’ve just received the costume sketches. I’ll tell you everything I think, without censoring, and you take from my opinion what you like.
I assume that the designer took his impressions from the book and didn’t know, naturally, who would be playing Willy. And I think, for a character in general, they’re lovely sketches.
I love the main thing — the velvet jacket — and I mean to show by my sketch the exact same color. But I’ve added two large pockets to take away from the svelt, feminine line. (Also in case of a few props.)
I also think the vest is both appropriate and lovely.
And I love the same white, flowing shirt and the white gloves. Also the lighter colored inner silk lining of the jacket.
What I don’t like is the precise pin pointing in place and time as this costume does.
I don’t think of Willy as an eccentric who holds on to his 1912 Dandy’s Sunday suit and wears it in 1970, but rather as just an eccentric — where there’s no telling what he’ll do or where he ever found his get-up — except that it strangely fits him: Part of this world, part of another. A vain man who knows colors that suit him, yet, with all the oddity, has strangely good taste.