Kate Sheppard at Mother Jones writes about a trove of new photographs documenting the aftermath of the Deepwater Horizon disaster, which released nearly 5 million barrels of oil into the Gulf of Mexico two years ago.
In the midst of the disaster, BP and its contractors did everything they could to keep people from seeing the scale of the disaster. But new photos released Monday offer some new insight to just how grim the Gulf became for sea life.The images were released in response to a Freedom of Information Act Request that Greenpeace filed back in August 2010, asking for any communication related to endangered and threatened Gulf species. Now, many months later, Greenpeace received a response from the National Oceanic and Atmospheric Administration (NOAA) that included more than 100 photos from the spill, including many of critically endangered Kemp's Ridley sea turtles dead and covered in oil.
More photos and more about what they reveal at Mother Jones. Read the rest
The Nation's Greg Mitchell has a new book out about the strange saga of color video, shot in Hiroshima and Nagasaki after the nuclear bomb attacks, which was suppressed for nearly 40 years. You can see a couple of clips from that video in the trailer he's put together for the book.
In the weeks following the atomic attacks on Japan sixty-six years ago this week, and then for decades afterward, the United States engaged in airtight suppression of all film shot in Hiroshima and Nagasaki after the bombings. This included vivid color footage shot by U.S. military crews and black-and-white Japanese newsreel film.
The color US military footage would remain hidden until the early 1980s, and has never been fully aired. It rests today at the National Archives in College Park, Maryland, in the form of 90,000 feet of raw footage labeled #342 USAF.
When that footage finally emerged, I spoke with and corresponded with the man at the center of this drama: Lt. Col. (Ret.) Daniel A. McGovern, who directed the US military film-makers in 1946, managed the Japanese footage, and then kept watch on all of the top-secret material for decades. I also interviewed one of his key assistants, Herbert Sussan, and some of the Japanese survivors they filmed.
Now I’ve written a book and e-book about this, titled Atomic Cover-up: Two US Soldiers, Hiroshima & Nagasaki, and The Greatest Movie Never Made.
What I think is particularly striking about the clips in Mitchell's preview video: They're heart-wrenching, but, at this point, not particularly shocking. Read the rest