YouTuber thepoultrypeople creates very crafty items like vape pen holders, with the added twist of burning Lichtenberg figures into them with electricity, then pouring in glow-in the dark pigments. Read the rest
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It’s a book of step by step drawing instructions. All you need is a ruler, compass, pencil and pen. While the geometry behind theses patterns is enormously sophisticated, actually drawing out the shapes is surprisingly easy and relaxing. It’s also a fun and painless lesson in geometry, especially for those of us not inclined towards math..
Beyond graffiti. The artists featured in Street Craft apply non-paint to the urban landscape. Instead of spray cans they use yarn, cloth, plastic, plants, and sculpture. This “street crafting” is full of surprises in ways that are original and brilliant, witty and profound. The craftsmanship is excellent. The concepts can be subversive, or uplifting. Think of it as public art without permission. The book is a glorious catalog of some of the best pieces which have appeared on streets of the world. No matter what you create, they’ll be some great ideas here.art Read the rest
The Minnesotastan says: "One of my prized possessions is a walking stick that was hand-carved for me by an elderly man in Kentucky when I used to live and work there. The one above was carved by a craftsman in Oregon from a single stick of wood. Here is his video documenting the process."
“Our dog Buddy has become blind because of cataracts. My fiancé has made him this bumper harness so that he can confidently walk around the house without hurting himself!” Read the rest
The all-caps and the exclamation points are mandatory. Read the rest
Author Michael Lind weighs in with this thought-provoking essay about what happens when an art form shrinks to a niche market. Using literature and architecture as examples, he organizes major and minor arts horizontally, based on audience size: Read the rest
Here's a great tutorial for using ribbon, baubles, and googly eyes to honor the Christmas Spirit intrinsic in the Teenage Mutant Ninja Turtles with your festive Krampusbush. Read the rest
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and its attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.