You don't want to be in a car that gets struck by lightning in this town. It happened to the the folks in this car, and within seconds a mob of zombies dressed in black surrounded the car and presumably devoured the occupants. Read the rest
In 2014, Cory described it as follows:
Hundreds of clowns stare from every corner, the walls are hung with clown-portraits, and there is a "historic miners' cemetery" out the motel's back door, wherein rest the mouldering corpses of the victims of a mysterious epidemic that is only known as "Tonopah plague."
Now it can be yours for $900,000.
According to LasVegasNow.com, the motel's current owner (of 22 years) Bob Perchetti is selling it so he can retire, "I'm going to go fishing. I want to go enjoy myself. I'm going to do a little camping with the grandkids."
One condition of the sale: "the new owners can upgrade it but don't lose what the people love."
Wait, does that mean the clowns or the corpses? Either way, no thank you. Read the rest
The Apprehension Engine is a custom-made musical instrument designed to produce the scary, tension-building noises associated with horror movies, but without the all-too-obvious digital chopping and synthesizing invariably involved. The result is something organic and seamlessly natural—something that goes beyond fear and fright to nail you to some deep Jungian place so completely you become a part of it. And she says I'm hard to shop for!
Christopher Bickel at Dangerous Minds:
“The Apprehension Engine,” as it is called, was created by Canadian guitar maker Tony Duggan-Smith as a “one off” for Mark Korven, who is best known for his soundtrack work on The VVitch.
Compare to the classic analogue horror instrument, the waterphone:
Is this the teaser for Portal 3? The disarray, scattered equipment, and posters on the wall seem like the work of a thoughtful set decorator. But, as Sean Hannity likes to say, "Wow if true."
While walking through the territory of a factory, located in the industrial area of the city, I noticed a weird concrete block with a metal gate on the side of it. I opened it and a latter climb later I was in a dark, small tunnel leading to an underground bomb shelter/safe house. Read the rest
The Australian reports on a leaked memo -- described but not published -- marked "confidential" and created and distributed internally by Facebook that describes how the system's surveillance tools can identify children and teens in "insecure" moments when they "need a boost," explaining that they had identified markers to tell them when a young person was feeling "stressed", "defeated", "overwhelmed", "anxious", "nervous", "stupid", "silly", "useless", and a "failure." Read the rest
The Canada Science and Technology Museum had the best worst idea of all time: they stripped the fur off a Tickle Me Elmo to show kids how it works.
Bonus video: a classic of the little robot demon afire:
Lauren Duca, a writer for Teen Vogue, recently penned a popular opinion piece about president-elect Donald Trump's constant lying. Martin Shkreli is a disgraced pharmaceutical executive who famously hiked the price of a lifesaving drug before being charged with fraud. A Trump fan, he started tweeting about wanting to date her, despite her clearly finding it unwelcome and ultimately harassing, then took his remarks to direct messages. When she finally, publicly told him to get lost, he downloaded a photo of her, photoshopped his own head onto that of her partner, and made it his Twitter background. Then Twitter itself finally got sick of his shit and suspended him. Read the rest
The implicit appeal of these, I think, is that they were originally intended to be creepy, but have become unintentionally creepy. The primary amused-children creepiness of an one era becomes the unsettled-adults creepiness of another, but it's not really the same thing performing the work in each case. And, maybe, the real creepiness is in our appreciation of how the object slowly acquires its secondary creepiness. Read the rest
A flashlight review that begins with the promise "I'm about to hike through a remote canyon to an abandoned mine, and I gotta tell you there's a storm raging outside" should end on an interesting note, and this one does. [via]
Disturbing, strange sounds. That's exactly what I caught on video while filming and documenting the abandoned Waldeck Mine using the ThruNite TN12 flashlight. The Waldeck Mine is an abandoned gold mine located deep in a forested canyon in the high country. I went there on a stormy night in order to document the mine while reviewing and demonstrating ThruNite's excellent TN12 handheld flashlight. The abandoned mine itself is over 150 years old and still has a lot of awesome yet dangerous timbering in its furthest reaches. There are upper levels in the Waldeck Mine, but I only explored and documented the main haulage tunnel.
The ghostly AMSR action starts about 12:15 in.
Witchgadget.com is available! Read the rest
"I want to show you something," intones Mister Rogers, showing these pikers how he's been terrifying children with his creepy clown prank since 1968. Read the rest
A "death put" on a certificate of deposit means that the bond matures immediately upon the bearer's death, rather than when its term runs out: they're used as a form of life-insurance, cushioning the blow to loved ones from unexpected death, and they can be held jointly, so that the bearer's heirs and a third party get a payoff on death. Read the rest
Claire Hentschker's virtual reality trip through The Shining is even more unsettling than it sounds: thirty minutes of scenes from the movie extruded into 3D, so you can look around in all directions as the camera slowly takes you along. Yet the models are all incomplete, taken as they are from Kubrick's footage, leaving the impression of looking into the Overlook and its surrounds from a timeless, warped, supernatural viewpoint. Which is to say: it's perfect.
Shining360 is a 30-minute audio-visual experiment for VR derived from the physical space within Stanley Kubrick’s film ‘The Shining.' Using photogrammetry, 3D elements are extracted and extruded from the original film stills, and the subsequent fragments are stitched together and viewed along the original camera path.
Many thanks to the Studio for Creative Inquiry. All content derived from Stanley Kubrick's The Shining
Weirdo remix artist Vic Berger slap-chopped together this creepy and hilarious edit of Melania Trump’s recent campaign speech for her creepy and no longer hilarious husband, presidential candidate and noted total shitbag Donald Trump.