Salon's got a blood-boiling interview with Aaron Kupchik, author of Homeroom Security: School Discipline in an Age of Fear
, a close look at four very different US schools. Each school has a different demographic and different location, but the thing they all share is a set of zero-tolerance policies that turn them into Kafka-esque nightmares:
They started in the '90s, and they were spurred by the federal government's Safe and Drug Free Schools Act, which required schools to implement zero tolerance for certain things like weapons. What schools have done across the country in the last 15 years is to expand greatly what falls under zero-tolerance policies. So they extend to not just deadly weapons and drugs but sometimes fighting and prescription drugs and other types of substances. What they mean is that if you're caught violating this broad rule, there's no discussion and no elaboration of why you did this. No investigation. We just punish you with the one-size-fits-all punishment.
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We're teaching kids what it means to be a citizen in our country. And what I fear we're doing is teaching them that what it means to be an American is that you accept authority without question and that you have absolutely no rights to question punishment. It's very Big Brother-ish in a way. Kids are being taught that you should expect to be drug tested if you want to participate in an organization, that walking past a police officer every day and being constantly under the gaze of a security camera is normal.
Here's video of the triumphant success of an elaborate kids' Rube Goldberg machine, created at an "informal Rube Goldberg summer camp for kids ages 3-8." I know nothing about this summer-camp, but it seems like one of the great Good Things of our era -- especially judging from the awesome elation of the kids after the successful run!
How to Get a Beach Ball Into a Galvanized Bucket (the Hard Way)
OK Go's Rube Goldberg music video
Rube Goldberg rat-run sends a neutral balloon through dozens of ...
RFID Rube Goldberg device
Rube Goldberg Machine animation from Sesame Street
Rube Goldberg Cream Egg killer
Ideal toy commercials from 1963
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My latest Locus Magazine column, "Proprietary Interest," talks about the way that our instinctive ownership claims over the stuff we find and post to the Internet do more harm than good. When we claim that public domain images, interesting links, or other net-fodder are "ours," we invite a muddle in which others make even more compelling ownership claims. For example, if the old public-domain Lysol ad
you scan is "yours," then why shouldn't it be Lysol's
?. This is a world in which we spend all our time arguing about whose interest is most legitimate, instead of sharing, discussing, criticizing and enjoying the world around us.
Any ethical claim to ownership over a scan of a public domain work should be treated with utmost suspicion, not least because of all the people with stronger claims than the scanner! To be consistent with the ethical principle that one should never use another's work without permission (regardless of the law or the public domain), every scanner would have a duty to ask, at the very least, the corporations whose products are advertised in these old chestnuts (the very best of them are for brands that persist to today, since these vividly illustrate the way that our world has changed - for example, see the very frank Lysol douche ad). For if scanning a work confers an ownership interest, then surely paying for the ad's production offers an even more compelling claim!
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And the publishers of the magazines and the newspapers - to scan is one thing, but what about the firm that paid to physically print the edition that we make the scan from?
TipEx (a Commonwealth analogue for Wite-Out and other correction-tape products) has an ingenious and engaging YouTube marketing campaign: a video called "NSFW: A hunter shoots a bear," branches off into a kind of video-text-adventure, where you are invited to type verbs into a box and see what the bear and the hunter do with one another (you can get funny results out of "fuck," of course, and also "gets high with" and "dances" -- I'm sure there's more). It's a kind of next-generation Subservient Chicken, and the (no doubt blisteringly expensive) creative reworking of YouTube's familiar user-interface makes it even more click-trancey than its forebears.
This is how to use YouTube to sell a product.
Subservient Chicken's X-Rated Bits Exposed by Code
Food Porn -- Burger King Subservient Chicken
HPOA (HOPA?) girl "Jenny Whiteboard" is obvious troll LULZ - Boing ...
Lego boulder threatens civilization. Update: ugh, "stealth" viral ...
Motorola, could you please tell your viral marketer to get out of ...
Cellphone popcorn hoax revealed as viral marketing scam - Boing ...
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Case Study: LSD
, a PSA produced by Lockheed Aircraft (!) in 1969. Read the rest
Copyfighting banjo-picker Patrick Costello has a new book of free/open banjo tunes: Songs for Sunday
: "In this book you will find a selection of hymns, country gospel and even some blues
songs arranged for frailing banjo. The arrangements presented here blend melody and
rhythm so that you can sing along with the banjo and still be able to knock out a solo
once in a while. The accompanying DVD contains video workshops where I walk you
through each song." (Thanks, Patrick, via Submitterator!
) Read the rest
Dr. Silvia Knobloch-Westerwick (Ohio State) and Matthias Hastall, (Zeppelin University, Germany) have published an article in the Journal of Communication
with their research showing that old people love to read stories about young people doing stupid things because it makes them feel better about being old. The study was conducted using 178 German adults aged 18 to 30 and 98 between 55 and 60. I have no idea if this is a valid statistical sample, but since it confirms my own feelings about old people, I will trust its results.
All the adults in the study were shown what they were led to believe was a test version of a new online news magazine. They were also given a limited time to look over either a negative and positive version of 10 pre-selected articles.
Older people enjoy reading negative stories about young
Each story was also paired with a photograph depicting someone of either the younger or the older age group.
The researchers found that older people were more likely to choose to read negative articles about those younger than themselves. They also tended to show less interest in articles about older people, whether negative or positive.
But younger people preferred to read positive articles about other young people.
) Read the rest
IO9's Annalee Newitz has posted a great syllabus and book list for novice students of science fiction literature
, filled with good suggestions for getting started in the field. Read the rest
A couple weeks ago, I posted
about a new scientific paper looking at how an increased understanding of psychedelic drugs may lead to new anti-depressants. Over at Science Blogs, neuroscientist Moheb Costandi responds in a fascinating essay on "The Secret History of Psychedelic Psychiatry." From the article:
LSD therapy peaked in the 1950s, during which time it was even used to treat Hollywood film stars, including luminaries such as Cary Grant (at left, dropping acid). By then, two forms of therapy had emerged. Psychedelic ("mind-manifesting") therapy was practised mostly in North America and involved intensive psychotherapy followed by a single megadose of LSD. It was thought that the transcendental experiences induced by such large doses, as well as heightened self-awareness, would enable the patient to reflect on their condition with greater clarity. Psycholytic ("mind-loosening") therapy, on the other hand, was practised mostly in Europe, and involved regular low to moderate doses of the drug in conjunction with psychoanalysis, in order to release long-lost memories and reveal the unconscious mind.
"The secret history of psychedelic psychiatry
An article about Cary Grant's fondness of LSD
Psychedelics to treat depression
LSD as therapeutic tool
French village went insane after CIA spiked its bread with LSD ...
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Several hundred merry pranksters of Improv Everywhere descended on Coney Island/Brighton Beach dressed in black tie. Founder Charlie Todd says, "We covered a mile-long stretch of beach with a diverse group of people of all ages (from babies to sixty-somethings) laying out, playing games, and swimming in the ocean, all in formal wear. Agents were instructed to find cheap tuxedos and ball gowns at thrift stores for the occasion." Black Tie Beach
Food Court Musical, by Improv Everywhere
Improv Everywhere: mass twins on subway
Improv Everywhere welcomes strangers arriving at JFK airport ...
Improv Everywhere: Star Wars Subway Car
Latest Improv Everywhere perfomance: man gets "lost" at Knicks ...
Subway yearbook photos from Improv Everywhere
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Aram Sinnreich sez, "Truthdig.com just published an excerpt from my new book, Mashed Up: Music, Technology & the Rise of Configurable Culture.
The book is about how the legal, ethical and aesthetic battles over mash-up culture and sample-based music prefigure larger arguments over the shape of society in the networked age. It also argues that some of the answers that DJs have found might point the way towards a new social structure for the 21st century.
This particular excerpt is about the blurring line between 'artist' and 'audience,' and the legal and political implications of the newly gray area in between."
The biggest myth of all is the Romantic notion that artists somehow create their work uniquely and from scratch, that paintings and sculptures and songs emerge fully-formed from their fertile minds like Athena sprang from Zeus. Running a close second is the myth that only a handful of us possess the raw talent - or the genius - to be an artist. According to this myth, the vast majority of us may be able to appreciate art to some degree, but we will never have what it takes to make it. The third myth is that an artist's success (posthumous though it may be) is proof positive of his worthiness, that the marketplace for art and music functions as some kind of aesthetic meritocracy.
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Of course, these myths fly in the face of our everyday experience. We know rationally that Picasso's cubism looks a lot like Braque's, and that Michael Jackson sounds a lot like James Brown at 45 RPM.
The Library of Congress has just opened up 222 boxes' worth of files and papers on Fredric Wertham, the scaremonger whose book Seduction of the Innocent
led to widespread bans, burnings and censorship of American comic books. Wertham wasn't just a nutcase pro-censorship crusader: he was also (paradoxically), a civil rights pioneer who worked for racially integrated education in America (he also appeared in defense of Ethel Rosenberg, later executed for spying for the USSR).
Among the items in the Library's collection of Wertham's papers is a selection of comics he deemed offensive, with notations he wrote inside.
Papers of Comic-Book 'Villain' Open at Library
His copy of "Kid Colt, Outlaw" (1967) includes a note that of the 111 pictures, 69 were scenes of violence. An issue of "Justice League of America" (1966) includes markings calling attention to the sounds of violence like "thudd," "whapp" and "poww."
In addition, Wertham's papers include patient drawings and his analysis of those sketches. He writes of a young patient: "This case demonstrates the confusion created by comic books between fantasy and reality ... cruelty in children's play especially directed against girls."
Wertham testified six times under oath on the harmfulness of comic books, including providing testimony before the Senate Subcommittee on Juvenile Delinquency. Though the committee's final report did not blame comics for crime, it recommended that the comics industry tone down its content voluntarily, thus resulting in the Comics Code Authority.
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