In the 1960s, book designers gave many science and psychology paperbacks glorious avant-garde and op art covers. Henning M. Lederer just released his second collection of animations of these fine book jackets! Below is the first, from 2015.
Forty years ago this month, NASA launched two spacecraft, Voyager 1 and 2, on a grand tour of the solar system and beyond, into the mysteries of interstellar space. Mounted to each spacecraft is a golden phonograph record, a message to introduce our civilization to extraterrestrials, perhaps billions of years from now. The Voyager Golden Record tells a story of our planet expressed in sounds, images, and science. The Voyager Golden Record is a gift from humanity to the cosmos, but it’s also a gift to humanity. It lies at the intersection of science and art to spark the imagination, and delivers a dose of hope that so many of us are jonesing for these days. Two years ago, my friends Timothy Daly, Lawrence Azerrad, and I embarked on a long journey to release the Voyager Golden Record as a box set of vinyl LPs so those on Earth can hear it as it was meant to be played. We were humbled by the incredible support our project received. (You can read about our experience in the project updates here.)
Ten months after our Kickstarter ended, the enthusiasm and excitement around the Voyager anniversary and the golden record continues to increase. We feel very fortunate that the story of this historical artifact resonates with so many people! As promised, we will never reproduce the Kickstarter "40th Anniversary Edition" box set again. Our Kickstarter backers took the journey with us and we are deeply grateful. However, for those who were not able to participate in the Kickstarter, we have decided to repress the Voyager Golden Record in a different edition than the one our Kickstarter backers will receive. Read the rest
Artist Annie Owens’ exhibition titled “A Place Worth Knowing” will be on display at La Luz De Jesus gallery in LA from August 4th-28th. If you can’t make it to the gallery, you should definitely check out her work on her website here.
Annie’s watercolor paintings are delicately haunting. They simultaneously look like antique photographs and scenes out of an eerie fantasy world. Her work features desolate landscapes and floating houses. The women in her paintings are isolated, ghostlike, and almost appear to be translucent. Here is an excerpt from Annie’s artist’s statement about “A Place Worth Knowing”:
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As one of my favorite authors Algernon Blackwood put it, “No place worth knowing yields itself at sight, and those the least inviting on first view may leave the most haunting pictures upon the walls of memory.”...Taking my queues from Blackwood’s quote, “A Place Worth Knowing” allegorically speaks to our habit as humans of turning away from the seemingly unknowable in ourselves and in others. Preferring to view the strange and unusual from a safe distance in much the same way mysterious and unexplored mountain ranges appear daunting and unreachable – opting to observe rather than to interact.
You may now enjoy the Tron Legacy Encom user interface in HTML. The original, as depicted in the movie, was designed by Bradley Munkowitz; the recreation defaults to github feeds, but has all sorts of possibilities to fool around with, such as Wikipedia (pictured) and the weather.
README .TXT END. PROGRAM
Hello User. This is a reproduction of the graphics in the boardroom scene in Tron: Legacy. If you have not seen that movie, check out this background material on the making of that scene before proceeding.
To make this a bit more fun, the boardroom is configured to visualize live updates from Github and Wikipedia, with more streams to come. Click on a stream in the window to the right to continue.
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This is a font created to exemplify everything sophisticated and elegant about postwar France. Yet over the course of the 21st century, Mistral has become positively unmoored a font just as likely to be used on a cheap tube of lip gloss or the flickering neon sign of an Amsterdam porn shop as it is on the label of your sandals, or the side of your uncle’s yacht.
Comic Parchment is a font combining the best elements of the world's two most widely-loved and respected faces: Comic Sans and Papyrus.
Comic Sans accurately and elegantly translates classic comic book charm to the digital context, and Papyrus adds a soulful, mouth-wateringly ragged contour to its otherwise classic serifs. But only Comic Parchment weds the two in a perfect pop-culture marriage of whitebread childishness and ersatz ethnic ambiguity.
How will we live in 20 years? Or 50? Or 100? A one-of-a-kind, only-in-LA plot at the very end of Mulholland Highway inspired some of the world's best designers to think hard about the home of the future, in Los Angeles and beyond.
This is the first episode of Season 5. You can catch up on the whole series at the iTunes Store... and while you're there, if you get a minute to leave the show a rating and review that'd be much appreciated. It's a small thing that makes a big difference in spreading the word.