The Minim+Aid is a "minimalist survival kit" from Japanese design firm Nendo that features "a whistle to alert others of one’s presence, a radio [that can also charge your phone], raincoat, lantern, drinking water and a plastic case, all packaged inside of a 5cm wide tube that is waterproof and floats." Read the rest
Architects love to render their buildings covered and ringed in trees: trees that sprout from balconies, dot roofs, climb walls. Read the rest
Their creators have mastered the discipline of interaction design and brought it to new heights… when it comes to consumer experience. Uber, Munchery, Postmates, and many apps are exquisitely designed, sometimes even addictive for users. They make previously laborious processes effortless and seamless. No hassles with paying, calling, talking. Swipe your phone with a finger and voila: your ride, your meal, your handyman magically appear.
But the apps are not only platforms for consumption. They are quickly becoming our entry points for work, gateways to people’s livelihoods. In this sense, whether or not platform creators realize it, they are engaging in another kind of design, socioeconomic design, the design of systems that people will rely on to structure their work, earnings, daily schedules. And here we find ourselves in the same phase as interaction design was decades ago — the inmates are running the asylum. The stakes, however, are much higher; instead of just convenience, we are talking about people’s livelihoods.
In 2011, the Norwegian design studio Skrekkøgl scuplted a massive 50-Euro-cent coin and shot it from above with a tilt-shift lens alongside numerous full-sized objects to make them seem to be cunning miniatures. Read the rest
Back in the 1970s, a 14-year-old boy walking down a residential street in Springfield, Missouri found a cool-looking handmade, hand-bound book in a pile of trash. He opened the book to find 283 drawings, each on a ledger sheet with either “State Hospital No. 3” or “State Lunatic Asylum No. 3” printed at the top. The drawings depicted people in 19th-century clothing, Civil War soldiers, steamboats, antique cars, animals, and brick institutions. The boy held on to the book for 36 years.
In 2006, the boy (now obviously a man) decided to unload the art portfolio. He also wished to remain anonymous and, after contacting a retired professor of Missouri State University about the book, he vanished from this story without a trace. After a couple of bounces, the book ended up in the hands of art dealer and artist (fabulous sculptor!) Harris Diamant, who researched and traced the mysterious art book back to its original owner.
The creator of the book was James Edward Deeds Jr., born in 1908 and raised on a farm in southwestern Missouri. He resisted working on the farm, butt heads with his authoritarian father, and by the time he was 28 he was labeled as “insane.” He was admitted to the State Hospital No. 3 and stayed there for 37 years.
London is a ghost of all the things that were once there, and The Lost London Tube Map shows off some of the most famous forgotten landmarks. Biscuit Town and Bedlam are long gone, but others (like Vauxhall Pleasure Gardens) are still around to be rediscovered.
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Some losses are definitely for the best. Few would welcome back the public horror of Tyburn gallows, or the miserable Marshalsea Prison. Other losses are a cause of some regret: Euston Arch and the Astoria, for example. Imagine a city where Whitehall Palace still stands, and Old London Bridge yet straddles the Thames. Of course, we're barely scratching the surface. We've not included the Overground or DLR, and have limited the scope to (roughly) zone 1. A whole heap of buildings such as Watkin's Folly and the White City Olympic stadium are left out, and we don't have room to include all the important stuff lost from central London.
Belzberg Architects built the magnificent "Skyline Residence" on a ridge in the Hollywood Hills. The 5,800 home consists of two separate structures, a main house and guest house, with a gathering space between them to watch a film outside.
If your website looks like the above, it just got old. HEY LOOK, IT'S EVERY BOOTSTRAP WEBSITE EVER [adventurega.me]
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Want to make an original website yourself? Forget that! Who would ever want to put in all of that effort for a website? Just open up your web browser and type "bootstrap template" into your favorite search engine, like Yahoo! or Bing, and you're on your way! There are hundreds of templates to choose from, but go ahead and pick this same exact template from the first result on google, edit a few lines, and you're on your way! No one will notice!
GOOGLE THAT SHIT
Barcelona design firm Bel & Bel makes chairs out of the front farings of old Vespa scooters, with the option of working turn-signals (no side-mirrors in sight, alas). Read the rest
Two people made Wingdings happen: Charles Bigelow and Kris Holmes (proprietors of the firm and husband-and-wife team). As designers of the font Lucida, they crafted pioneering type uniquely suited to the digital era... They were protégés of legendary designer Hermann Zapf, whose own Zapf Dingbats font, another collection of odd symbols, broke ground when it was distributed with Apple Printers in the mid-1980s.
With Lucida, Bigelow and Holmes were at the vanguard of digital type designers. But to be complete, their font needed complementary characters that worked well with letters, so they designed them in 1990.
Originally three separate fonts called Lucida Icons, Lucida Arrows, and Lucida Stars, the fonts that became Wingdings were crafted to harmonize with text and made with similar proportions to Lucida. Users could then pluck the appropriate icon, by typing the letter assigned to it, to ornament, animate, or otherwise adorn their documents without worrying about file size or poor quality.