Shirts for copyfighters

A pair of most excellent copyfighter tees are now available from Techdirt's store. They've revived their classic DMCA notice/YouTube shirt, and added a fab "THIS T-SHIRT HAS BEEN SEIZED" ICE tee that has to be sen at full size to be fully appreciated. $29 each.

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Scorching legal response from to the unsealed US gov't docs on the illegal, sleazy seizure of its domain name

Mel from -- the hiphop blog that was seized for a year by the US government on the basis of a false and unsubstantiated copyright claim from the RIAA -- has posted the site's lawyer's memo, officially calling out the US government for its illegal participation in the RIAA's sloppy shakedown. Fenwick and West's Andrew P Bridges doesn't mince words, either:

The owner of appreciates the fact that the United States Government, on studying the matter further with all the information the RIAA could furnish, determined that there was in fact no probable cause to seek a forfeiture of the domain it had seized and held for a year.

That exoneration, however, did not remedy the harms caused by a full year of censorship and secret proceedings — a form of “digital Guantanamo” — that knocked out an important and popular blog devoted to hip hop music and has nearly killed it.

The original seizure was unjustified. The delay was unjustified. The secrecy in extensions of the forfeiture deadlines was unjustified.

Five details are notable here.

First, the seizure occurred pursuant to language the PRO-IP Act authorizing seizures of property used in connection with the making of, or trafficking in, “articles” in violation of copyright law. In that context, “articles” are physical items. The law does not authorize seizure of domains that link to other sites. So from the beginning this seizure was entirely legally unjustified, no matter what the allegations about infringement...

Second, seizing a blog for linking to four songs, even allegedly infringing ones, is equivalent to seizing the printing press of the New York Times because the newspaper, in its concert calendar, refers readers to four concerts where the promoters of those concerts have failed to pay ASCAP for the performance licenses.

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